Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5,715
of 15,890 eligible performers
Adam DiMarco works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Adam DiMarco appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Adam. Star Trek Beyond is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, horror, tv movie. It is a style built on what is withheld as much as what is played.
Working with Ian Tuason, Kevin Fair, Jerome Yoo and others, Adam DiMarco helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Star Trek Beyond (2016) as Injured Red Shirt · Emma Fielding Mysteries: More Bitter Than Death (2019) as Joe · undertone (2026) as Justin (voice)
Career snapshot
Ranked #5,715 of 15,890 eligible performers in the Nutevio catalogue.
Films in Nutevio
7
2014–2026
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
Star Trek Beyond
Average Nutevio score
5.5
Across catalogue work
Highest IMDb rating
8.0
Recess: Third Street
Most frequent director
Ian Tuason
1 film together
Longest collaboration
1×
With Ian Tuason
Most common genre
Comedy
3 titles
Average runtime
1h 12m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.4 average MV
The 2020s are where the work and the material meet. undertone — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Emma Fielding Mysteries: More Bitter Than Death, Father Neptune, Recess: Third Street.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 3.22 films | — |
| Action | 6.91 film | — |
| Comedy | 6.23 films | — |
| Crime | 3.32 films | — |
| Horror | — | 6.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014Zapped
Where our catalogue meets this career, as Adam Thompson.
Highest rated performance
2016Star Trek Beyond
6.9 on the Nutevio scale, the top of the catalogue for this performer.
Career peak · Most recent film
2026undertone
Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Justin (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Justin (voice)
Directed by Ian Tuason
as Injured Red Shirt
Directed by Justin Lin
as Dylan
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Justin (voice)
undertone (2026)
Performance score6.9
The performance the rest of the career is read through. Justin (voice) gives Adam DiMarco a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Joe
Emma Fielding Mysteries: More Bitter Than Death (2019)
Performance score6.8
Emma Fielding Mysteries: More Bitter Than Death asks for something the previous films did not, and gets it. Joe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Injured Red Shirt
Star Trek Beyond (2016)
Performance score6.8
Star Trek Beyond asks for something the previous films did not, and gets it. Injured Red Shirt is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Randall Weems
Recess: Third Street (2019)
Performance score6.6
Recess: Third Street asks for something the previous films did not, and gets it. Randall Weems is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Justin (voice)
Start here. undertone is the clearest statement of what Adam DiMarco does — accessible, 94 minutes, and rated 6.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Adam at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Star Trek Beyond (2016)
A deliberate change of key after undertone — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Emma Fielding Mysteries: More Bitter Than Death (2019)
A deliberate change of key after Star Trek Beyond — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Recess: Third Street (2019)
A deliberate change of key after Emma Fielding Mysteries: More Bitter Than Death — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Father Neptune (2019)
Keeps the drama register of Recess: Third Street but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Peter DeLuise
Director
1 film together
Notably Zapped
Justin Lin
Director
1 film together
Notably Star Trek Beyond
Jerome Yoo
Director
1 film together
Notably Recess: Third Street
Kevin Fair
Director
1 film together
Notably Emma Fielding Mysteries: More Bitter Than Death
Ian Tuason
Director
1 film together
Notably undertone
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Justin Lin
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Star Trek BeyondKevin Fair
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Emma Fielding Mysteries: More Bitter Than DeathIan Tuason
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
undertoneJerome Yoo
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Recess: Third StreetPeter DeLuise
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ZappedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Star Trek Beyond
as Injured Red Shirt
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Recess: Third Street
as Randall Weems
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Star Trek Beyond
as Injured Red Shirt
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Star Trek Beyond
as Injured Red Shirt
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
undertone
as Justin (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Adam DiMarco has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Emma Fielding Mysteries: More Bitter Than Death
as Joe
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
undertone
as Justin (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Recess: Third Street
as Randall Weems
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Emma Fielding Mysteries: More Bitter Than Death
as Joe
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Star Trek Beyond
as Injured Red Shirt
Images that would survive with the sound switched off.
Best action sequence
Star Trek Beyond
as Injured Red Shirt
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Recess: Third Street
as Randall Weems
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
undertone
as Justin (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Bonnie Hunt
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Morgan Freeman
Built a career in the same territory: action and crime
Harvey Keitel
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Matt Damon
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Have your say
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Reference
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