Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#157
of 909177 performers
Top 1%
Alfred Molina represents the rare performer whose career became more ambitious with every decade — 45 years in, and Alfred is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Alfred Molina appears in 50 films in the Nutevio catalogue, and none of them would work the same way without Alfred. Spider-Man: No Way Home is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, mystery. It is a style built on what is withheld as much as what is played.
Working with Olivia Newman, Doug Liman, Carlos Saldanha and others, Alfred Molina helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Spider-Man: No Way Home (2021) as Dr. Otto Octavius / Doc Ock · Raiders of the Lost Ark (1981) as Satipo · Remarkably Bright Creatures (2026) as Marcellus (voice)
Career snapshot
Ranked #157 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
50
1981–2026
Career length
45 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
Spider-Man: No Way Home
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
10.0
PAW Patrol. Mission Xmas
Most frequent director
Jim Jarmusch
2 films together
Longest collaboration
2×
With Jim Jarmusch
Most common genre
Drama
21 titles
Average runtime
1h 45m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.3
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.9
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
7.5 average MV
The 1980s are where the work and the material meet. Ladyhawke, Raiders of the Lost Ark — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
7.5
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Ladyhawke, Raiders of the Lost Ark.
Most productive era
2010s
19 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | — | 6.85 films | 6.76 films | 6.57 films | 7.23 films |
| Action | 8.11 film | 6.62 films | 7.32 films | 6.55 films | 7.72 films |
| Thriller | — | — | 6.91 film | 6.35 films | 7.31 film |
| Comedy | 6.91 film | 6.91 film | 6.74 films | 6.97 films | 6.64 films |
| Crime | — | 6.11 film | — | 6.51 film | 6.82 films |
| Romance | — | 6.31 film | 6.75 films | — | — |
| Horror | — | 6.21 film | — | 6.81 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Satipo.
Highest rated performance · Career peak
8.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Remarkably Bright Creatures
The current state of the argument, as Marcellus (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
50 of 50 films
as Marcellus (voice)
Directed by Olivia Newman
as Dr. Otto Octavius / Doc Ock
Directed by Jon Watts
as Doc Ock / Otto Octavius
Directed by Sam Raimi
as Diego Rivera
Directed by Julie Taymor
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Marcellus (voice)
Remarkably Bright Creatures (2026)
Performance score8.0
The performance the rest of the career is read through. Marcellus (voice) gives Alfred Molina a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Dr. Otto Octavius / Doc Ock
Spider-Man: No Way Home (2021)
Performance score8.0
Spider-Man: No Way Home asks for something the previous films did not, and gets it. Dr. Otto Octavius / Doc Ock is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Satipo
Raiders of the Lost Ark (1981)
Performance score7.8
Raiders of the Lost Ark asks for something the previous films did not, and gets it. Satipo is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Doc Ock / Otto Octavius
Spider-Man 2 (2004)
Performance score7.6
Spider-Man 2 asks for something the previous films did not, and gets it. Doc Ock / Otto Octavius is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Marcellus (voice)
Start here. Remarkably Bright Creatures is the clearest statement of what Alfred Molina does — accessible, 114 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Alfred at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Raiders of the Lost Ark (1981)
A deliberate change of key after Remarkably Bright Creatures — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Frida (2002)
A deliberate change of key after Raiders of the Lost Ark — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Spider-Man 2 (2004)
A deliberate change of key after Frida — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Spider-Man: No Way Home (2021)
Keeps the action register of Spider-Man 2 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Richard Donner
Director
2 films together
Notably Maverick
Jim Jarmusch
Director
2 films together
Notably Dead Man
Steven Spielberg
Director
1 film together
Notably Raiders of the Lost Ark
Roger Donaldson
Director
1 film together
Notably Species
Barbet Schroeder
Director
1 film together
Notably Before and After
Bernard Rose
Director
1 film together
Notably Anna Karenina
Paul Thomas Anderson
Director
1 film together
Notably Magnolia
Lasse Hallström
Director
1 film together
Notably Chocolat
Julie Taymor
Director
1 film together
Notably Frida
Isabel Coixet
Director
1 film together
Notably My Life Without Me
Sam Raimi
Director
1 film together
Notably Spider-Man 2
Ron Howard
Director
1 film together
Notably The Da Vinci Code
François Girard
Director
1 film together
Notably Silk
Joe Sichta
Director
1 film together
Notably Chill Out, Scooby-Doo!
Lauren Montgomery
Director
1 film together
Notably Wonder Woman
Lone Scherfig
Director
1 film together
Notably An Education
Mike Newell
Director
1 film together
Notably Prince of Persia: The Sands of Time
Jon Turteltaub
Director
1 film together
Notably The Sorcerer's Apprentice
Gore Verbinski
Director
1 film together
Notably Rango
John Singleton
Director
1 film together
Notably Abduction
Ryan Murphy
Director
1 film together
Notably The Normal Heart
Glenn Ficarra
Director
1 film together
Notably Whiskey Tango Foxtrot
Mark Williams
Director
1 film together
Notably A Family Man
Raymie Muzquiz
Director
1 film together
Notably Hey Arnold! The Jungle Movie
Jason Reitman
Director
1 film together
Notably The Front Runner
Phil Johnston
Director
1 film together
Notably Ralph Breaks the Internet
Edward James Olmos
Director
1 film together
Notably The Devil Has a Name
Chris Buck
Director
1 film together
Notably Frozen II
David Oyelowo
Director
1 film together
Notably The Water Man
Emerald Fennell
Director
1 film together
Notably Promising Young Woman
Francisco Ruiz Velasco
Director
1 film together
Notably Trollhunters: Rise of the Titans
Jon Watts
Director
1 film together
Notably Spider-Man: No Way Home
Charles E. Bastien
Director
1 film together
Notably PAW Patrol. Mission Xmas
Carlos Saldanha
Director
1 film together
Notably Harold and the Purple Crayon
Doug Liman
Director
1 film together
Notably The Instigators
Olivia Newman
Director
1 film together
Notably Remarkably Bright Creatures
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jim Jarmusch
Director
2 films together · 7.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Dead ManRichard Donner
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
MaverickJon Watts
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spider-Man: No Way HomeSteven Spielberg
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Raiders of the Lost ArkOlivia Newman
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Remarkably Bright CreaturesPaul Thomas Anderson
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MagnoliaSam Raimi
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spider-Man 2Chris Buck
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Frozen IIRyan Murphy
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Normal HeartEmerald Fennell
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Promising Young WomanPhil Johnston
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ralph Breaks the InternetJulie Taymor
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FridaFrancisco Ruiz Velasco
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Trollhunters: Rise of the TitansRaymie Muzquiz
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hey Arnold! The Jungle MovieGore Verbinski
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RangoLauren Montgomery
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wonder WomanJoe Sichta
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Chill Out, Scooby-Doo!Lasse Hallström
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ChocolatLone Scherfig
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
An EducationRon Howard
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Da Vinci CodeCarlos Saldanha
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harold and the Purple CrayonMark Williams
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Family ManCharles E. Bastien
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PAW Patrol. Mission XmasMike Newell
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Prince of Persia: The Sands of TimeGlenn Ficarra
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Whiskey Tango FoxtrotDoug Liman
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The InstigatorsJon Turteltaub
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Sorcerer's ApprenticeBernard Rose
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Anna KareninaDavid Oyelowo
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Water ManIsabel Coixet
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
My Life Without MeRoger Donaldson
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SpeciesJason Reitman
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Front RunnerBarbet Schroeder
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Before and AfterJohn Singleton
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AbductionFrançois Girard
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SilkEdward James Olmos
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Devil Has a NameSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Spider-Man: No Way Home
as Dr. Otto Octavius / Doc Ock
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Frida
as Diego Rivera
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Raiders of the Lost Ark
as Satipo
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Magnolia
as Solomon Solomon
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Remarkably Bright Creatures
as Marcellus (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Alfred Molina has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
45 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
21 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Remarkably Bright Creatures
as Marcellus (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Spider-Man: No Way Home
as Dr. Otto Octavius / Doc Ock
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
An Education
as Jack Mellor
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Don't Let Go
as Howard Keleshian
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Spider-Man: No Way Home
as Dr. Otto Octavius / Doc Ock
Images that would survive with the sound switched off.
Best action sequence
Spider-Man: No Way Home
as Dr. Otto Octavius / Doc Ock
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Rango
as Roadkill (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Devil Has a Name
as Big Boss
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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