Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#5291
of 909177 performers
Top 1%
America Ferrera works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
America Ferrera appears in 16 films in the Nutevio catalogue, and none of them would work the same way without America. How to Train Your Dragon is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, fantasy, adventure. It is a style built on what is withheld as much as what is played.
Working with Erica Rivinoja, Paul Greengrass, Greta Gerwig and others, America Ferrera helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
How to Train Your Dragon (2010) as Astrid (voice) · How to Train Your Dragon: Homecoming (2019) as Astrid (voice) · How to Train Your Dragon 2 (2014) as Astrid (voice)
Career snapshot
Ranked #5291 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
16
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
How to Train Your Dragon
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
8.0
How to Train Your Dragon: Homecoming
Most frequent director
Dean DeBlois
2 films together
Longest collaboration
2×
With Dean DeBlois
Most common genre
Adventure
9 titles
Average runtime
1h 23m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.6 average MV
The 2010s are where the work and the material meet. How to Train Your Dragon: Homecoming, How to Train Your Dragon 2, End of Watch — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.6
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Sisterhood of the Traveling Pants 2, Tinker Bell, Under the Same Moon.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.84 films | 7.41 film | 6.82 films |
| Action | 7.11 film | 7.71 film | — |
| Thriller | — | 7.41 film | 7.01 film |
| Comedy | 6.42 films | 7.22 films | 4.63 films |
| Crime | — | 7.41 film | — |
| Romance | 6.51 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005The Sisterhood of the Traveling Pants
Where our catalogue meets this career, as Carmen Lowell.
Highest rated performance · Career peak
8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as The Mother (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
16 of 16 films
as Astrid (voice)
Directed by Dean DeBlois
as Astrid (voice)
Directed by Tim Johnson
as Astrid (voice)
Directed by Dean DeBlois
as Gloria
Directed by Greta Gerwig
as Mary Ludwig
Directed by Paul Greengrass
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Astrid (voice)
How to Train Your Dragon (2010)
Performance score8.1
The performance the rest of the career is read through. Astrid (voice) gives America Ferrera a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Astrid (voice)
How to Train Your Dragon: Homecoming (2019)
Performance score8.0
How to Train Your Dragon: Homecoming asks for something the previous films did not, and gets it. Astrid (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Astrid (voice)
How to Train Your Dragon 2 (2014)
Performance score7.7
How to Train Your Dragon 2 asks for something the previous films did not, and gets it. Astrid (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Gloria
Barbie (2023)
Performance score7.5
Barbie asks for something the previous films did not, and gets it. Gloria is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Astrid (voice)
Start here. How to Train Your Dragon is the clearest statement of what America Ferrera does — accessible, 98 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet America at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
How to Train Your Dragon 2 (2014)
Same director as How to Train Your Dragon, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
How to Train Your Dragon: Homecoming (2019)
Keeps the fantasy register of How to Train Your Dragon 2 but asks for a colder reading of it.
Barbie (2023)
Keeps the fantasy register of How to Train Your Dragon: Homecoming but asks for a colder reading of it.
The Lost Bus (2025)
A deliberate change of key after Barbie — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Dean DeBlois
Director
2 films together
Notably How to Train Your Dragon
Catherine Hardwicke
Director
1 film together
Notably Lords of Dogtown
Ken Kwapis
Director
1 film together
Notably The Sisterhood of the Traveling Pants
Patricia Riggen
Director
1 film together
Notably Under the Same Moon
Bradley Raymond
Director
1 film together
Notably Tinker Bell
Sanaa Hamri
Director
1 film together
Notably The Sisterhood of the Traveling Pants 2
Tom Owens
Director
1 film together
Notably Dragons: Gift of the Night Fury
David Ayer
Director
1 film together
Notably End of Watch
Tim Johnson
Director
1 film together
Notably How to Train Your Dragon: Homecoming
Craig Gillespie
Director
1 film together
Notably Dumb Money
Greta Gerwig
Director
1 film together
Notably Barbie
Paul Greengrass
Director
1 film together
Notably The Lost Bus
Erica Rivinoja
Director
1 film together
Notably The Cat in the Hat
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Dean DeBlois
Director
2 films together · 7.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
How to Train Your DragonTim Johnson
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Train Your Dragon: HomecomingDavid Ayer
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
End of WatchPatricia Riggen
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Under the Same MoonTom Owens
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dragons: Gift of the Night FuryGreta Gerwig
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BarbieCatherine Hardwicke
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lords of DogtownPaul Greengrass
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Lost BusBradley Raymond
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tinker BellCraig Gillespie
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dumb MoneyKen Kwapis
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Sisterhood of the Traveling PantsSanaa Hamri
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Sisterhood of the Traveling Pants 2Erica Rivinoja
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Cat in the HatSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
How to Train Your Dragon
as Astrid (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
How to Train Your Dragon
as Astrid (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
How to Train Your Dragon
as Astrid (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Lords of Dogtown
as Thunder Monkey
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
How to Train Your Dragon
as Astrid (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. America Ferrera has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Adventure Legend
Awarded
9 catalogue titles in adventure, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
How to Train Your Dragon
as Astrid (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
End of Watch
as Officer Orozco
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
How to Train Your Dragon: Homecoming
as Astrid (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
How to Train Your Dragon
as Astrid (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
How to Train Your Dragon 2
as Astrid (voice)
Images that would survive with the sound switched off.
Best action sequence
How to Train Your Dragon 2
as Astrid (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Dumb Money
as Jenny Campbell
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
How to Train Your Dragon
as Astrid (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
David Krumholtz
Works with the same directors — shared collaborators
Matt Damon
Built a career in the same territory: adventure and drama
Tom Hanks
Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Michael Caine
Built a career in the same territory: adventure and drama
Cillian Murphy
Built a career in the same territory: drama and history
Have your say
Community
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Reference
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