Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#22312
of 909177 performers
Top 5%
Andrew Barth Feldman works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Andrew Barth Feldman appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Andrew. No Hard Feelings is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for fantasy, family, comedy. It is a style built on what is withheld as much as what is played.
Working with Marc Webb, Jessica Yu, Jason Reitman and others, Andrew Barth Feldman helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
No Hard Feelings (2023) as Percy Becker · Ben Platt: Live from Radio City Music Hall (2020) as Self · Saturday Night (2024) as Neil Levy
Career snapshot
Ranked #22312 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2020–2025
Career length
5 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
No Hard Feelings
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.8
Ben Platt: Live from Radio City Music Hall
Most frequent director
Marc Webb
1 film together
Longest collaboration
1×
With Marc Webb
Most common genre
Comedy
5 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.3 average MV
The 2020s are where the work and the material meet. Snow White, A Very Jonas Christmas Movie, Saturday Night — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.3
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2020s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Snow White, A Very Jonas Christmas Movie, Saturday Night.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2020s |
|---|---|
| Drama | 6.32 films |
| Comedy | 6.45 films |
| Romance | 6.62 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2020Ben Platt: Live from Radio City Music Hall
Where our catalogue meets this career, as Self. 6.8 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2023No Hard Feelings
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025A Very Jonas Christmas Movie
The current state of the argument, as Ethan.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Percy Becker
Directed by Gene Stupnitsky
as Neil Levy
Directed by Jason Reitman
as Dopey / Narrator (voice)
Directed by Marc Webb
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Percy Becker
No Hard Feelings (2023)
Performance score7.2
The performance the rest of the career is read through. Percy Becker gives Andrew Barth Feldman a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
Ben Platt: Live from Radio City Music Hall (2020)
Performance score6.7
Ben Platt: Live from Radio City Music Hall asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Neil Levy
Saturday Night (2024)
Performance score6.6
Saturday Night asks for something the previous films did not, and gets it. Neil Levy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Dopey / Narrator (voice)
Snow White (2025)
Performance score6.5
Snow White asks for something the previous films did not, and gets it. Dopey / Narrator (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Percy Becker
Start here. No Hard Feelings is the clearest statement of what Andrew Barth Feldman does — accessible, 103 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Andrew at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Ben Platt: Live from Radio City Music Hall (2020)
A deliberate change of key after No Hard Feelings — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Saturday Night (2024)
A deliberate change of key after Ben Platt: Live from Radio City Music Hall — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Snow White (2025)
A deliberate change of key after Saturday Night — same instrument, unfamiliar tuning, and the reason range gets mentioned.
A Very Jonas Christmas Movie (2025)
A deliberate change of key after Snow White — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Alex Timbers
Director
1 film together
Notably Ben Platt: Live from Radio City Music Hall
Noah Baumbach
Director
1 film together
Notably White Noise
Steven K. Tsuchida
Director
1 film together
Notably A Tourist's Guide to Love
Gene Stupnitsky
Director
1 film together
Notably No Hard Feelings
Jason Reitman
Director
1 film together
Notably Saturday Night
Jessica Yu
Director
1 film together
Notably A Very Jonas Christmas Movie
Marc Webb
Director
1 film together
Notably Snow White
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Gene Stupnitsky
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
No Hard FeelingsAlex Timbers
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ben Platt: Live from Radio City Music HallJason Reitman
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Saturday NightJessica Yu
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Very Jonas Christmas MovieSteven K. Tsuchida
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Tourist's Guide to LoveNoah Baumbach
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
White NoiseMarc Webb
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Snow WhiteSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
No Hard Feelings
as Percy Becker
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Snow White
as Dopey / Narrator (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Ben Platt: Live from Radio City Music Hall
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ben Platt: Live from Radio City Music Hall
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
No Hard Feelings
as Percy Becker
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Andrew Barth Feldman has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Ben Platt: Live from Radio City Music Hall
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Ben Platt: Live from Radio City Music Hall
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Snow White
as Dopey / Narrator (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Snow White
as Dopey / Narrator (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Ben Platt: Live from Radio City Music Hall
as Self
Images that would survive with the sound switched off.
Best action sequence
A Tourist's Guide to Love
as Alex
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Saturday Night
as Neil Levy
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Snow White
as Dopey / Narrator (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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