Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#803
of 909177 performers
Top 1%
Ariana Grande works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ariana Grande appears in 17 films in the Nutevio catalogue, and none of them would work the same way without Ariana. The Disney Family Singalong is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for fantasy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with Jon M. Chu, John Hamburg, Paul Dugdale and others, Ariana Grande helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Disney Family Singalong (2020) as Self - Performer · Wicked: One Wonderful Night (2025) as Self · Billie Eilish: The World's a Little Blurry (2021) as Self
Career snapshot
Ranked #803 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
17
2014–2028
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
The Disney Family Singalong
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
8.3
The Disney Family Singalong
Most frequent director
Jon M. Chu
3 films together
Longest collaboration
3×
With Jon M. Chu
Most common genre
Music
7 titles
Average runtime
1h 32m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.3 average MV
The 2010s are where the work and the material meet. Men in Black: International, Hairspray Live!, Zoolander 2 — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.3
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Men in Black: International, Hairspray Live!, Zoolander 2.
Most productive era
2020s
13 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.31 film | 7.02 films |
| Action | 5.42 films | — |
| Comedy | 6.34 films | 3.52 films |
| Crime | 7.01 film | — |
| Romance | 7.31 film | 4.53 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2014Swindle
Where our catalogue meets this career, as Amanda Benson.
Highest rated performance
2020The Disney Family Singalong
8.3 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2020ariana grande: excuse me, i love you
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Miggles (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
17 of 17 films
as Self - Performer
Directed by Unknown
as Galinda / Glinda
Directed by Jon M. Chu
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
Wicked: One Wonderful Night (2025)
Performance score8.4
The performance the rest of the career is read through. Self gives Ariana Grande a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
ariana grande: excuse me, i love you (2020)
Performance score8.4
ariana grande: excuse me, i love you asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self - Performer
The Disney Family Singalong (2020)
Performance score8.3
The Disney Family Singalong asks for something the previous films did not, and gets it. Self - Performer is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Self
Billie Eilish: The World's a Little Blurry (2021)
Performance score7.9
Billie Eilish: The World's a Little Blurry asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Wicked: One Wonderful Night is the clearest statement of what Ariana Grande does — accessible, 84 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ariana at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
ariana grande: excuse me, i love you (2020)
Same director as Wicked: One Wonderful Night, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Disney Family Singalong (2020)
Keeps the music register of ariana grande: excuse me, i love you but asks for a colder reading of it.
Billie Eilish: The World's a Little Blurry (2021)
Keeps the music register of The Disney Family Singalong but asks for a colder reading of it.
Wicked (2024)
A deliberate change of key after Billie Eilish: The World's a Little Blurry — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jon M. Chu
Director
3 films together
Notably Wicked
Paul Dugdale
Director
2 films together
Notably Wicked: One Wonderful Night
Jonathan Judge
Director
1 film together
Notably Swindle
Ben Stiller
Director
1 film together
Notably Zoolander 2
Kenny Leon
Director
1 film together
Notably Hairspray Live!
F. Gary Gray
Director
1 film together
Notably Men in Black: International
Roman Coppola
Director
1 film together
Notably Mariah Carey's Magical Christmas Special
Adam McKay
Director
1 film together
Notably Don't Look Up
R.J. Cutler
Director
1 film together
Notably Billie Eilish: The World's a Little Blurry
Sam Wrench
Director
1 film together
Notably Andrea Bocelli 30: The Celebration
John Hamburg
Director
1 film together
Notably Focker-in-Law
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jon M. Chu
Director
3 films together · 4.5 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
WickedPaul Dugdale
Director
2 films together · 8.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Wicked: One Wonderful NightR.J. Cutler
Director
1 film together · 8.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Billie Eilish: The World's a Little BlurryKenny Leon
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hairspray Live!Adam McKay
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Don't Look UpJonathan Judge
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SwindleRoman Coppola
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mariah Carey's Magical Christmas SpecialF. Gary Gray
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Men in Black: InternationalSam Wrench
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Andrea Bocelli 30: The CelebrationBen Stiller
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Zoolander 2John Hamburg
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Focker-in-LawSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Recognition
6 wins · 1 nomination
No wins yet · 1 nomination
as Actor
1 win
as Actor
1 win
as Actor
1 win
as Actor
1 win
as Actor
1 win · latest 2017
as Actor
1 win
as Actor
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Billie Eilish: The World's a Little Blurry
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Disney Family Singalong
as Self - Performer
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Disney Family Singalong
as Self - Performer
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Jaws @ 50: The Definitive Inside Story
as Self (archive footage)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Wicked: One Wonderful Night
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ariana Grande has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Music Legend
Awarded
7 catalogue titles in music, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Disney Family Singalong
as Self - Performer
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Disney Family Singalong
as Self - Performer
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Wicked: For Good
as Glinda
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Disney Family Singalong
as Self - Performer
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Disney Family Singalong
as Self - Performer
Images that would survive with the sound switched off.
Best action sequence
Zoolander 2
as Latex BDSM
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hairspray Live!
as Penny Pingleton
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Wicked
as Galinda / Glinda
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Harvey Keitel
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Have your say
Community
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Reference
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