Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7522
of 909177 performers
Top 1%
Bailee Madison works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Bailee Madison appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Bailee. Bridge to Terabithia is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, horror. It is a style built on what is withheld as much as what is played.
Working with Patrick Lussier, Michelle Johnston, Valerie Landsburg and others, Bailee Madison helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Bridge to Terabithia (2007) as May Belle Aarons · Brothers (2009) as Isabelle Cahill · Phoebe in Wonderland (2008) as Olivia Lichten
Career snapshot
Ranked #7522 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2006–2026
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
Bridge to Terabithia
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
7.3
Bridge to Terabithia
Most frequent director
Patrick Lussier
1 film together
Longest collaboration
1×
With Patrick Lussier
Most common genre
Comedy
7 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.0 average MV
The 2000s are where the work and the material meet. Brothers, Phoebe in Wonderland, Bridge to Terabithia — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Brothers, Phoebe in Wonderland, Bridge to Terabithia.
Most productive era
2010s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.04 films | 5.82 films | 6.91 film |
| Thriller | 6.72 films | 5.82 films | 6.11 film |
| Comedy | — | 5.83 films | 6.84 films |
| Crime | 6.11 film | — | — |
| Romance | 6.11 film | 6.71 film | 6.83 films |
| Horror | — | 5.82 films | 6.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2006Lonely Hearts
Where our catalogue meets this career, as Rainelle Downing.
Highest rated performance · Career peak
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Roommates
The current state of the argument, as Rebecca.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Avery
Directed by Unknown
as May Belle Aarons
Directed by Gábor Csupó
as Finley Tremaine
Directed by Michelle Johnston
as Isabelle Cahill
Directed by Jim Sheridan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Avery
A Week Away (2021)
Performance score7.5
The performance the rest of the career is read through. Avery gives Bailee Madison a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
May Belle Aarons
Bridge to Terabithia (2007)
Performance score7.5
Bridge to Terabithia asks for something the previous films did not, and gets it. May Belle Aarons is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Leah Jones
40 Dates and 40 Nights (2026)
Performance score7.4
40 Dates and 40 Nights asks for something the previous films did not, and gets it. Leah Jones is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Finley Tremaine
A Cinderella Story: Starstruck (2021)
Performance score7.4
A Cinderella Story: Starstruck asks for something the previous films did not, and gets it. Finley Tremaine is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Avery
Start here. A Week Away is the clearest statement of what Bailee Madison does — accessible, 95 minutes, and rated 6.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Bailee at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Bridge to Terabithia (2007)
Keeps the drama register of A Week Away but asks for a colder reading of it.
Brothers (2009)
Keeps the drama register of Bridge to Terabithia but asks for a colder reading of it.
A Cinderella Story: Starstruck (2021)
A deliberate change of key after Brothers — same instrument, unfamiliar tuning, and the reason range gets mentioned.
40 Dates and 40 Nights (2026)
Keeps the romance register of A Cinderella Story: Starstruck but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Todd Robinson
Director
1 film together
Notably Lonely Hearts
Gábor Csupó
Director
1 film together
Notably Bridge to Terabithia
Daniel Barnz
Director
1 film together
Notably Phoebe in Wonderland
Jim Sheridan
Director
1 film together
Notably Brothers
Tony Goldwyn
Director
1 film together
Notably Conviction
Dennis Dugan
Director
1 film together
Notably Just Go with It
Andy Fickman
Director
1 film together
Notably Parental Guidance
Valerie Landsburg
Director
1 film together
Notably Love & Debt
Michelle Johnston
Director
1 film together
Notably A Cinderella Story: Starstruck
Patrick Lussier
Director
1 film together
Notably Play Dead
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Gábor Csupó
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bridge to TerabithiaJim Sheridan
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BrothersDaniel Barnz
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Phoebe in WonderlandTony Goldwyn
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ConvictionMichelle Johnston
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Cinderella Story: StarstruckDennis Dugan
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Just Go with ItPatrick Lussier
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Play DeadTodd Robinson
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lonely HeartsAndy Fickman
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Parental GuidanceValerie Landsburg
Director
1 film together · 4.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love & DebtSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Brothers
as Isabelle Cahill
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Bridge to Terabithia
as May Belle Aarons
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Bridge to Terabithia
as May Belle Aarons
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Roommates
as Rebecca
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A Week Away
as Avery
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Bailee Madison has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Bridge to Terabithia
as May Belle Aarons
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Play Dead
as Chloe Albright
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
A Week Away
as Avery
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Lonely Hearts
as Rainelle Downing
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Bridge to Terabithia
as May Belle Aarons
Images that would survive with the sound switched off.
Best action sequence
Bridge to Terabithia
as May Belle Aarons
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
A Week Away
as Avery
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Bridge to Terabithia
as May Belle Aarons
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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