Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3250
of 909177 performers
Top 1%
Bodhi Elfman represents the rare performer whose career became more ambitious with every decade — 30 years in, and Bodhi is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Bodhi Elfman appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Bodhi. Collateral is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, science fiction, comedy. It is a style built on what is withheld as much as what is played.
Working with Michael Mann, Edward Norton, Roland Emmerich and others, Bodhi Elfman helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Collateral (2004) as Young Professional Man · Enemy of the State (1998) as Van · Armageddon (1998) as Math Guy
Career snapshot
Ranked #3250 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
1992–2022
Career length
30 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Collateral
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
7.3
Collateral
Most frequent director
Michael Mann
1 film together
Longest collaboration
1×
With Michael Mann
Most common genre
Drama
5 titles
Average runtime
1h 51m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.6 average MV
The 2000s are where the work and the material meet. Collateral, Gone in Sixty Seconds, Keeping the Faith — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.6
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Godzilla, Enemy of the State, Armageddon.
Most productive era
1990s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2020s |
|---|---|---|---|
| Drama | 6.83 films | 7.31 film | 0.01 film |
| Action | 6.64 films | 6.51 film | — |
| Thriller | 6.43 films | 6.92 films | — |
| Comedy | 6.91 film | 6.11 film | 6.51 film |
| Crime | 6.62 films | 6.92 films | — |
| Romance | — | 6.11 film | — |
| Horror | 6.51 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1992Sneakers
Where our catalogue meets this career, as Centurion S&L Night Guard.
Highest rated performance · Career peak
2004Collateral
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2022Mosquito
The current state of the argument, as Baker.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Eddy Pinie / Clown Zippy
Directed by Unknown
as Young Professional Man
Directed by Michael Mann
as Math Guy
Directed by Michael Bay
as Centurion S&L Night Guard
Directed by Phil Alden Robinson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Eddy Pinie / Clown Zippy
Aliens, Clowns & Geeks (2021)
Performance score7.2
The performance the rest of the career is read through. Eddy Pinie / Clown Zippy gives Bodhi Elfman a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Young Professional Man
Collateral (2004)
Performance score7.2
Collateral asks for something the previous films did not, and gets it. Young Professional Man is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Van
Enemy of the State (1998)
Performance score7.0
Enemy of the State asks for something the previous films did not, and gets it. Van is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Math Guy
Armageddon (1998)
Performance score6.9
Armageddon asks for something the previous films did not, and gets it. Math Guy is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Eddy Pinie / Clown Zippy
Start here. Aliens, Clowns & Geeks is the clearest statement of what Bodhi Elfman does — accessible, 90 minutes, and rated 6.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Bodhi at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Sneakers (1992)
Keeps the comedy register of Aliens, Clowns & Geeks but asks for a colder reading of it.
Enemy of the State (1998)
Keeps the drama register of Sneakers but asks for a colder reading of it.
Armageddon (1998)
Keeps the action register of Enemy of the State but asks for a colder reading of it.
Collateral (2004)
A deliberate change of key after Armageddon — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Phil Alden Robinson
Director
1 film together
Notably Sneakers
Wes Craven
Director
1 film together
Notably Wes Craven's New Nightmare
Michael Bay
Director
1 film together
Notably Armageddon
Tony Scott
Director
1 film together
Notably Enemy of the State
Roland Emmerich
Director
1 film together
Notably Godzilla
Edward Norton
Director
1 film together
Notably Keeping the Faith
Michael Mann
Director
1 film together
Notably Collateral
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Mann
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CollateralTony Scott
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Enemy of the StateMichael Bay
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ArmageddonPhil Alden Robinson
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SneakersWes Craven
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wes Craven's New NightmareEdward Norton
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Keeping the FaithRoland Emmerich
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GodzillaSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Collateral
as Young Professional Man
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Keeping the Faith
as Howard the Casanova
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Collateral
as Young Professional Man
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Armageddon
as Math Guy
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Aliens, Clowns & Geeks
as Eddy Pinie / Clown Zippy
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Bodhi Elfman has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
30 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Wes Craven's New Nightmare
as TV Studio P.A.
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Collateral
as Young Professional Man
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Keeping the Faith
as Howard the Casanova
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wes Craven's New Nightmare
as TV Studio P.A.
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Armageddon
as Math Guy
Images that would survive with the sound switched off.
Best action sequence
Armageddon
as Math Guy
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Sneakers
as Centurion S&L Night Guard
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Godzilla
as Freddie
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Have your say
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Reference
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