Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#64620
of 909177 performers
Top 10%
Camille Chamoux works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Camille Chamoux appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Camille. It’s All Good is the clearest case: a film rated 6.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, romance, drama. It is a style built on what is withheld as much as what is played.
Working with Camille Chamoux, Roman Polanski, Camille Chamoux helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
It’s All Good (2026) as Dr. Ackerman · Chamouxland : la reconstruction (2026) · Camille Chamoux : Le temps de vivre (2021) as Self
Career snapshot
Ranked #64620 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2017–2026
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.9
It’s All Good
Average Nutevio score
3.8
Across catalogue work
Highest IMDb rating
6.9
It’s All Good
Most frequent director
Camille Chamoux
1 film together
Longest collaboration
1×
With Camille Chamoux
Most common genre
Comedy
6 titles
Average runtime
0h 57m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
5.7 average MV
The 2010s are where the work and the material meet. Based on a True Story — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
5.7
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
5.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Based on a True Story.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 0.01 film |
| Thriller | 5.71 film | — |
| Comedy | — | 4.16 films |
| Romance | — | 6.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as The Press Agent.
Highest rated performance
2026It’s All Good
6.9 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2026Chamouxland : la reconstruction
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Anna VS the Kids
The current state of the argument, as Anna Blanchet.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
Directed by Camille Chamoux
as Dr. Ackerman
Directed by Unknown
as Anna Blanchet
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Chamouxland : la reconstruction
Chamouxland : la reconstruction (2026)
Performance score7.2
The performance the rest of the career is read through. The role gives Camille Chamoux a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Dr. Ackerman
It’s All Good (2026)
Performance score7.1
It’s All Good asks for something the previous films did not, and gets it. Dr. Ackerman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
Camille Chamoux : Le temps de vivre (2021)
Performance score6.8
Camille Chamoux : Le temps de vivre asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Anna Blanchet
Anna VS the Kids (2026)
Performance score6.5
Anna VS the Kids asks for something the previous films did not, and gets it. Anna Blanchet is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
Start here. Chamouxland : la reconstruction is the clearest statement of what Camille Chamoux does — accessible, 0 minutes, and rated 6.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Camille at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Camille Chamoux : Le temps de vivre (2021)
Keeps the comedy register of Chamouxland : la reconstruction but asks for a colder reading of it.
La Conquête (2024)
Same director as Camille Chamoux : Le temps de vivre, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
It’s All Good (2026)
Same director as La Conquête, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Anna VS the Kids (2026)
Same director as It’s All Good, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Camille Chamoux
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Chamouxland : la reconstructionRoman Polanski
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Based on a True StorySix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
It’s All Good
as Dr. Ackerman
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
It’s All Good
as Dr. Ackerman
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
It’s All Good
as Dr. Ackerman
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
It’s All Good
as Dr. Ackerman
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Chamouxland : la reconstruction
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Camille Chamoux has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
6 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
It’s All Good
as Dr. Ackerman
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Based on a True Story
as The Press Agent
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
It’s All Good
as Dr. Ackerman
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Based on a True Story
as The Press Agent
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
It’s All Good
as Dr. Ackerman
Images that would survive with the sound switched off.
Best action sequence
Chamouxland : la reconstruction
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
It’s All Good
as Dr. Ackerman
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Chamouxland : la reconstruction
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: drama and thriller
Edward Norton
Built a career in the same territory: comedy and drama
Zach Grenier
Built a career in the same territory: mystery and drama
Richmond Arquette
Built a career in the same territory: mystery and drama
Bob Stephenson
Built a career in the same territory: mystery and drama
Have your say
Community
Which Camille Chamoux performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
