Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3745
of 909177 performers
Top 1%
Chinatsu Akasaki works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Chinatsu Akasaki appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Chinatsu. Jujutsu Kaisen 0 is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for war, tv movie, drama. It is a style built on what is withheld as much as what is played.
Working with Sunghoo Park, Hiroyuki Seshita, Kanta Kamei and others, Chinatsu Akasaki helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Jujutsu Kaisen 0 (2021) as Kasumi Miwa (voice) · Love, Chunibyo & Other Delusions! Take On Me (2018) as Shinka Nibutani (voice) · Puella Magi Madoka Magica the Movie Part III: Rebellion (2013) as School Girl (voice)
Career snapshot
Ranked #3745 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
2013–2026
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Jujutsu Kaisen 0
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
8.1
Jujutsu Kaisen 0
Most frequent director
Sunghoo Park
1 film together
Longest collaboration
1×
With Sunghoo Park
Most common genre
Animation
6 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.5 average MV
The 2010s are where the work and the material meet. Saekano the Movie: Finale, Love, Chunibyo & Other Delusions! Take On Me, Puella Magi Madoka Magica the Movie Part III: Rebellion — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.5
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Saekano the Movie: Finale, Love, Chunibyo & Other Delusions! Take On Me, Puella Magi Madoka Magica the Movie Part III: Rebellion.
Most productive era
2010s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.91 film | 0.01 film |
| Action | — | 7.81 film |
| Comedy | 7.32 films | — |
| Romance | 6.91 film | 6.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2013Puella Magi Madoka Magica the Movie Part III: Rebellion
Where our catalogue meets this career, as School Girl (voice). 7.8 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2018Love, Chunibyo & Other Delusions! Take On Me
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026cocoon - One Summer of Girlhood
The current state of the argument, as Mari (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Shinka Nibutani (voice)
Directed by Tatsuya Ishihara
as Kasumi Miwa (voice)
Directed by Sunghoo Park
as School Girl (voice)
Directed by Yukihiro Miyamoto
as Izumi Hashima (voice)
Directed by Kanta Kamei
as Mari (voice)
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Shinka Nibutani (voice)
Love, Chunibyo & Other Delusions! Take On Me (2018)
Performance score8.1
The performance the rest of the career is read through. Shinka Nibutani (voice) gives Chinatsu Akasaki a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Kasumi Miwa (voice)
Jujutsu Kaisen 0 (2021)
Performance score7.6
Jujutsu Kaisen 0 asks for something the previous films did not, and gets it. Kasumi Miwa (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
School Girl (voice)
Puella Magi Madoka Magica the Movie Part III: Rebellion (2013)
Performance score7.6
Puella Magi Madoka Magica the Movie Part III: Rebellion asks for something the previous films did not, and gets it. School Girl (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Izumi Hashima (voice)
Saekano the Movie: Finale (2019)
Performance score7.1
Saekano the Movie: Finale asks for something the previous films did not, and gets it. Izumi Hashima (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Shinka Nibutani (voice)
Start here. Love, Chunibyo & Other Delusions! Take On Me is the clearest statement of what Chinatsu Akasaki does — accessible, 94 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Chinatsu at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Puella Magi Madoka Magica the Movie Part III: Rebellion (2013)
Keeps the fantasy register of Love, Chunibyo & Other Delusions! Take On Me but asks for a colder reading of it.
Saekano the Movie: Finale (2019)
Keeps the animation register of Puella Magi Madoka Magica the Movie Part III: Rebellion but asks for a colder reading of it.
Jujutsu Kaisen 0 (2021)
Keeps the animation register of Saekano the Movie: Finale but asks for a colder reading of it.
cocoon - One Summer of Girlhood (2026)
Keeps the animation register of Jujutsu Kaisen 0 but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Yukihiro Miyamoto
Director
1 film together
Notably Puella Magi Madoka Magica the Movie Part III: Rebellion
Tatsuya Ishihara
Director
1 film together
Notably Love, Chunibyo & Other Delusions! Take On Me
Kanta Kamei
Director
1 film together
Notably Saekano the Movie: Finale
Hiroyuki Seshita
Director
1 film together
Notably Knights of Sidonia: Love Woven in the Stars
Sunghoo Park
Director
1 film together
Notably Jujutsu Kaisen 0
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Sunghoo Park
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jujutsu Kaisen 0Tatsuya Ishihara
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Love, Chunibyo & Other Delusions! Take On MeYukihiro Miyamoto
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Puella Magi Madoka Magica the Movie Part III: RebellionKanta Kamei
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Saekano the Movie: FinaleHiroyuki Seshita
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Knights of Sidonia: Love Woven in the StarsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Girl (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Saekano the Movie: Finale
as Izumi Hashima (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Girl (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Jujutsu Kaisen 0
as Kasumi Miwa (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Love, Chunibyo & Other Delusions! Take On Me
as Shinka Nibutani (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Chinatsu Akasaki has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
6 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Girl (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Girl (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Saekano the Movie: Finale
as Izumi Hashima (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Puella Magi Madoka Magica the Movie Part III: Rebellion
as School Girl (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Jujutsu Kaisen 0
as Kasumi Miwa (voice)
Images that would survive with the sound switched off.
Best action sequence
Jujutsu Kaisen 0
as Kasumi Miwa (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Saekano the Movie: Finale
as Izumi Hashima (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Saekano the Movie: Finale
as Izumi Hashima (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Tom Hanks
Built a career in the same territory: animation and comedy
Bonnie Hunt
Built a career in the same territory: animation and comedy
Michael Caine
Built a career in the same territory: drama and action
Morgan Freeman
Built a career in the same territory: action and drama
Jamie Harris
Built a career in the same territory: drama and fantasy
Mark Ruffalo
Built a career in the same territory: mystery and drama
Have your say
Community
Which Chinatsu Akasaki performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
