Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4539
of 909177 performers
Top 1%
Clémence Poésy works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Clémence Poésy appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Clémence. Harry Potter and the Deathly Hallows: Part 2 is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, music, adventure. It is a style built on what is withheld as much as what is played.
Working with Christopher Nolan, David Yates, Danny Boyle and others, Clémence Poésy helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Harry Potter and the Deathly Hallows: Part 2 (2011) as Fleur Delacour · Harry Potter and the Goblet of Fire (2005) as Fleur Delacour · Harry Potter and the Deathly Hallows: Part 1 (2010) as Fleur Delacour
Career snapshot
Ranked #4539 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
2005–2027
Career length
22 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
Harry Potter and the Deathly Hallows: Part 2
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
8.1
Harry Potter and the Deathly Hallows: Part 2
Most frequent director
David Yates
2 films together
Longest collaboration
2×
With David Yates
Most common genre
Adventure
5 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.8 average MV
The 2000s are where the work and the material meet. In Bruges, Harry Potter and the Goblet of Fire — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.8
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.7
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. In Bruges, Harry Potter and the Goblet of Fire.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.51 film | 6.82 films | 6.82 films |
| Action | — | — | 7.41 film |
| Thriller | — | 7.11 film | 7.41 film |
| Comedy | 7.51 film | 6.61 film | 0.01 film |
| Crime | 7.51 film | — | — |
| Horror | — | — | 0.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005Harry Potter and the Goblet of Fire
Where our catalogue meets this career, as Fleur Delacour.
Highest rated performance · Career peak
2011Harry Potter and the Deathly Hallows: Part 2
8.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Doris (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Fleur Delacour
Directed by David Yates
as Fleur Delacour
Directed by David Yates
as Fleur Delacour
Directed by Mike Newell
as Chloë
Directed by Martin McDonagh
as Emma
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Fleur Delacour
Harry Potter and the Deathly Hallows: Part 2 (2011)
Performance score8.0
The performance the rest of the career is read through. Fleur Delacour gives Clémence Poésy a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Fleur Delacour
Harry Potter and the Deathly Hallows: Part 1 (2010)
Performance score7.8
Harry Potter and the Deathly Hallows: Part 1 asks for something the previous films did not, and gets it. Fleur Delacour is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Fleur Delacour
Harry Potter and the Goblet of Fire (2005)
Performance score7.8
Harry Potter and the Goblet of Fire asks for something the previous films did not, and gets it. Fleur Delacour is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Chloë
In Bruges (2008)
Performance score7.6
In Bruges asks for something the previous films did not, and gets it. Chloë is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Fleur Delacour
Start here. Harry Potter and the Deathly Hallows: Part 2 is the clearest statement of what Clémence Poésy does — accessible, 130 minutes, and rated 8.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Clémence at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Harry Potter and the Goblet of Fire (2005)
Keeps the fantasy register of Harry Potter and the Deathly Hallows: Part 2 but asks for a colder reading of it.
In Bruges (2008)
A deliberate change of key after Harry Potter and the Goblet of Fire — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Harry Potter and the Deathly Hallows: Part 1 (2010)
A deliberate change of key after In Bruges — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Resistance (2020)
A deliberate change of key after Harry Potter and the Deathly Hallows: Part 1 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
David Yates
Director
2 films together
Notably Harry Potter and the Deathly Hallows: Part 2
Mike Newell
Director
1 film together
Notably Harry Potter and the Goblet of Fire
Martin McDonagh
Director
1 film together
Notably In Bruges
Danny Boyle
Director
1 film together
Notably 127 Hours
Christopher Nolan
Director
1 film together
Notably Tenet
Behind the camera
Who casts this performer, how often, and what the pairing produces.
David Yates
Director
2 films together · 8.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Harry Potter and the Deathly Hallows: Part 2Mike Newell
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harry Potter and the Goblet of FireMartin McDonagh
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In BrugesChristopher Nolan
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TenetDanny Boyle
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
127 HoursSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Harry Potter and the Deathly Hallows: Part 2
as Fleur Delacour
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
127 Hours
as Rana
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Harry Potter and the Deathly Hallows: Part 2
as Fleur Delacour
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Harry Potter and the Deathly Hallows: Part 1
as Fleur Delacour
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Harry Potter and the Deathly Hallows: Part 2
as Fleur Delacour
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Clémence Poésy has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
22 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Adventure Legend
Awarded
5 catalogue titles in adventure, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Harry Potter and the Deathly Hallows: Part 2
as Fleur Delacour
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Tenet
as Barbara
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
127 Hours
as Rana
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Harry Potter and the Deathly Hallows: Part 2
as Fleur Delacour
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Harry Potter and the Deathly Hallows: Part 2
as Fleur Delacour
Images that would survive with the sound switched off.
Best action sequence
Tenet
as Barbara
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
In Bruges
as Chloë
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harry Potter and the Goblet of Fire
as Fleur Delacour
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Community
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Reference
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