Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#57231
of 909177 performers
Top 10%
Corin Redgrave represents the rare performer whose career became more ambitious with every decade — 35 years in, and Corin is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Corin Redgrave appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Corin. In the Name of the Father is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, war, mystery. It is a style built on what is withheld as much as what is played.
Working with Michael Apted, Mike Newell, Jim Sheridan and others, Corin Redgrave helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
In the Name of the Father (1993) as Robert Dixon · A Man for All Seasons (1966) as William Roper (the Younger) · Excalibur (1981) as Cornwall
Career snapshot
Ranked #57231 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1966–2001
Career length
35 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
In the Name of the Father
Average Nutevio score
6.9
Across catalogue work
Highest IMDb rating
7.9
In the Name of the Father
Most frequent director
Michael Apted
1 film together
Longest collaboration
1×
With Michael Apted
Most common genre
Drama
4 titles
Average runtime
2h 6m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.8
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.3 average MV
The 1990s are where the work and the material meet. Four Weddings and a Funeral, In the Name of the Father — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.3
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1960s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. A Man for All Seasons.
Most productive era
1990s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1960s | 1980s | 1990s | 2000s |
|---|---|---|---|---|
| Drama | 7.01 film | — | 7.32 films | 6.31 film |
| Thriller | — | — | — | 6.31 film |
| Comedy | — | — | 6.81 film | — |
| Romance | — | — | 6.81 film | 6.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as William Roper (the Younger).
Highest rated performance · Career peak
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2001Enigma
The current state of the argument, as Admiral Trowbridge.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as William Roper (the Younger)
Directed by Fred Zinnemann
as Cornwall
Directed by John Boorman
as Admiral Trowbridge
Directed by Michael Apted
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Robert Dixon
In the Name of the Father (1993)
Performance score7.7
The performance the rest of the career is read through. Robert Dixon gives Corin Redgrave a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
William Roper (the Younger)
A Man for All Seasons (1966)
Performance score6.9
A Man for All Seasons asks for something the previous films did not, and gets it. William Roper (the Younger) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Cornwall
Excalibur (1981)
Performance score6.8
Excalibur asks for something the previous films did not, and gets it. Cornwall is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Hamish
Four Weddings and a Funeral (1994)
Performance score6.7
Four Weddings and a Funeral asks for something the previous films did not, and gets it. Hamish is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Robert Dixon
Start here. In the Name of the Father is the clearest statement of what Corin Redgrave does — accessible, 133 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Corin at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
A Man for All Seasons (1966)
Keeps the drama register of In the Name of the Father but asks for a colder reading of it.
Excalibur (1981)
A deliberate change of key after A Man for All Seasons — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Four Weddings and a Funeral (1994)
A deliberate change of key after Excalibur — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Enigma (2001)
Keeps the romance register of Four Weddings and a Funeral but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Fred Zinnemann
Director
1 film together
Notably A Man for All Seasons
John Boorman
Director
1 film together
Notably Excalibur
Jim Sheridan
Director
1 film together
Notably In the Name of the Father
Mike Newell
Director
1 film together
Notably Four Weddings and a Funeral
Michael Apted
Director
1 film together
Notably Enigma
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jim Sheridan
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
In the Name of the FatherFred Zinnemann
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Man for All SeasonsJohn Boorman
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ExcaliburMike Newell
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Four Weddings and a FuneralMichael Apted
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
EnigmaSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
In the Name of the Father
as Robert Dixon
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
A Man for All Seasons
as William Roper (the Younger)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
In the Name of the Father
as Robert Dixon
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Enigma
as Admiral Trowbridge
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
In the Name of the Father
as Robert Dixon
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Corin Redgrave has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
35 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
4 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
In the Name of the Father
as Robert Dixon
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
In the Name of the Father
as Robert Dixon
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
A Man for All Seasons
as William Roper (the Younger)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Excalibur
as Cornwall
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
In the Name of the Father
as Robert Dixon
Images that would survive with the sound switched off.
Best action sequence
Excalibur
as Cornwall
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Four Weddings and a Funeral
as Hamish
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Four Weddings and a Funeral
as Hamish
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: adventure and drama
Jamie Harris
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: adventure and drama
Edward Norton
Built a career in the same territory: comedy and adventure
Robert Downey Jr.
Built a career in the same territory: drama and history
Have your say
Community
Which Corin Redgrave performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
