Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#10925
of 909177 performers
Top 5%
Cosmo Jarvis works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Cosmo Jarvis appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Cosmo. Warfare is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, thriller, war. It is a style built on what is withheld as much as what is played.
Working with Guy Ritchie, Paul Greengrass, Ray Mendoza and others, Cosmo Jarvis helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Warfare (2025) as Elliott · Hunter Killer (2018) as Fathometer Operator · Lady Macbeth (2016) as Sebastian
Career snapshot
Ranked #10925 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
2015–2027
Career length
12 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Warfare
Average Nutevio score
5.2
Across catalogue work
Highest IMDb rating
7.1
Warfare
Most frequent director
Guy Ritchie
1 film together
Longest collaboration
1×
With Guy Ritchie
Most common genre
Drama
9 titles
Average runtime
1h 37m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.4 average MV
The 2010s are where the work and the material meet. Annihilation, Hunter Killer, Farming — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.4
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Annihilation, Hunter Killer, Farming.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.42 films | 4.17 films |
| Action | 6.52 films | 7.11 film |
| Thriller | 6.52 films | 0.01 film |
| Comedy | — | 6.11 film |
| Crime | — | 5.73 films |
| Romance | — | 6.11 film |
| Horror | 6.51 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Dani Tasuev.
Highest rated performance · Career peak
2025Warfare
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2027Wife & Dog
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as Arm
Directed by Nick Rowland
as Sebastian
Directed by William Oldroyd
as Fathometer Operator
Directed by Unknown
as Vincent Gigante
Directed by Barry Levinson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Elliott
Warfare (2025)
Performance score7.5
The performance the rest of the career is read through. Elliott gives Cosmo Jarvis a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Arm
Calm with Horses (2020)
Performance score7.0
Calm with Horses asks for something the previous films did not, and gets it. Arm is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Sebastian
Lady Macbeth (2016)
Performance score7.0
Lady Macbeth asks for something the previous films did not, and gets it. Sebastian is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Fathometer Operator
Hunter Killer (2018)
Performance score6.8
Hunter Killer asks for something the previous films did not, and gets it. Fathometer Operator is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Elliott
Start here. Warfare is the clearest statement of what Cosmo Jarvis does — accessible, 95 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Cosmo at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Lady Macbeth (2016)
A deliberate change of key after Warfare — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Hunter Killer (2018)
A deliberate change of key after Lady Macbeth — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Calm with Horses (2020)
A deliberate change of key after Hunter Killer — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Alto Knights (2025)
Keeps the crime register of Calm with Horses but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Bharat Nalluri
Director
1 film together
Notably Spooks: The Greater Good
William Oldroyd
Director
1 film together
Notably Lady Macbeth
Adewale Akinnuoye-Agbaje
Director
1 film together
Notably Farming
Alex Garland
Director
1 film together
Notably Annihilation
Nick Rowland
Director
1 film together
Notably Calm with Horses
Barry Levinson
Director
1 film together
Notably The Alto Knights
Ray Mendoza
Director
1 film together
Notably Warfare
Paul Greengrass
Director
1 film together
Notably The Uprising
Guy Ritchie
Director
1 film together
Notably Wife & Dog
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ray Mendoza
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WarfareWilliam Oldroyd
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lady MacbethAlex Garland
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AnnihilationNick Rowland
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Calm with HorsesBarry Levinson
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Alto KnightsAdewale Akinnuoye-Agbaje
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FarmingBharat Nalluri
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spooks: The Greater GoodGuy Ritchie
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wife & DogPaul Greengrass
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The UprisingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Hunter Killer
as Fathometer Operator
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Persuasion
as Captain Frederick Wentworth
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Warfare
as Elliott
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Hunter Killer
as Fathometer Operator
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Warfare
as Elliott
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Cosmo Jarvis has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
9 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Warfare
as Elliott
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Hunter Killer
as Fathometer Operator
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Persuasion
as Captain Frederick Wentworth
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Alto Knights
as Vincent Gigante
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Hunter Killer
as Fathometer Operator
Images that would survive with the sound switched off.
Best action sequence
Hunter Killer
as Fathometer Operator
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Calm with Horses
as Arm
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Annihilation
as Special Ops Soldier (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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