Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4516
of 909177 performers
Top 1%
Daisy Ridley works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Daisy Ridley appears in 18 films in the Nutevio catalogue, and none of them would work the same way without Daisy. The Skywalker Legacy is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, comedy. It is a style built on what is withheld as much as what is played.
Working with Ti West, Martin Campbell, Joachim Rønning and others, Daisy Ridley helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Skywalker Legacy (2020) as Self · Star Wars: The Force Awakens (2015) as Rey · Young Woman and the Sea (2024) as Trudy Ederle
Career snapshot
Ranked #4516 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
18
2015–2026
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
The Skywalker Legacy
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
7.9
Young Woman and the Sea
Most frequent director
J.J. Abrams
2 films together
Longest collaboration
2×
With J.J. Abrams
Most common genre
Drama
7 titles
Average runtime
1h 43m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.9 average MV
The 2010s are where the work and the material meet. Star Wars: The Rise of Skywalker, Ophelia, Peter Rabbit — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.9
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Star Wars: The Rise of Skywalker, Ophelia, Peter Rabbit.
Most productive era
2020s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.92 films | 5.45 films |
| Action | 6.93 films | 6.61 film |
| Thriller | — | 6.34 films |
| Comedy | — | 3.83 films |
| Crime | 6.71 film | 6.41 film |
| Romance | 7.11 film | 6.81 film |
| Horror | — | 6.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Career peak
2015Star Wars: The Force Awakens
Where our catalogue meets this career, as Rey. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
7.8 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2026Ebenezer
The current state of the argument, as Emily Cratchit.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
18 of 18 films
as Rey
Directed by J.J. Abrams
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
The Skywalker Legacy (2020)
Performance score8.1
The performance the rest of the career is read through. Self gives Daisy Ridley a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Rey
Star Wars: The Force Awakens (2015)
Performance score8.1
Star Wars: The Force Awakens asks for something the previous films did not, and gets it. Rey is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Trudy Ederle
Young Woman and the Sea (2024)
Performance score8.0
Young Woman and the Sea asks for something the previous films did not, and gets it. Trudy Ederle is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Ophelia
Ophelia (2019)
Performance score7.7
Ophelia asks for something the previous films did not, and gets it. Ophelia is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. The Skywalker Legacy is the clearest statement of what Daisy Ridley does — accessible, 126 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Daisy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Star Wars: The Force Awakens (2015)
A deliberate change of key after The Skywalker Legacy — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Ophelia (2019)
A deliberate change of key after Star Wars: The Force Awakens — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Young Woman and the Sea (2024)
Keeps the drama register of Ophelia but asks for a colder reading of it.
Sometimes I Think About Dying (2024)
Keeps the drama register of Young Woman and the Sea but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
J.J. Abrams
Director
2 films together
Notably Star Wars: The Force Awakens
Kenneth Branagh
Director
1 film together
Notably Murder on the Orient Express
Rian Johnson
Director
1 film together
Notably Star Wars: The Last Jedi
Will Gluck
Director
1 film together
Notably Peter Rabbit
Debs Paterson
Director
1 film together
Notably The Skywalker Legacy
Eric Darnell
Director
1 film together
Notably Baba Yaga
Doug Liman
Director
1 film together
Notably Chaos Walking
Judd Apatow
Director
1 film together
Notably The Bubble
Jim Capobianco
Director
1 film together
Notably The Inventor
Neil Burger
Director
1 film together
Notably The Marsh King's Daughter
Sam Yates
Director
1 film together
Notably Magpie
Joachim Rønning
Director
1 film together
Notably Young Woman and the Sea
Martin Campbell
Director
1 film together
Notably Cleaner
Ti West
Director
1 film together
Notably Ebenezer
Behind the camera
Who casts this performer, how often, and what the pairing produces.
J.J. Abrams
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Star Wars: The Force AwakensDebs Paterson
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Skywalker LegacyJoachim Rønning
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Young Woman and the SeaRian Johnson
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Star Wars: The Last JediWill Gluck
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Peter RabbitKenneth Branagh
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Murder on the Orient ExpressMartin Campbell
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CleanerDoug Liman
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Chaos WalkingSam Yates
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MagpieNeil Burger
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Marsh King's DaughterJim Capobianco
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The InventorJudd Apatow
Director
1 film together · 4.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The BubbleTi West
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
EbenezerEric Darnell
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Baba YagaSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Skywalker Legacy
as Self
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Ophelia
as Ophelia
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Skywalker Legacy
as Self
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Bubble
as Kate
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Skywalker Legacy
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Daisy Ridley has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Skywalker Legacy
as Self
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Murder on the Orient Express
as Miss Mary Debenham
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Inventor
as Princess Marguerite (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Murder on the Orient Express
as Miss Mary Debenham
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Star Wars: The Force Awakens
as Rey
Images that would survive with the sound switched off.
Best action sequence
Star Wars: The Rise of Skywalker
as Rey
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Inventor
as Princess Marguerite (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Star Wars: The Last Jedi
as Rey
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Bonnie Hunt
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David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Have your say
Community
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Reference
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