Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#12313
of 909177 performers
Top 5%
Dan Beirne works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Dan Beirne appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Dan. Ready or Not: Here I Come is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Matt Bettinelli-Olpin, Sook-Yin Lee, Sofia Coppola and others, Dan Beirne helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Ready or Not: Here I Come (2026) as Kip Danforth · I Like Movies (2023) as Owen · Priscilla (2023) as Joe
Career snapshot
Ranked #12313 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2012–2026
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
Ready or Not: Here I Come
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
7.6
Ready or Not: Here I Come
Most frequent director
Matt Bettinelli-Olpin
1 film together
Longest collaboration
1×
With Matt Bettinelli-Olpin
Most common genre
Drama
7 titles
Average runtime
1h 45m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.0 average MV
The 2010s are where the work and the material meet. American Hangman, White Lie, On the Road — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.0
Across 3 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. American Hangman, White Lie, On the Road.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.02 films | 5.25 films |
| Thriller | 6.01 film | 4.53 films |
| Comedy | — | 7.03 films |
| Romance | — | 6.71 film |
| Horror | — | 7.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2012On the Road
Where our catalogue meets this career, as Newlywed Man.
Career peak
2025Paying for It
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
7.5 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2026Summer War
The current state of the argument, as Udo Berger.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Kip Danforth
Directed by Matt Bettinelli-Olpin
as Chester Brown
Directed by Sook-Yin Lee
as Owen
Directed by Unknown
as Joe
Directed by Sofia Coppola
as Udo Berger
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Kip Danforth
Ready or Not: Here I Come (2026)
Performance score7.3
The performance the rest of the career is read through. Kip Danforth gives Dan Beirne a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Chester Brown
Paying for It (2025)
Performance score7.3
Paying for It asks for something the previous films did not, and gets it. Chester Brown is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Owen
I Like Movies (2023)
Performance score6.9
I Like Movies asks for something the previous films did not, and gets it. Owen is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Joe
Priscilla (2023)
Performance score6.6
Priscilla asks for something the previous films did not, and gets it. Joe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Kip Danforth
Start here. Ready or Not: Here I Come is the clearest statement of what Dan Beirne does — accessible, 108 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Dan at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
I Like Movies (2023)
Keeps the comedy register of Ready or Not: Here I Come but asks for a colder reading of it.
Priscilla (2023)
Keeps the drama register of I Like Movies but asks for a colder reading of it.
Paying for It (2025)
Keeps the drama register of Priscilla but asks for a colder reading of it.
Summer War (2026)
Keeps the drama register of Paying for It but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Walter Salles
Director
1 film together
Notably On the Road
Sofia Coppola
Director
1 film together
Notably Priscilla
Sook-Yin Lee
Director
1 film together
Notably Paying for It
Matt Bettinelli-Olpin
Director
1 film together
Notably Ready or Not: Here I Come
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Matt Bettinelli-Olpin
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ready or Not: Here I ComeSofia Coppola
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
PriscillaSook-Yin Lee
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Paying for ItWalter Salles
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
On the RoadSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Ready or Not: Here I Come
as Kip Danforth
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Priscilla
as Joe
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Ready or Not: Here I Come
as Kip Danforth
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
On the Road
as Newlywed Man
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Ready or Not: Here I Come
as Kip Danforth
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Dan Beirne has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Ready or Not: Here I Come
as Kip Danforth
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Ready or Not: Here I Come
as Kip Danforth
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Priscilla
as Joe
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Summer War
as Udo Berger
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Ready or Not: Here I Come
as Kip Danforth
Images that would survive with the sound switched off.
Best action sequence
On the Road
as Newlywed Man
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Priscilla
as Joe
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Awake
as Gregg
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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Built a career in the same territory: adventure and drama
Tom Wilkinson
Built a career in the same territory: comedy and adventure
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: adventure and drama
Have your say
Community
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Reference
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