Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7812
of 909177 performers
Top 1%
Eleanor Tomlinson works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Eleanor Tomlinson appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Eleanor. Loving Vincent is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for fantasy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with Wash Westmoreland, DK Welchman, Bryan Singer and others, Eleanor Tomlinson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Loving Vincent (2017) as Adeline Ravoux · The Illusionist (2006) as Young Sophie · Mummies (2023) as Nefer (voice)
Career snapshot
Ranked #7812 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2006–2023
Career length
17 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Loving Vincent
Average Nutevio score
6.5
Across catalogue work
Highest IMDb rating
8.0
Loving Vincent
Most frequent director
Wash Westmoreland
1 film together
Longest collaboration
1×
With Wash Westmoreland
Most common genre
Fantasy
4 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.3 average MV
The 2000s are where the work and the material meet. The Illusionist — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.3
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Illusionist.
Most productive era
2010s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.31 film | 6.93 films | — |
| Action | — | 5.91 film | — |
| Thriller | 7.31 film | — | — |
| Comedy | — | — | 5.71 film |
| Romance | 7.31 film | — | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2006The Illusionist
Where our catalogue meets this career, as Young Sophie.
Highest rated performance · Career peak
2017Loving Vincent
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2023Mummies
The current state of the argument, as Nefer (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Adeline Ravoux
Directed by DK Welchman
as Young Sophie
Directed by Neil Burger
as Georgie Raoul-Duval
Directed by Wash Westmoreland
as Fiona Chattaway
Directed by Tim Burton
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Adeline Ravoux
Loving Vincent (2017)
Performance score8.1
The performance the rest of the career is read through. Adeline Ravoux gives Eleanor Tomlinson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Nefer (voice)
Mummies (2023)
Performance score7.3
Mummies asks for something the previous films did not, and gets it. Nefer (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Young Sophie
The Illusionist (2006)
Performance score7.2
The Illusionist asks for something the previous films did not, and gets it. Young Sophie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Georgie Raoul-Duval
Colette (2018)
Performance score7.1
Colette asks for something the previous films did not, and gets it. Georgie Raoul-Duval is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Adeline Ravoux
Start here. Loving Vincent is the clearest statement of what Eleanor Tomlinson does — accessible, 95 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Eleanor at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Illusionist (2006)
Keeps the drama register of Loving Vincent but asks for a colder reading of it.
Alice in Wonderland (2010)
Keeps the fantasy register of The Illusionist but asks for a colder reading of it.
Colette (2018)
A deliberate change of key after Alice in Wonderland — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Mummies (2023)
A deliberate change of key after Colette — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Neil Burger
Director
1 film together
Notably The Illusionist
Mikael Salomon
Director
1 film together
Notably The Lost Future
Tim Burton
Director
1 film together
Notably Alice in Wonderland
Bryan Singer
Director
1 film together
Notably Jack the Giant Slayer
DK Welchman
Director
1 film together
Notably Loving Vincent
Wash Westmoreland
Director
1 film together
Notably Colette
Behind the camera
Who casts this performer, how often, and what the pairing produces.
DK Welchman
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Loving VincentNeil Burger
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The IllusionistWash Westmoreland
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ColetteTim Burton
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Alice in WonderlandBryan Singer
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Jack the Giant SlayerMikael Salomon
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Lost FutureSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Loving Vincent
as Adeline Ravoux
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Loving Vincent
as Adeline Ravoux
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Loving Vincent
as Adeline Ravoux
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Alice in Wonderland
as Fiona Chattaway
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Loving Vincent
as Adeline Ravoux
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Eleanor Tomlinson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Fantasy Legend
Awarded
4 catalogue titles in fantasy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Loving Vincent
as Adeline Ravoux
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Loving Vincent
as Adeline Ravoux
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Mummies
as Nefer (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Alice in Wonderland
as Fiona Chattaway
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Loving Vincent
as Adeline Ravoux
Images that would survive with the sound switched off.
Best action sequence
Jack the Giant Slayer
as Princess Isabelle
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Loving Vincent
as Adeline Ravoux
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Lost Future
as Miru
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: adventure and drama
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Built a career in the same territory: action and adventure
Tom Hanks
Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
Elliot Page
Built a career in the same territory: adventure and drama
Michael Caine
Built a career in the same territory: adventure and drama
Have your say
Community
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Reference
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