Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1262
of 909177 performers
Top 1%
Fiona Shaw represents the rare performer whose career became more ambitious with every decade — 34 years in, and Fiona is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Fiona Shaw appears in 25 films in the Nutevio catalogue, and none of them would work the same way without Fiona. Harry Potter and the Prisoner of Azkaban is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, comedy. It is a style built on what is withheld as much as what is played.
Working with Thea Sharrock, John Krasinski, Simon Otto and others, Fiona Shaw helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Harry Potter and the Prisoner of Azkaban (2004) as Petunia Dursley · Harry Potter and the Philosopher's Stone (2001) as Petunia Dursley · Harry Potter and the Deathly Hallows: Part 1 (2010) as Petunia Dursley
Career snapshot
Ranked #1262 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
25
1993–2027
Career length
34 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
Harry Potter and the Prisoner of Azkaban
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
8.0
Harry Potter and the Prisoner of Azkaban
Most frequent director
Chris Columbus
3 films together
Longest collaboration
3×
With Chris Columbus
Most common genre
Drama
12 titles
Average runtime
1h 56m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
7.4 average MV
The 2000s are where the work and the material meet. Dorian Gray, Harry Potter and the Order of the Phoenix, Fracture — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
7.4
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Avengers, Anna Karenina, Super Mario Bros..
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | 6.11 film | 6.02 films | 6.44 films | 3.95 films |
| Action | 4.51 film | — | 5.81 film | — |
| Thriller | 4.51 film | 6.72 films | 6.21 film | 6.51 film |
| Comedy | 4.52 films | 5.91 film | 5.72 films | 6.73 films |
| Crime | — | — | 6.21 film | 7.21 film |
| Romance | 6.11 film | 5.91 film | 5.61 film | 3.52 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Lena.
Highest rated performance · Career peak
2004Harry Potter and the Prisoner of Azkaban
8.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2027The Education of Jane Cumming
The current state of the argument, as Lady Cumming Gordon.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
25 of 25 films
as Petunia Dursley
Directed by Alfonso Cuarón
as Petunia Dursley
Directed by Chris Columbus
as Petunia Dursley
Directed by David Yates
as Petunia Dursley
Directed by Chris Columbus
as Petunia Dursley
Directed by David Yates
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Petunia Dursley
Harry Potter and the Prisoner of Azkaban (2004)
Performance score8.0
The performance the rest of the career is read through. Petunia Dursley gives Fiona Shaw a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Petunia Dursley
Harry Potter and the Philosopher's Stone (2001)
Performance score7.9
Harry Potter and the Philosopher's Stone asks for something the previous films did not, and gets it. Petunia Dursley is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Petunia Dursley
Harry Potter and the Deathly Hallows: Part 1 (2010)
Performance score7.8
Harry Potter and the Deathly Hallows: Part 1 asks for something the previous films did not, and gets it. Petunia Dursley is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Petunia Dursley
Harry Potter and the Chamber of Secrets (2002)
Performance score7.8
Harry Potter and the Chamber of Secrets asks for something the previous films did not, and gets it. Petunia Dursley is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Petunia Dursley
Start here. Harry Potter and the Prisoner of Azkaban is the clearest statement of what Fiona Shaw does — accessible, 141 minutes, and rated 8.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Fiona at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Harry Potter and the Philosopher's Stone (2001)
Keeps the fantasy register of Harry Potter and the Prisoner of Azkaban but asks for a colder reading of it.
Harry Potter and the Chamber of Secrets (2002)
Same director as Harry Potter and the Philosopher's Stone, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Harry Potter and the Order of the Phoenix (2007)
Keeps the fantasy register of Harry Potter and the Chamber of Secrets but asks for a colder reading of it.
Harry Potter and the Deathly Hallows: Part 1 (2010)
Same director as Harry Potter and the Order of the Phoenix, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Chris Columbus
Director
3 films together
Notably Harry Potter and the Philosopher's Stone
David Yates
Director
2 films together
Notably Harry Potter and the Deathly Hallows: Part 1
Bernard Rose
Director
1 film together
Notably Anna Karenina
Jeremiah S. Chechik
Director
1 film together
Notably The Avengers
Alfonso Cuarón
Director
1 film together
Notably Harry Potter and the Prisoner of Azkaban
Susannah Grant
Director
1 film together
Notably Catch and Release
Gregory Hoblit
Director
1 film together
Notably Fracture
Oliver Parker
Director
1 film together
Notably Dorian Gray
Terrence Malick
Director
1 film together
Notably The Tree of Life
Craig Zisk
Director
1 film together
Notably The English Teacher
Craig William Macneill
Director
1 film together
Notably Lizzie
Wash Westmoreland
Director
1 film together
Notably Colette
Harry Bradbeer
Director
1 film together
Notably Enola Holmes
Simon Otto
Director
1 film together
Notably That Christmas
John Krasinski
Director
1 film together
Notably IF
Thea Sharrock
Director
1 film together
Notably Ladies First
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Chris Columbus
Director
3 films together · 7.3 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Harry Potter and the Philosopher's StoneDavid Yates
Director
2 films together · 8.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Harry Potter and the Deathly Hallows: Part 1Alfonso Cuarón
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harry Potter and the Prisoner of AzkabanGregory Hoblit
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FractureHarry Bradbeer
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Enola HolmesSimon Otto
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
That ChristmasJohn Krasinski
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
IFWash Westmoreland
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ColetteTerrence Malick
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Tree of LifeCraig William Macneill
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
LizzieOliver Parker
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dorian GrayBernard Rose
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Anna KareninaThea Sharrock
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ladies FirstSusannah Grant
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Catch and ReleaseCraig Zisk
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The English TeacherJeremiah S. Chechik
Director
1 film together · 4.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The AvengersSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Harry Potter and the Prisoner of Azkaban
as Petunia Dursley
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Ammonite
as Elizabeth Philpot
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Harry Potter and the Prisoner of Azkaban
as Petunia Dursley
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pixels
as Prime Minister (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Harry Potter and the Prisoner of Azkaban
as Petunia Dursley
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Fiona Shaw has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
34 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
12 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Harry Potter and the Prisoner of Azkaban
as Petunia Dursley
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Enola Holmes
as Miss Harrison
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Ammonite
as Elizabeth Philpot
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Enola Holmes
as Miss Harrison
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Harry Potter and the Prisoner of Azkaban
as Petunia Dursley
Images that would survive with the sound switched off.
Best action sequence
The Avengers
as Father
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
That Christmas
as Ms. Trapper (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harry Potter and the Philosopher's Stone
as Petunia Dursley
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Built a career in the same territory: animation and family
Bonnie Hunt
Built a career in the same territory: animation and family
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Have your say
Community
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Reference
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