Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4720
of 909177 performers
Top 1%
Gaia Weiss works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Gaia Weiss appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Gaia. Bardot is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for documentary, science fiction, horror. It is a style built on what is withheld as much as what is played.
Working with Rupert Goold, Antonio Negret, Renny Harlin, Gaia Weiss helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Bardot (2025) as self · Judy (2019) as Abbie · Overdrive (2017) as Devin
Career snapshot
Ranked #4720 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
2014–2025
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
Bardot
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
8.3
Bardot
Most frequent director
Rupert Goold
1 film together
Longest collaboration
1×
With Rupert Goold
Most common genre
Drama
3 titles
Average runtime
1h 28m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.4 average MV
The 2020s are where the work and the material meet. Bardot, Meander — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.4
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Judy, We Are Boats, Alien: Containment.
Most productive era
2010s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.52 films | 6.11 film |
| Action | 5.82 films | — |
| Thriller | 6.31 film | 6.11 film |
| Horror | 6.21 film | 6.11 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Hebe.
Highest rated performance
2019Judy
6.7 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Bardot
The current state of the argument, as self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Ward
Directed by Unknown
as Abbie
Directed by Rupert Goold
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
self
Bardot (2025)
Performance score6.9
The performance the rest of the career is read through. self gives Gaia Weiss a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ward
Alien: Containment (2019)
Performance score6.9
Alien: Containment asks for something the previous films did not, and gets it. Ward is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Lisa
Meander (2021)
Performance score6.8
Meander asks for something the previous films did not, and gets it. Lisa is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Abbie
Judy (2019)
Performance score6.6
Judy asks for something the previous films did not, and gets it. Abbie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as self
Start here. Bardot is the clearest statement of what Gaia Weiss does — accessible, 95 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Gaia at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Alien: Containment (2019)
Same director as Bardot, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Judy (2019)
Keeps the drama register of Alien: Containment but asks for a colder reading of it.
We Are Boats (2019)
A deliberate change of key after Judy — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Meander (2021)
Same director as We Are Boats, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rupert Goold
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
JudyAntonio Negret
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OverdriveRenny Harlin
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Legend of HerculesSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Judy
as Abbie
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Judy
as Abbie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Judy
as Abbie
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Judy
as Abbie
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Bardot
as self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Gaia Weiss has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Overdrive
as Devin
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Overdrive
as Devin
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Judy
as Abbie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Overdrive
as Devin
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Overdrive
as Devin
Images that would survive with the sound switched off.
Best action sequence
The Legend of Hercules
as Hebe
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Judy
as Abbie
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
We Are Boats
as Rachel
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
Which Gaia Weiss performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
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Reference
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