Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#110342
of 909177 performers
Top 25%
Geneviève Bujold represents the rare performer whose career became more ambitious with every decade — 44 years in, and Geneviève is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Geneviève Bujold appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Geneviève. Coma is the clearest case: a film rated 6.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, thriller, crime. It is a style built on what is withheld as much as what is played.
Working with Richard Tuggle, Michael Crichton, Brian De Palma and others, Geneviève Bujold helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Coma (1978) as Dr. Susan Wheeler · French Cancan (1955) as Woman (uncredited) · Obsession (1976) as Elizabeth Courtland / Sandra Portinari
Career snapshot
Ranked #110342 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1955–1999
Career length
44 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.7
Coma
Average Nutevio score
6.2
Across catalogue work
Highest IMDb rating
7.2
French Cancan
Most frequent director
Richard Tuggle
1 film together
Longest collaboration
1×
With Richard Tuggle
Most common genre
Mystery
4 titles
Average runtime
1h 48m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1950s
6.7 average MV
The 1950s are where the work and the material meet. French Cancan — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1950s
6.7
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1950s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. French Cancan.
Most productive era
1970s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1970s | 1980s | 1990s |
|---|---|---|---|---|
| Drama | 6.71 film | 6.61 film | — | — |
| Thriller | — | 6.72 films | 6.21 film | 5.01 film |
| Comedy | 6.71 film | — | — | — |
| Crime | — | — | 6.21 film | — |
| Romance | 6.71 film | — | — | — |
| Horror | — | 6.71 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
1955French Cancan
Where our catalogue meets this career, as Woman (uncredited). 6.7 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
1978Coma
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Dr. Brault.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as Dr. Susan Wheeler
Directed by Michael Crichton
as Elizabeth Courtland / Sandra Portinari
Directed by Brian De Palma
as Beryl Thibodeaux
Directed by Richard Tuggle
as Woman (uncredited)
Directed by Jean Renoir
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Dr. Susan Wheeler
Coma (1978)
Performance score7.4
The performance the rest of the career is read through. Dr. Susan Wheeler gives Geneviève Bujold a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Elizabeth Courtland / Sandra Portinari
Obsession (1976)
Performance score7.0
Obsession asks for something the previous films did not, and gets it. Elizabeth Courtland / Sandra Portinari is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Beryl Thibodeaux
Tightrope (1984)
Performance score6.7
Tightrope asks for something the previous films did not, and gets it. Beryl Thibodeaux is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Woman (uncredited)
French Cancan (1955)
Performance score6.6
French Cancan asks for something the previous films did not, and gets it. Woman (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Dr. Susan Wheeler
Start here. Coma is the clearest statement of what Geneviève Bujold does — accessible, 113 minutes, and rated 6.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Geneviève at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
French Cancan (1955)
A deliberate change of key after Coma — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Obsession (1976)
Keeps the drama register of French Cancan but asks for a colder reading of it.
Tightrope (1984)
Keeps the mystery register of Obsession but asks for a colder reading of it.
Eye of the Beholder (1999)
Keeps the mystery register of Tightrope but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Crichton
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ComaJean Renoir
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
French CancanBrian De Palma
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ObsessionRichard Tuggle
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TightropeSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Coma
as Dr. Susan Wheeler
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
French Cancan
as Woman (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
French Cancan
as Woman (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
French Cancan
as Woman (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Coma
as Dr. Susan Wheeler
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Geneviève Bujold has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
44 years of relevant work — not merely a long career, but a long career of choices.
Mystery Legend
Awarded
4 catalogue titles in mystery, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Coma
as Dr. Susan Wheeler
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Coma
as Dr. Susan Wheeler
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
French Cancan
as Woman (uncredited)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Tightrope
as Beryl Thibodeaux
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
French Cancan
as Woman (uncredited)
Images that would survive with the sound switched off.
Best action sequence
Tightrope
as Beryl Thibodeaux
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
French Cancan
as Woman (uncredited)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Tightrope
as Beryl Thibodeaux
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: crime and drama
Zach Grenier
Built a career in the same territory: crime and mystery
Richmond Arquette
Built a career in the same territory: crime and mystery
Bob Stephenson
Built a career in the same territory: crime and mystery
Robert Downey Jr.
Built a career in the same territory: drama and thriller
Have your say
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Reference
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