Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#30757
of 909177 performers
Top 5%
George Meeker works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
George Meeker appears in 9 films in the Nutevio catalogue, and none of them would work the same way without George. Casablanca is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, comedy, music. It is a style built on what is withheld as much as what is played.
Working with Norman Z. McLeod, William A. Wellman, Robert Siodmak and others, George Meeker helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Casablanca (1943) as Rick's Friend (uncredited) · The Ox-Bow Incident (1943) as Mr. Swanson (uncredited) · Mr. Deeds Goes to Town (1936) as Henneberry (uncredited)
Career snapshot
Ranked #30757 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
1936–1947
Career length
11 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Casablanca
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
8.1
Casablanca
Most frequent director
Raoul Walsh
2 films together
Longest collaboration
2×
With Raoul Walsh
Most common genre
Romance
4 titles
Average runtime
1h 36m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1940s
6.8 average MV
The 1940s are where the work and the material meet. Road to Rio, The Ox-Bow Incident, Son of Dracula — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1940s
6.8
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1930s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1930s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Roaring Twenties, It's a Wonderful World, Mr. Deeds Goes to Town.
Most productive era
1940s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1930s | 1940s |
|---|---|---|
| Drama | 7.02 films | 7.42 films |
| Action | — | 6.72 films |
| Thriller | 7.01 film | 6.51 film |
| Comedy | 6.82 films | 6.52 films |
| Crime | 6.72 films | 6.81 film |
| Romance | 6.82 films | 7.32 films |
| Horror | — | 6.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Henneberry (uncredited).
Highest rated performance · Career peak
1943Casablanca
8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1947Road to Rio
The current state of the argument, as Sherman Mallory.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Rick's Friend (uncredited)
Directed by Michael Curtiz
as Mr. Swanson (uncredited)
Directed by William A. Wellman
as Henneberry (uncredited)
Directed by Frank Capra
as Masters
Directed by Raoul Walsh
as Pfiffer
Directed by Raoul Walsh
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Rick's Friend (uncredited)
Casablanca (1943)
Performance score7.8
The performance the rest of the career is read through. Rick's Friend (uncredited) gives George Meeker a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mr. Swanson (uncredited)
The Ox-Bow Incident (1943)
Performance score7.1
The Ox-Bow Incident asks for something the previous films did not, and gets it. Mr. Swanson (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Henneberry (uncredited)
Mr. Deeds Goes to Town (1936)
Performance score7.0
Mr. Deeds Goes to Town asks for something the previous films did not, and gets it. Henneberry (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Masters
The Roaring Twenties (1939)
Performance score6.9
The Roaring Twenties asks for something the previous films did not, and gets it. Masters is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Rick's Friend (uncredited)
Start here. Casablanca is the clearest statement of what George Meeker does — accessible, 102 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet George at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Mr. Deeds Goes to Town (1936)
Keeps the romance register of Casablanca but asks for a colder reading of it.
The Roaring Twenties (1939)
Keeps the drama register of Mr. Deeds Goes to Town but asks for a colder reading of it.
High Sierra (1941)
Same director as The Roaring Twenties, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Ox-Bow Incident (1943)
A deliberate change of key after High Sierra — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Raoul Walsh
Director
2 films together
Notably The Roaring Twenties
Frank Capra
Director
1 film together
Notably Mr. Deeds Goes to Town
W.S. Van Dyke
Director
1 film together
Notably It's a Wonderful World
Vincent Sherman
Director
1 film together
Notably All Through the Night
Michael Curtiz
Director
1 film together
Notably Casablanca
Robert Siodmak
Director
1 film together
Notably Son of Dracula
William A. Wellman
Director
1 film together
Notably The Ox-Bow Incident
Norman Z. McLeod
Director
1 film together
Notably Road to Rio
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Raoul Walsh
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Roaring TwentiesMichael Curtiz
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
CasablancaWilliam A. Wellman
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Ox-Bow IncidentFrank Capra
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mr. Deeds Goes to TownNorman Z. McLeod
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Road to RioVincent Sherman
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All Through the NightW.S. Van Dyke
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
It's a Wonderful WorldRobert Siodmak
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Son of DraculaSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Casablanca
as Rick's Friend (uncredited)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Casablanca
as Rick's Friend (uncredited)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Casablanca
as Rick's Friend (uncredited)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Casablanca
as Rick's Friend (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Casablanca
as Rick's Friend (uncredited)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. George Meeker has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Romance Legend
Awarded
4 catalogue titles in romance, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Casablanca
as Rick's Friend (uncredited)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Roaring Twenties
as Masters
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Road to Rio
as Sherman Mallory
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
It's a Wonderful World
as Ned Brown (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Casablanca
as Rick's Friend (uncredited)
Images that would survive with the sound switched off.
Best action sequence
All Through the Night
as Reporter
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Road to Rio
as Sherman Mallory
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Son of Dracula
as Party Guest (uncredited)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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