Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#103033
of 909177 performers
Top 25%
Gina Lollobrigida represents the rare performer whose career became more ambitious with every decade — 69 years in, and Gina is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Gina Lollobrigida appears in 6 films in the Nutevio catalogue, and none of them would work the same way without Gina. The Adventures of Pinocchio is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for documentary, comedy, fantasy. It is a style built on what is withheld as much as what is played.
Working with Luigi Comencini, King Vidor, Jean Delannoy and others, Gina Lollobrigida helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Adventures of Pinocchio (1972) as Fata · The Hunchback of Notre Dame (1956) as Esmeralda · Fan-Fan the Tulip (1952) as Adeline
Career snapshot
Ranked #103033 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
6
1952–2021
Career length
69 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
The Adventures of Pinocchio
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
7.5
The Adventures of Pinocchio
Most frequent director
Luigi Comencini
1 film together
Longest collaboration
1×
With Luigi Comencini
Most common genre
Comedy
3 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.8
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
7.1 average MV
The 1970s are where the work and the material meet. The Adventures of Pinocchio — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
7.1
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1950s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Solomon and Sheba, The Hunchback of Notre Dame, Beat the Devil.
Most productive era
1950s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1950s | 1970s | 2020s |
|---|---|---|---|
| Drama | 6.61 film | 7.11 film | — |
| Comedy | 6.32 films | 7.11 film | — |
| Crime | 6.21 film | — | — |
| Romance | 6.52 films | — | — |
| Horror | 6.61 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Adeline.
Highest rated performance · Career peak
1972The Adventures of Pinocchio
7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
6 of 6 films
as Fata
Directed by Luigi Comencini
as Adeline
Directed by Christian-Jaque
as Maria Dannreuther
Directed by John Huston
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Fata
The Adventures of Pinocchio (1972)
Performance score7.5
The performance the rest of the career is read through. Fata gives Gina Lollobrigida a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Esmeralda
The Hunchback of Notre Dame (1956)
Performance score7.3
The Hunchback of Notre Dame asks for something the previous films did not, and gets it. Esmeralda is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Adeline
Fan-Fan the Tulip (1952)
Performance score7.0
Fan-Fan the Tulip asks for something the previous films did not, and gets it. Adeline is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Sheba
Solomon and Sheba (1959)
Performance score6.9
Solomon and Sheba asks for something the previous films did not, and gets it. Sheba is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Fata
Start here. The Adventures of Pinocchio is the clearest statement of what Gina Lollobrigida does — accessible, 135 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Gina at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Fan-Fan the Tulip (1952)
Keeps the comedy register of The Adventures of Pinocchio but asks for a colder reading of it.
Beat the Devil (1953)
Keeps the comedy register of Fan-Fan the Tulip but asks for a colder reading of it.
The Hunchback of Notre Dame (1956)
A deliberate change of key after Beat the Devil — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Solomon and Sheba (1959)
A deliberate change of key after The Hunchback of Notre Dame — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Christian-Jaque
Director
1 film together
Notably Fan-Fan the Tulip
John Huston
Director
1 film together
Notably Beat the Devil
Jean Delannoy
Director
1 film together
Notably The Hunchback of Notre Dame
King Vidor
Director
1 film together
Notably Solomon and Sheba
Luigi Comencini
Director
1 film together
Notably The Adventures of Pinocchio
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Luigi Comencini
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Adventures of PinocchioJean Delannoy
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hunchback of Notre DameChristian-Jaque
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fan-Fan the TulipKing Vidor
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Solomon and ShebaJohn Huston
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beat the DevilSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Adventures of Pinocchio
as Fata
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Fan-Fan the Tulip
as Adeline
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Adventures of Pinocchio
as Fata
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Morceaux de Cannes
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Adventures of Pinocchio
as Fata
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Gina Lollobrigida has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
69 years of relevant work — not merely a long career, but a long career of choices.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Adventures of Pinocchio
as Fata
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Hunchback of Notre Dame
as Esmeralda
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Fan-Fan the Tulip
as Adeline
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Adventures of Pinocchio
as Fata
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Adventures of Pinocchio
as Fata
Images that would survive with the sound switched off.
Best action sequence
Beat the Devil
as Maria Dannreuther
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Fan-Fan the Tulip
as Adeline
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Beat the Devil
as Maria Dannreuther
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Bonnie Hunt
Built a career in the same territory: family and comedy
Harvey Keitel
Built a career in the same territory: comedy and adventure
Tom Wilkinson
Built a career in the same territory: comedy and adventure
Harry Dean Stanton
Built a career in the same territory: drama and fantasy
Have your say
Community
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Reference
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