Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#730
of 909177 performers
Top 1%
Glenn Morshower represents the rare performer whose career became more ambitious with every decade — 37 years in, and Glenn is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Glenn Morshower appears in 34 films in the Nutevio catalogue, and none of them would work the same way without Glenn. Black Hawk Down is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, family, romance. It is a style built on what is withheld as much as what is played.
Working with Peter Facinelli, John Lee Hancock, Michael Bay and others, Glenn Morshower helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Black Hawk Down (2001) as LTC Tom Matthews · Moneyball (2011) as Ron Hopkins · X-Men: First Class (2011) as Colonel Hendry
Career snapshot
Ranked #730 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
34
1989–2026
Career length
37 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
Black Hawk Down
Average Nutevio score
5.5
Across catalogue work
Highest IMDb rating
7.4
Black Hawk Down
Most frequent director
Michael Bay
6 films together
Longest collaboration
6×
With Michael Bay
Most common genre
Action
17 titles
Average runtime
1h 55m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
6.6 average MV
The 1980s are where the work and the material meet. Tango & Cash — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
6.6
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Tango & Cash.
Most productive era
2000s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | — | 6.51 film | 6.54 films | 6.34 films | 5.54 films |
| Action | 6.61 film | 6.22 films | 6.47 films | 6.25 films | 5.32 films |
| Thriller | 6.61 film | 6.33 films | 6.25 films | 5.82 films | 5.33 films |
| Comedy | 6.61 film | — | 5.32 films | — | 0.03 films |
| Crime | 6.61 film | — | 6.32 films | 5.91 film | 4.92 films |
| Romance | — | — | — | — | 0.01 film |
| Horror | — | — | — | 6.31 film | 3.82 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1989Tango & Cash
Where our catalogue meets this career, as Co-Worker.
Highest rated performance · Career peak
2001Black Hawk Down
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
34 of 34 films
as LTC Tom Matthews
Directed by Ridley Scott
as Colonel Hendry
Directed by Matthew Vaughn
as Colonel Anderson
Directed by George Clooney
as SOCCENT Sergeant
Directed by Michael Bay
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
LTC Tom Matthews
Black Hawk Down (2001)
Performance score7.3
The performance the rest of the career is read through. LTC Tom Matthews gives Glenn Morshower a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ron Hopkins
Moneyball (2011)
Performance score7.2
Moneyball asks for something the previous films did not, and gets it. Ron Hopkins is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Colonel Hendry
X-Men: First Class (2011)
Performance score7.2
X-Men: First Class asks for something the previous films did not, and gets it. Colonel Hendry is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Colonel Anderson
Good Night, and Good Luck. (2005)
Performance score7.0
Good Night, and Good Luck. asks for something the previous films did not, and gets it. Colonel Anderson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as LTC Tom Matthews
Start here. Black Hawk Down is the clearest statement of what Glenn Morshower does — accessible, 145 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Glenn at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Good Night, and Good Luck. (2005)
Keeps the history register of Black Hawk Down but asks for a colder reading of it.
Transformers (2007)
A deliberate change of key after Good Night, and Good Luck. — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Moneyball (2011)
A deliberate change of key after Transformers — same instrument, unfamiliar tuning, and the reason range gets mentioned.
X-Men: First Class (2011)
A deliberate change of key after Moneyball — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Michael Bay
Director
6 films together
Notably Transformers
Andrei Konchalovsky
Director
1 film together
Notably Tango & Cash
Curtis Hanson
Director
1 film together
Notably The River Wild
Wolfgang Petersen
Director
1 film together
Notably Air Force One
Roland Emmerich
Director
1 film together
Notably Godzilla
Ridley Scott
Director
1 film together
Notably Black Hawk Down
Clint Eastwood
Director
1 film together
Notably Blood Work
Jon Amiel
Director
1 film together
Notably The Core
George Clooney
Director
1 film together
Notably Good Night, and Good Luck.
Steven Zaillian
Director
1 film together
Notably All the King's Men
Grant Heslov
Director
1 film together
Notably The Men Who Stare at Goats
Breck Eisner
Director
1 film together
Notably The Crazies
Matthew Vaughn
Director
1 film together
Notably X-Men: First Class
Peter Landesman
Director
1 film together
Notably Parkland
M. Night Shyamalan
Director
1 film together
Notably After Earth
Elliott Lester
Director
1 film together
Notably Aftermath
John Lee Hancock
Director
1 film together
Notably The Little Things
Peter Facinelli
Director
1 film together
Notably On Fire
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michael Bay
Director
6 films together · 6.5 avg MV
A working relationship rather than a booking — 6 films, and the register shifts each time.
Best film together
TransformersRidley Scott
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Black Hawk DownMatthew Vaughn
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
X-Men: First ClassGeorge Clooney
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Good Night, and Good Luck.Andrei Konchalovsky
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Tango & CashWolfgang Petersen
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Air Force OneCurtis Hanson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The River WildJohn Lee Hancock
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Little ThingsBreck Eisner
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The CraziesPeter Facinelli
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
On FirePeter Landesman
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ParklandClint Eastwood
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Blood WorkGrant Heslov
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Men Who Stare at GoatsRoland Emmerich
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GodzillaSteven Zaillian
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All the King's MenJon Amiel
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The CoreElliott Lester
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AftermathM. Night Shyamalan
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
After EarthSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Black Hawk Down
as LTC Tom Matthews
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Good Night, and Good Luck.
as Colonel Anderson
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Black Hawk Down
as LTC Tom Matthews
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Pearl Harbor
as Admiral Halsey
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Black Hawk Down
as LTC Tom Matthews
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Glenn Morshower has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
37 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
17 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Black Hawk Down
as LTC Tom Matthews
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Tango & Cash
as Co-Worker
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Good Night, and Good Luck.
as Colonel Anderson
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Dark Places
as Jim Jeffreys
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
X-Men: First Class
as Colonel Hendry
Images that would survive with the sound switched off.
Best action sequence
On Fire
as Marv
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Black Hawk Down
as LTC Tom Matthews
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Godzilla
as Kyle Terrington
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and crime
Harry Dean Stanton
Works with the same directors — Ridley Scott
Have your say
Community
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Reference
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