Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1214
of 909177 performers
Top 1%
Henry Lloyd-Hughes works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Henry Lloyd-Hughes appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Henry. Harry Potter and the Goblet of Fire is the clearest case: a film rated 8.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, thriller, mystery. It is a style built on what is withheld as much as what is played.
Working with Steven Spielberg, Chris Columbus, Stephen Williams and others, Henry Lloyd-Hughes helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Harry Potter and the Goblet of Fire (2005) as Roger Davies · Disclosure Day (2026) as Casper Boyd · The Outpost (2020) as SGT Brad Larson
Career snapshot
Ranked #1214 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.1
Harry Potter and the Goblet of Fire
Average Nutevio score
6.9
Across catalogue work
Highest IMDb rating
7.8
Harry Potter and the Goblet of Fire
Most frequent director
Steven Spielberg
1 film together
Longest collaboration
1×
With Steven Spielberg
Most common genre
Drama
3 titles
Average runtime
2h 5m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.6
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
8.1 average MV
The 2000s are where the work and the material meet. Harry Potter and the Goblet of Fire — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
8.1
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
7.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Harry Potter and the Goblet of Fire.
Most productive era
2020s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 6.71 film | 6.72 films |
| Action | — | — | 6.91 film |
| Thriller | — | 6.81 film | 7.61 film |
| Comedy | — | 6.21 film | 6.61 film |
| Crime | — | 6.81 film | 6.61 film |
| Romance | — | 6.71 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2005Harry Potter and the Goblet of Fire
Where our catalogue meets this career, as Roger Davies. 8.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Disclosure Day
The current state of the argument, as Casper Boyd.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Roger Davies
Directed by Mike Newell
as Casper Boyd
Directed by Steven Spielberg
as SGT Brad Larson
Directed by Rod Lurie
as Allen Scott-Frank
Directed by Jon M. Chu
as Bogdan
Directed by Chris Columbus
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Roger Davies
Harry Potter and the Goblet of Fire (2005)
Performance score7.8
The performance the rest of the career is read through. Roger Davies gives Henry Lloyd-Hughes a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Casper Boyd
Disclosure Day (2026)
Performance score7.4
Disclosure Day asks for something the previous films did not, and gets it. Casper Boyd is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
SGT Brad Larson
The Outpost (2020)
Performance score6.8
The Outpost asks for something the previous films did not, and gets it. SGT Brad Larson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Allen Scott-Frank
Now You See Me 2 (2016)
Performance score6.7
Now You See Me 2 asks for something the previous films did not, and gets it. Allen Scott-Frank is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Roger Davies
Start here. Harry Potter and the Goblet of Fire is the clearest statement of what Henry Lloyd-Hughes does — accessible, 157 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Henry at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Now You See Me 2 (2016)
A deliberate change of key after Harry Potter and the Goblet of Fire — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Outpost (2020)
A deliberate change of key after Now You See Me 2 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Thursday Murder Club (2025)
A deliberate change of key after The Outpost — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Disclosure Day (2026)
A deliberate change of key after The Thursday Murder Club — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Mike Newell
Director
1 film together
Notably Harry Potter and the Goblet of Fire
Ben Palmer
Director
1 film together
Notably The Inbetweeners Movie
Joe Wright
Director
1 film together
Notably Anna Karenina
Jon M. Chu
Director
1 film together
Notably Now You See Me 2
Rod Lurie
Director
1 film together
Notably The Outpost
Stephen Williams
Director
1 film together
Notably Chevalier
Chris Columbus
Director
1 film together
Notably The Thursday Murder Club
Steven Spielberg
Director
1 film together
Notably Disclosure Day
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Mike Newell
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Harry Potter and the Goblet of FireSteven Spielberg
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Disclosure DayRod Lurie
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The OutpostJon M. Chu
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Now You See Me 2Joe Wright
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Anna KareninaChris Columbus
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Thursday Murder ClubStephen Williams
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ChevalierBen Palmer
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Inbetweeners MovieSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Harry Potter and the Goblet of Fire
as Roger Davies
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Anna Karenina
as Burisov
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Harry Potter and the Goblet of Fire
as Roger Davies
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Harry Potter and the Goblet of Fire
as Roger Davies
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Harry Potter and the Goblet of Fire
as Roger Davies
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Henry Lloyd-Hughes has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Harry Potter and the Goblet of Fire
as Roger Davies
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Now You See Me 2
as Allen Scott-Frank
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Chevalier
as Christoph Gluck
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Thursday Murder Club
as Bogdan
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Harry Potter and the Goblet of Fire
as Roger Davies
Images that would survive with the sound switched off.
Best action sequence
The Outpost
as SGT Brad Larson
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Chevalier
as Christoph Gluck
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Harry Potter and the Goblet of Fire
as Roger Davies
The public vote sits below ours on this one, and the direction is the reason for the gap.
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