Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2447
of 909177 performers
Top 1%
Hitomi Nabatame works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Hitomi Nabatame appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Hitomi. KONOSUBA – God's blessing on this wonderful world! Legend of Crimson is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, animation, action. It is a style built on what is withheld as much as what is played.
Working with Naoyuki Ito, Yuta Tanaka, Minoru Ashina and others, Hitomi Nabatame helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson (2019) as Chomusuke (voice) · OVERLORD: The Sacred Kingdom (2024) as Remedios Custodio (voice) · Pretty Cure All Stars F (2023) as Mana Aida / Cure Heart (voice)
Career snapshot
Ranked #2447 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
9.0
Samurai Ballerina -L'étoile de Paris en fleur-
Most frequent director
Naoyuki Ito
1 film together
Longest collaboration
1×
With Naoyuki Ito
Most common genre
Animation
10 titles
Average runtime
1h 20m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.6 average MV
The 2020s are where the work and the material meet. Samurai Ballerina -L'étoile de Paris en fleur-, OVERLORD: The Sacred Kingdom, Pretty Cure All Stars F — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.6
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. KONOSUBA – God's blessing on this wonderful world! Legend of Crimson, For Whom the Alchemist Exists, Saekano the Movie: Finale.
Most productive era
2020s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.51 film | 6.33 films |
| Action | 6.31 film | 6.73 films |
| Comedy | 6.83 films | 6.63 films |
| Romance | 6.51 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2019KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
Where our catalogue meets this career, as Chomusuke (voice). 7.5 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2024OVERLORD: The Sacred Kingdom
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Samurai Ballerina -L'étoile de Paris en fleur-
The current state of the argument, as Anne (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Remedios Custodio (voice)
Directed by Naoyuki Ito
as Chomusuke (voice)
Directed by Takaomi Kanasaki
as Mana Aida / Cure Heart (voice)
Directed by Yuta Tanaka
as Chomusuke (voice)
Directed by Minoru Ashina
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Remedios Custodio (voice)
OVERLORD: The Sacred Kingdom (2024)
Performance score7.6
The performance the rest of the career is read through. Remedios Custodio (voice) gives Hitomi Nabatame a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Chomusuke (voice)
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson (2019)
Performance score7.3
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson asks for something the previous films did not, and gets it. Chomusuke (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mana Aida / Cure Heart (voice)
Pretty Cure All Stars F (2023)
Performance score6.7
Pretty Cure All Stars F asks for something the previous films did not, and gets it. Mana Aida / Cure Heart (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Chomusuke (voice)
Isekai Quartet the Movie: Another World (2022)
Performance score6.6
Isekai Quartet the Movie: Another World asks for something the previous films did not, and gets it. Chomusuke (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Remedios Custodio (voice)
Start here. OVERLORD: The Sacred Kingdom is the clearest statement of what Hitomi Nabatame does — accessible, 134 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Hitomi at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson (2019)
Keeps the fantasy register of OVERLORD: The Sacred Kingdom but asks for a colder reading of it.
Isekai Quartet the Movie: Another World (2022)
Keeps the comedy register of KONOSUBA – God's blessing on this wonderful world! Legend of Crimson but asks for a colder reading of it.
Pretty Cure All Stars F (2023)
Keeps the comedy register of Isekai Quartet the Movie: Another World but asks for a colder reading of it.
Samurai Ballerina -L'étoile de Paris en fleur- (2026)
Keeps the animation register of Pretty Cure All Stars F but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Tsutomu Mizushima
Director
1 film together
Notably Girls und Panzer das Finale: Part 2
Kanta Kamei
Director
1 film together
Notably Saekano the Movie: Finale
Masanori Takahashi
Director
1 film together
Notably For Whom the Alchemist Exists
Takaomi Kanasaki
Director
1 film together
Notably KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
Shin Oonuma
Director
1 film together
Notably Fate/kaleid liner Prisma☆Illya: Licht Nameless Girl
Eisaku Kawanami
Director
1 film together
Notably Free! the Final Stroke the Second Volume
Minoru Ashina
Director
1 film together
Notably Isekai Quartet the Movie: Another World
Yuta Tanaka
Director
1 film together
Notably Pretty Cure All Stars F
Naoyuki Ito
Director
1 film together
Notably OVERLORD: The Sacred Kingdom
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Takaomi Kanasaki
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KONOSUBA – God's blessing on this wonderful world! Legend of CrimsonNaoyuki Ito
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OVERLORD: The Sacred KingdomYuta Tanaka
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pretty Cure All Stars FMinoru Ashina
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Isekai Quartet the Movie: Another WorldKanta Kamei
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Saekano the Movie: FinaleEisaku Kawanami
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Free! the Final Stroke the Second VolumeTsutomu Mizushima
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Girls und Panzer das Finale: Part 2Shin Oonuma
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fate/kaleid liner Prisma☆Illya: Licht Nameless GirlMasanori Takahashi
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
For Whom the Alchemist ExistsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
OVERLORD: The Sacred Kingdom
as Remedios Custodio (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Samurai Ballerina -L'étoile de Paris en fleur-
as Anne (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
as Chomusuke (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Girls und Panzer das Finale: Part 2
as (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
OVERLORD: The Sacred Kingdom
as Remedios Custodio (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Hitomi Nabatame has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Animation Legend
Awarded
10 catalogue titles in animation, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
KONOSUBA – God's blessing on this wonderful world! Legend of Crimson
as Chomusuke (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
OVERLORD: The Sacred Kingdom
as Remedios Custodio (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Samurai Ballerina -L'étoile de Paris en fleur-
as Anne (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
OVERLORD: The Sacred Kingdom
as Remedios Custodio (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
OVERLORD: The Sacred Kingdom
as Remedios Custodio (voice)
Images that would survive with the sound switched off.
Best action sequence
OVERLORD: The Sacred Kingdom
as Remedios Custodio (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Saekano the Movie: Finale
as Akane Kosaka (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
For Whom the Alchemist Exists
as Tina (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
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Reference
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