Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#31270
of 909177 performers
Top 5%
Israel Broussard works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Israel Broussard appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Israel. Flipped is the clearest case: a film rated 7.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for thriller, horror, drama. It is a style built on what is withheld as much as what is played.
Working with Ben Young, Sofia Coppola, Rob Reiner, Israel Broussard helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Flipped (2010) as Garrett · To All the Boys I've Loved Before (2018) as Josh Sanderson · Fear of Rain (2021) as Caleb
Career snapshot
Ranked #31270 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2010–2025
Career length
15 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.9
Flipped
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
8.0
Flipped
Most frequent director
Ben Young
1 film together
Longest collaboration
1×
With Ben Young
Most common genre
Thriller
4 titles
Average runtime
1h 34m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.5 average MV
The 2010s are where the work and the material meet. Happy Death Day 2U, All That We Destroy, To All the Boys I've Loved Before — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.5
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Happy Death Day 2U, All That We Destroy, To All the Boys I've Loved Before.
Most productive era
2010s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.53 films | 6.91 film |
| Action | 6.11 film | — |
| Thriller | 6.12 films | 5.72 films |
| Comedy | 6.73 films | — |
| Crime | 5.41 film | — |
| Romance | 7.82 films | — |
| Horror | 6.22 films | 6.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2010Flipped
Where our catalogue meets this career, as Garrett. 7.9 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2018To All the Boys I've Loved Before
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Will.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Garrett
Directed by Rob Reiner
as Caleb
Directed by Unknown
as Carter Davis
Directed by Unknown
as Spencer Harris
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Josh Sanderson
To All the Boys I've Loved Before (2018)
Performance score7.9
The performance the rest of the career is read through. Josh Sanderson gives Israel Broussard a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Garrett
Flipped (2010)
Performance score7.7
Flipped asks for something the previous films did not, and gets it. Garrett is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Caleb
Fear of Rain (2021)
Performance score7.3
Fear of Rain asks for something the previous films did not, and gets it. Caleb is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Carter Davis
Happy Death Day 2U (2019)
Performance score6.8
Happy Death Day 2U asks for something the previous films did not, and gets it. Carter Davis is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Josh Sanderson
Start here. To All the Boys I've Loved Before is the clearest statement of what Israel Broussard does — accessible, 100 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Israel at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Flipped (2010)
Keeps the romance register of To All the Boys I've Loved Before but asks for a colder reading of it.
Happy Death Day 2U (2019)
A deliberate change of key after Flipped — same instrument, unfamiliar tuning, and the reason range gets mentioned.
All That We Destroy (2019)
Same director as Happy Death Day 2U, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Fear of Rain (2021)
Same director as All That We Destroy, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Rob Reiner
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FlippedBen Young
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ExtinctionSofia Coppola
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Bling RingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Flipped
as Garrett
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Flipped
as Garrett
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Flipped
as Garrett
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Flipped
as Garrett
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
To All the Boys I've Loved Before
as Josh Sanderson
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Israel Broussard has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Thriller Legend
Awarded
4 catalogue titles in thriller, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Flipped
as Garrett
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Fear of Rain
as Caleb
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Flipped
as Garrett
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Bling Ring
as Marc
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Flipped
as Garrett
Images that would survive with the sound switched off.
Best action sequence
Extinction
as Miles
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Flipped
as Garrett
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
All That We Destroy
as Spencer Harris
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: drama and thriller
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Matt Damon
Built a career in the same territory: drama and thriller
Ted Levine
Built a career in the same territory: crime and thriller
Leonardo DiCaprio
Built a career in the same territory: thriller and action
Have your say
Community
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Reference
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