Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4390
of 909177 performers
Top 1%
Jason George works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jason George appears in 5 films in the Nutevio catalogue, and none of them would work the same way without Jason. Fallen is the clearest case: a film rated 6.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with James McTeigue, Gabriele Muccino, Nora Ephron and others, Jason George helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Fallen (1998) as College Kid · Barbershop (2002) as Kevin · Breaking In (2018) as Justin Russell
Career snapshot
Ranked #4390 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
5
1998–2018
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
6.8
Fallen
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
6.8
Fallen
Most frequent director
James McTeigue
1 film together
Longest collaboration
1×
With James McTeigue
Most common genre
Comedy
3 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.8 average MV
The 1990s are where the work and the material meet. Fallen — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.8
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.8
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Fallen.
Most productive era
2000s
2 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s |
|---|---|---|---|
| Drama | 6.81 film | 6.51 film | — |
| Action | — | — | 5.91 film |
| Thriller | 6.81 film | — | 5.91 film |
| Comedy | — | 5.82 films | 5.71 film |
| Crime | 6.81 film | — | 5.91 film |
| Romance | — | 5.11 film | 5.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
1998Fallen
Where our catalogue meets this career, as College Kid. 6.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2018Breaking In
The current state of the argument, as Justin Russell.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
5 of 5 films
as College Kid
Directed by Gregory Hoblit
as Justin Russell
Directed by James McTeigue
as Chip Johnston
Directed by Gabriele Muccino
as E! Anchor
Directed by Nora Ephron
as Kevin
Directed by Tim Story
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
College Kid
Fallen (1998)
Performance score6.7
The performance the rest of the career is read through. College Kid gives Jason George a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Justin Russell
Breaking In (2018)
Performance score6.5
Breaking In asks for something the previous films did not, and gets it. Justin Russell is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Chip Johnston
Playing for Keeps (2012)
Performance score6.5
Playing for Keeps asks for something the previous films did not, and gets it. Chip Johnston is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
E! Anchor
Bewitched (2005)
Performance score6.5
Bewitched asks for something the previous films did not, and gets it. E! Anchor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as College Kid
Start here. Fallen is the clearest statement of what Jason George does — accessible, 124 minutes, and rated 6.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jason at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Barbershop (2002)
Keeps the drama register of Fallen but asks for a colder reading of it.
Bewitched (2005)
Keeps the comedy register of Barbershop but asks for a colder reading of it.
Playing for Keeps (2012)
Keeps the romance register of Bewitched but asks for a colder reading of it.
Breaking In (2018)
A deliberate change of key after Playing for Keeps — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Gregory Hoblit
Director
1 film together
Notably Fallen
Tim Story
Director
1 film together
Notably Barbershop
Nora Ephron
Director
1 film together
Notably Bewitched
Gabriele Muccino
Director
1 film together
Notably Playing for Keeps
James McTeigue
Director
1 film together
Notably Breaking In
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Gregory Hoblit
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FallenTim Story
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BarbershopJames McTeigue
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Breaking InGabriele Muccino
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Playing for KeepsNora Ephron
Director
1 film together · 5.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BewitchedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Fallen
as College Kid
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Bewitched
as E! Anchor
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Fallen
as College Kid
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Fallen
as College Kid
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Fallen
as College Kid
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jason George has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
3 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Fallen
as College Kid
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Fallen
as College Kid
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Bewitched
as E! Anchor
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Fallen
as College Kid
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Breaking In
as Justin Russell
Images that would survive with the sound switched off.
Best action sequence
Breaking In
as Justin Russell
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Fallen
as College Kid
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Playing for Keeps
as Chip Johnston
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: drama and fantasy
Michael Caine
Built a career in the same territory: drama and thriller
Tom Hanks
Built a career in the same territory: comedy and drama
Bonnie Hunt
Built a career in the same territory: comedy and drama
Cillian Murphy
Built a career in the same territory: drama and thriller
Morgan Freeman
Built a career in the same territory: action and crime
Have your say
Community
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Reference
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