Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2
of 909177 performers
Top 1%
Jon Bernthal works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jon Bernthal appears in 38 films in the Nutevio catalogue, and none of them would work the same way without Jon. The Wolf of Wall Street is the clearest case: a film rated 8.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, drama, action. It is a style built on what is withheld as much as what is played.
Working with Christopher Storer, Reinaldo Marcus Green, Christopher Nolan and others, Jon Bernthal helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Wolf of Wall Street (2013) as Brad · The Punisher: One Last Kill (2026) as Frank Castle · Ford v Ferrari (2019) as Lee Iacocca
Career snapshot
Ranked #2 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
38
2006–2026
Career length
20 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.3
The Wolf of Wall Street
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
8.3
The Punisher: One Last Kill
Most frequent director
Reinaldo Marcus Green
2 films together
Longest collaboration
2×
With Reinaldo Marcus Green
Most common genre
Drama
24 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.9 average MV
The 2010s are where the work and the material meet. Ford v Ferrari, The Peanut Butter Falcon, Widows — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.9
Across 20 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Night at the Museum: Battle of the Smithsonian, The Air I Breathe, World Trade Center.
Most productive era
2010s
20 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.32 films | 6.913 films | 6.49 films |
| Action | 6.31 film | 7.08 films | 7.45 films |
| Thriller | 6.32 films | 6.88 films | 6.74 films |
| Comedy | 6.31 film | 7.06 films | 5.82 films |
| Crime | 6.31 film | 7.18 films | 7.05 films |
| Romance | — | 6.81 film | 4.72 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Christopher Amoroso.
Highest rated performance
8.3 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2026The Punisher: One Last Kill
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Frank Castle / Punisher.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
38 of 38 films
as Frank Castle
Directed by Reinaldo Marcus Green
as Lee Iacocca
Directed by James Mangold
as Menelaus
Directed by Christopher Nolan
as Rick Macci
Directed by Reinaldo Marcus Green
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Frank Castle
The Punisher: One Last Kill (2026)
Performance score8.6
The performance the rest of the career is read through. Frank Castle gives Jon Bernthal a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Lee Iacocca
Ford v Ferrari (2019)
Performance score8.3
Ford v Ferrari asks for something the previous films did not, and gets it. Lee Iacocca is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Brad
The Wolf of Wall Street (2013)
Performance score8.0
The Wolf of Wall Street asks for something the previous films did not, and gets it. Brad is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Menelaus
The Odyssey (2026)
Performance score7.8
The Odyssey asks for something the previous films did not, and gets it. Menelaus is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Frank Castle
Start here. The Punisher: One Last Kill is the clearest statement of what Jon Bernthal does — accessible, 51 minutes, and rated 8.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jon at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Wolf of Wall Street (2013)
Keeps the crime register of The Punisher: One Last Kill but asks for a colder reading of it.
Ford v Ferrari (2019)
Keeps the drama register of The Wolf of Wall Street but asks for a colder reading of it.
King Richard (2021)
Keeps the drama register of Ford v Ferrari but asks for a colder reading of it.
The Odyssey (2026)
A deliberate change of key after King Richard — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Shawn Levy
Director
2 films together
Notably Night at the Museum: Battle of the Smithsonian
Ric Roman Waugh
Director
2 films together
Notably Shot Caller
Taylor Sheridan
Director
2 films together
Notably Wind River
Gavin O'Connor
Director
2 films together
Notably The Accountant²
Reinaldo Marcus Green
Director
2 films together
Notably The Punisher: One Last Kill
Oliver Stone
Director
1 film together
Notably World Trade Center
Roman Polanski
Director
1 film together
Notably The Ghost Writer
Peter Segal
Director
1 film together
Notably Grudge Match
Martin Scorsese
Director
1 film together
Notably The Wolf of Wall Street
David Ayer
Director
1 film together
Notably Fury
Max Joseph
Director
1 film together
Notably We Are Your Friends
Alfonso Gomez-Rejon
Director
1 film together
Notably Me and Earl and the Dying Girl
Denis Villeneuve
Director
1 film together
Notably Sicario
Sam Liu
Director
1 film together
Notably Justice League vs. Teen Titans
Jamie M. Dagg
Director
1 film together
Notably Sweet Virginia
Edgar Wright
Director
1 film together
Notably Baby Driver
Steve McQueen
Director
1 film together
Notably Widows
James Mangold
Director
1 film together
Notably Ford v Ferrari
Gerardo Naranjo
Director
1 film together
Notably Viena and the Fantomes
John Pollono
Director
1 film together
Notably Small Engine Repair
Alan Taylor
Director
1 film together
Notably The Many Saints of Newark
Lena Dunham
Director
1 film together
Notably Sharp Stick
Ava DuVernay
Director
1 film together
Notably Origin
James Hawes
Director
1 film together
Notably The Amateur
Destin Daniel Cretton
Director
1 film together
Notably Spider-Man: Brand New Day
Christopher Nolan
Director
1 film together
Notably The Odyssey
Christopher Storer
Director
1 film together
Notably Gary
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Reinaldo Marcus Green
Director
2 films together · 7.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Punisher: One Last KillGavin O'Connor
Director
2 films together · 7.1 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The Accountant²Taylor Sheridan
Director
2 films together · 7.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Wind RiverRic Roman Waugh
Director
2 films together · 6.5 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Shot CallerShawn Levy
Director
2 films together · 6.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Night at the Museum: Battle of the SmithsonianMartin Scorsese
Director
1 film together · 8.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Wolf of Wall StreetJames Mangold
Director
1 film together · 8.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Ford v FerrariChristopher Nolan
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The OdysseyDavid Ayer
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FuryAlfonso Gomez-Rejon
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Me and Earl and the Dying GirlDestin Daniel Cretton
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spider-Man: Brand New DayEdgar Wright
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Baby DriverDenis Villeneuve
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SicarioSam Liu
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Justice League vs. Teen TitansJames Hawes
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The AmateurMax Joseph
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
We Are Your FriendsRoman Polanski
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Ghost WriterChristopher Storer
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GarySteve McQueen
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WidowsAlan Taylor
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Many Saints of NewarkOliver Stone
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
World Trade CenterAva DuVernay
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
OriginJohn Pollono
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Small Engine RepairPeter Segal
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Grudge MatchJamie M. Dagg
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sweet VirginiaLena Dunham
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Sharp StickGerardo Naranjo
Director
1 film together · 4.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Viena and the FantomesSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Ford v Ferrari
as Lee Iacocca
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
King Richard
as Rick Macci
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Wolf of Wall Street
as Brad
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Odyssey
as Menelaus
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Punisher: One Last Kill
as Frank Castle
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jon Bernthal has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
20 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
24 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Odyssey
as Menelaus
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Punisher: One Last Kill
as Frank Castle
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Origin
as Brett Hamilton
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Accountant²
as Braxton
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Odyssey
as Menelaus
Images that would survive with the sound switched off.
Best action sequence
The Odyssey
as Menelaus
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
We Are Your Friends
as Paige Morrell
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Wolf of Wall Street
as Brad
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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