Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#16311
of 909177 performers
Top 5%
Jonah Hauer-King works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Jonah Hauer-King appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Jonah. A Beautiful Imperfection is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Jennifer Kaytin Robinson, Kathryn Bigelow, Chad Hartigan and others, Jonah Hauer-King helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
A Beautiful Imperfection (2024) as Giacomo Casanova · The Song of Names (2019) as Dovidl 17-23 · A House of Dynamite (2025) as Lieutenant Commander Robert Reeves
Career snapshot
Ranked #16311 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2019–2025
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
A Beautiful Imperfection
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
7.3
A Beautiful Imperfection
Most frequent director
Jennifer Kaytin Robinson
1 film together
Longest collaboration
1×
With Jennifer Kaytin Robinson
Most common genre
Drama
6 titles
Average runtime
1h 53m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. Agatha and the Curse of Ishtar, The Song of Names — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Agatha and the Curse of Ishtar, The Song of Names.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.71 film | 6.35 films |
| Action | — | 6.21 film |
| Thriller | — | 5.83 films |
| Comedy | — | 6.31 film |
| Crime | 5.71 film | — |
| Romance | — | 6.32 films |
| Horror | — | 5.61 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Agatha and the Curse of Ishtar
Where our catalogue meets this career, as Max Mallowan.
Highest rated performance · Career peak
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025William Tell
The current state of the argument, as Rudenz.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Connor
Directed by Chad Hartigan
as Eric
Directed by Rob Marshall
as Milo Griffin
Directed by Jennifer Kaytin Robinson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Giacomo Casanova
A Beautiful Imperfection (2024)
Performance score7.6
The performance the rest of the career is read through. Giacomo Casanova gives Jonah Hauer-King a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Dovidl 17-23
The Song of Names (2019)
Performance score6.9
The Song of Names asks for something the previous films did not, and gets it. Dovidl 17-23 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Connor
The Threesome (2025)
Performance score6.8
The Threesome asks for something the previous films did not, and gets it. Connor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Eric
The Little Mermaid (2023)
Performance score6.8
The Little Mermaid asks for something the previous films did not, and gets it. Eric is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Giacomo Casanova
Start here. A Beautiful Imperfection is the clearest statement of what Jonah Hauer-King does — accessible, 102 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Jonah at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Song of Names (2019)
Keeps the drama register of A Beautiful Imperfection but asks for a colder reading of it.
The Little Mermaid (2023)
A deliberate change of key after The Song of Names — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Threesome (2025)
Keeps the romance register of The Little Mermaid but asks for a colder reading of it.
I Know What You Did Last Summer (2025)
A deliberate change of key after The Threesome — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
François Girard
Director
1 film together
Notably The Song of Names
Sam Yates
Director
1 film together
Notably Agatha and the Curse of Ishtar
James DeMonaco
Director
1 film together
Notably This Is the Night
Rob Marshall
Director
1 film together
Notably The Little Mermaid
Michiel van Erp
Director
1 film together
Notably A Beautiful Imperfection
Nick Hamm
Director
1 film together
Notably William Tell
Chad Hartigan
Director
1 film together
Notably The Threesome
Kathryn Bigelow
Director
1 film together
Notably A House of Dynamite
Jennifer Kaytin Robinson
Director
1 film together
Notably I Know What You Did Last Summer
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Michiel van Erp
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Beautiful ImperfectionFrançois Girard
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Song of NamesKathryn Bigelow
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A House of DynamiteChad Hartigan
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The ThreesomeRob Marshall
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Little MermaidNick Hamm
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
William TellSam Yates
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Agatha and the Curse of IshtarJennifer Kaytin Robinson
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I Know What You Did Last SummerJames DeMonaco
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
This Is the NightSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
A Beautiful Imperfection
as Giacomo Casanova
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Song of Names
as Dovidl 17-23
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
A Beautiful Imperfection
as Giacomo Casanova
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
A House of Dynamite
as Lieutenant Commander Robert Reeves
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A Beautiful Imperfection
as Giacomo Casanova
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Jonah Hauer-King has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
A Beautiful Imperfection
as Giacomo Casanova
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
I Know What You Did Last Summer
as Milo Griffin
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Little Mermaid
as Eric
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
I Know What You Did Last Summer
as Milo Griffin
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
William Tell
as Rudenz
Images that would survive with the sound switched off.
Best action sequence
William Tell
as Rudenz
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Threesome
as Connor
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Rich Flu
as Sebastian Snail Jr.
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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