Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#14502
of 909177 performers
Top 5%
Josephine Langford works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Josephine Langford appears in 9 films in the Nutevio catalogue, and none of them would work the same way without Josephine. Gigi & Nate is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, comedy. It is a style built on what is withheld as much as what is played.
Working with Sara Zandieh, Nick Hamm, Amy Poehler and others, Josephine Langford helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Gigi & Nate (2022) as Katy Gibson · Moxie (2021) as Emma Cunningham · After We Collided (2020) as Tessa Young
Career snapshot
Ranked #14502 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
9
2017–2023
Career length
6 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Gigi & Nate
Average Nutevio score
6.8
Across catalogue work
Highest IMDb rating
7.6
Gigi & Nate
Most frequent director
Sara Zandieh
1 film together
Longest collaboration
1×
With Sara Zandieh
Most common genre
Drama
7 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
7.1 average MV
The 2020s are where the work and the material meet. After Everything, The Other Zoey, After Ever Happy — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
7.1
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. They Come Knocking, Wish Upon.
Most productive era
2020s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 7.17 films |
| Thriller | 5.82 films | — |
| Comedy | — | 7.12 films |
| Romance | — | 7.05 films |
| Horror | 5.82 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2017Wish Upon
Where our catalogue meets this career, as Darcie Chapman.
Career peak
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
2022Gigi & Nate
7.6 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
2023The Other Zoey
The current state of the argument, as Zoey Miller.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
9 of 9 films
as Zoey Miller
Directed by Sara Zandieh
as Tessa Young
Directed by Unknown
as Tessa Young
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Tessa Young
After We Collided (2020)
Performance score7.8
The performance the rest of the career is read through. Tessa Young gives Josephine Langford a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Katy Gibson
Gigi & Nate (2022)
Performance score7.7
Gigi & Nate asks for something the previous films did not, and gets it. Katy Gibson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Zoey Miller
The Other Zoey (2023)
Performance score7.6
The Other Zoey asks for something the previous films did not, and gets it. Zoey Miller is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Tessa Young
After We Fell (2021)
Performance score7.6
After We Fell asks for something the previous films did not, and gets it. Tessa Young is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Tessa Young
Start here. After We Collided is the clearest statement of what Josephine Langford does — accessible, 105 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Josephine at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
After We Fell (2021)
Keeps the romance register of After We Collided but asks for a colder reading of it.
Gigi & Nate (2022)
Keeps the drama register of After We Fell but asks for a colder reading of it.
After Ever Happy (2022)
Keeps the drama register of Gigi & Nate but asks for a colder reading of it.
The Other Zoey (2023)
Keeps the romance register of After Ever Happy but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
John R. Leonetti
Director
1 film together
Notably Wish Upon
Roger Kumble
Director
1 film together
Notably After We Collided
Amy Poehler
Director
1 film together
Notably Moxie
Nick Hamm
Director
1 film together
Notably Gigi & Nate
Sara Zandieh
Director
1 film together
Notably The Other Zoey
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Nick Hamm
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Gigi & NateAmy Poehler
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MoxieRoger Kumble
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
After We CollidedSara Zandieh
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Other ZoeyJohn R. Leonetti
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wish UponSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Gigi & Nate
as Katy Gibson
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
After We Collided
as Tessa Young
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Gigi & Nate
as Katy Gibson
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Moxie
as Emma Cunningham
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
After We Collided
as Tessa Young
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Josephine Langford has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Gigi & Nate
as Katy Gibson
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Gigi & Nate
as Katy Gibson
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
After Everything
as Tessa Young
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wish Upon
as Darcie Chapman
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Gigi & Nate
as Katy Gibson
Images that would survive with the sound switched off.
Best action sequence
After We Collided
as Tessa Young
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Moxie
as Emma Cunningham
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
After We Collided
as Tessa Young
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Matt Damon
Built a career in the same territory: drama and fantasy
Tom Hanks
Built a career in the same territory: comedy and drama
Bonnie Hunt
Built a career in the same territory: comedy and drama
Edward Norton
Built a career in the same territory: comedy and drama
Jamie Harris
Built a career in the same territory: drama and fantasy
Tom Wilkinson
Built a career in the same territory: comedy and drama
Have your say
Community
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Reference
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