Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3404
of 909177 performers
Top 1%
Julian McMahon works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Julian McMahon appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Julian. You're Not You is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, music, drama. It is a style built on what is withheld as much as what is played.
Working with Rebel Wilson, Tina Mabry, Robert Luketic and others, Julian McMahon helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
You're Not You (2014) as Liam · The Supremes at Earl's All-You-Can-Eat (2024) as Chick Carlson · RED (2010) as VP Stanton
Career snapshot
Ranked #3404 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
You're Not You
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
7.4
You're Not You
Most frequent director
Tim Story
2 films together
Longest collaboration
2×
With Tim Story
Most common genre
Drama
5 titles
Average runtime
1h 46m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.3
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.5 average MV
The 2010s are where the work and the material meet. You're Not You, Paranoia, Faces in the Crowd — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.5
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Fantastic Four: Rise of the Silver Surfer, Premonition, Fantastic Four.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.31 film | 6.62 films | 6.32 films |
| Action | 5.82 films | 6.71 film | — |
| Thriller | 6.31 film | 6.23 films | 5.81 film |
| Comedy | — | 6.71 film | 5.32 films |
| Crime | — | 6.42 films | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005Fantastic Four
Where our catalogue meets this career, as Victor von Doom / Doctor Doom.
Highest rated performance · Career peak
2014You're Not You
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026The Deb
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Jim Hanson
Directed by Unknown
as VP Stanton
Directed by Robert Schwentke
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Liam
You're Not You (2014)
Performance score7.5
The performance the rest of the career is read through. Liam gives Julian McMahon a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Chick Carlson
The Supremes at Earl's All-You-Can-Eat (2024)
Performance score6.9
The Supremes at Earl's All-You-Can-Eat asks for something the previous films did not, and gets it. Chick Carlson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Jim Hanson
Premonition (2007)
Performance score6.8
Premonition asks for something the previous films did not, and gets it. Jim Hanson is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Kerrest
Faces in the Crowd (2011)
Performance score6.6
Faces in the Crowd asks for something the previous films did not, and gets it. Kerrest is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Liam
Start here. You're Not You is the clearest statement of what Julian McMahon does — accessible, 104 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Julian at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Premonition (2007)
Same director as You're Not You, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
RED (2010)
Keeps the thriller register of Premonition but asks for a colder reading of it.
Faces in the Crowd (2011)
Keeps the crime register of RED but asks for a colder reading of it.
The Supremes at Earl's All-You-Can-Eat (2024)
A deliberate change of key after Faces in the Crowd — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Tim Story
Director
2 films together
Notably Fantastic Four
Robert Schwentke
Director
1 film together
Notably RED
Julien Magnat
Director
1 film together
Notably Faces in the Crowd
Robert Luketic
Director
1 film together
Notably Paranoia
Tina Mabry
Director
1 film together
Notably The Supremes at Earl's All-You-Can-Eat
Rebel Wilson
Director
1 film together
Notably The Deb
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Tim Story
Director
2 films together · 5.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Fantastic FourTina Mabry
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Supremes at Earl's All-You-Can-EatRobert Schwentke
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
REDJulien Magnat
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Faces in the CrowdRobert Luketic
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ParanoiaRebel Wilson
Director
1 film together · 4.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The DebSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
You're Not You
as Liam
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
You're Not You
as Liam
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
You're Not You
as Liam
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
RED
as VP Stanton
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
You're Not You
as Liam
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Julian McMahon has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
You're Not You
as Liam
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
RED
as VP Stanton
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
You're Not You
as Liam
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Premonition
as Jim Hanson
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
RED
as VP Stanton
Images that would survive with the sound switched off.
Best action sequence
RED
as VP Stanton
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Supremes at Earl's All-You-Can-Eat
as Chick Carlson
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Fantastic Four
as Victor von Doom / Doctor Doom
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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