Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1595
of 909177 performers
Top 1%
June Diane Raphael works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
June Diane Raphael appears in 20 films in the Nutevio catalogue, and none of them would work the same way without June. Zodiac is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, comedy, mystery. It is a style built on what is withheld as much as what is played.
Working with Adam Shankman, Jessica McKenna, Zach Cregger and others, June Diane Raphael helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Zodiac (2007) as Mrs. Toschi · Weapons (2025) as Donna · The Disaster Artist (2017) as Robyn / 'Michelle'
Career snapshot
Ranked #1595 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
20
2007–2026
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Zodiac
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
7.5
Zodiac
Most frequent director
Nisha Ganatra
2 films together
Longest collaboration
2×
With Nisha Ganatra
Most common genre
Comedy
18 titles
Average runtime
1h 39m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.3 average MV
The 2000s are where the work and the material meet. Bride Wars, Year One, Forgetting Sarah Marshall — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.3
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Bride Wars, Year One, Forgetting Sarah Marshall.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.51 film | 6.62 films | 7.01 film |
| Action | — | — | 6.11 film |
| Thriller | 7.71 film | — | — |
| Comedy | 5.93 films | 5.97 films | 5.58 films |
| Crime | 7.71 film | — | — |
| Romance | 6.32 films | 5.82 films | 7.01 film |
| Horror | — | — | 7.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2007Zodiac
Where our catalogue meets this career, as Mrs. Toschi. 7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Mock Trial
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
20 of 20 films
as Mrs. Toschi
Directed by David Fincher
as Donna
Directed by Zach Cregger
as Gail
Directed by Nisha Ganatra
as Robyn / 'Michelle'
Directed by James Franco
as Veronica
Directed by Nisha Ganatra
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Mrs. Toschi
Zodiac (2007)
Performance score7.5
The performance the rest of the career is read through. Mrs. Toschi gives June Diane Raphael a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Donna
Weapons (2025)
Performance score7.2
Weapons asks for something the previous films did not, and gets it. Donna is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Gail
The High Note (2020)
Performance score7.1
The High Note asks for something the previous films did not, and gets it. Gail is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Robyn / 'Michelle'
The Disaster Artist (2017)
Performance score7.0
The Disaster Artist asks for something the previous films did not, and gets it. Robyn / 'Michelle' is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Mrs. Toschi
Start here. Zodiac is the clearest statement of what June Diane Raphael does — accessible, 157 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet June at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Disaster Artist (2017)
A deliberate change of key after Zodiac — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The High Note (2020)
Keeps the comedy register of The Disaster Artist but asks for a colder reading of it.
Weapons (2025)
A deliberate change of key after The High Note — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Freakier Friday (2025)
A deliberate change of key after Weapons — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Nisha Ganatra
Director
2 films together
Notably The High Note
David Fincher
Director
1 film together
Notably Zodiac
Nicholas Stoller
Director
1 film together
Notably Forgetting Sarah Marshall
Harold Ramis
Director
1 film together
Notably Year One
Nanette Burstein
Director
1 film together
Notably Going the Distance
Leslye Headland
Director
1 film together
Notably Bachelorette
Adam McKay
Director
1 film together
Notably Anchorman 2: The Legend Continues
James Franco
Director
1 film together
Notably The Disaster Artist
Kay Cannon
Director
1 film together
Notably Blockers
Casey Wilson
Director
1 film together
Notably Daddio
Michael Dowse
Director
1 film together
Notably 8-Bit Christmas
Gail Lerner
Director
1 film together
Notably Cheaper by the Dozen
Leah McKendrick
Director
1 film together
Notably Scrambled
Zach Cregger
Director
1 film together
Notably Weapons
Jessica McKenna
Director
1 film together
Notably Mock Trial
Adam Shankman
Director
1 film together
Notably Stop! That! Train!
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Nisha Ganatra
Director
2 films together · 6.9 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
The High NoteDavid Fincher
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ZodiacZach Cregger
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WeaponsJames Franco
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Disaster ArtistNicholas Stoller
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Forgetting Sarah MarshallMichael Dowse
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
8-Bit ChristmasGail Lerner
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cheaper by the DozenKay Cannon
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BlockersAdam Shankman
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stop! That! Train!Adam McKay
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Anchorman 2: The Legend ContinuesNanette Burstein
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Going the DistanceLeah McKendrick
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ScrambledLeslye Headland
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BacheloretteCasey Wilson
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DaddioHarold Ramis
Director
1 film together · 5.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Year OneJessica McKenna
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mock TrialSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Zodiac
as Mrs. Toschi
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The High Note
as Gail
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Zodiac
as Mrs. Toschi
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Cheaper by the Dozen
as Anne
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Zodiac
as Mrs. Toschi
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. June Diane Raphael has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
18 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Zodiac
as Mrs. Toschi
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Zodiac
as Mrs. Toschi
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The High Note
as Gail
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Zodiac
as Mrs. Toschi
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Zodiac
as Mrs. Toschi
Images that would survive with the sound switched off.
Best action sequence
Stop! That! Train!
as Chic Woman
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The High Note
as Gail
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Stop! That! Train!
as Chic Woman
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Morgan Freeman
Works with the same directors — David Fincher
Michael Caine
Built a career in the same territory: adventure and drama
Edward Norton
Works with the same directors — David Fincher
Zach Grenier
Works with the same directors — David Fincher
Richmond Arquette
Works with the same directors — David Fincher
Bob Stephenson
Works with the same directors — David Fincher
Have your say
Community
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Reference
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