Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3403
of 909177 performers
Top 1%
Kiernan Shipka works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kiernan Shipka appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Kiernan. Wildflower is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, crime, action. It is a style built on what is withheld as much as what is played.
Working with Macon Blair, Jake Kasdan, Osgood Perkins and others, Kiernan Shipka helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Wildflower (2023) as Bea Johnson · Red One (2024) as Gryla · Twisters (2024) as Addy
Career snapshot
Ranked #3403 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2009–2026
Career length
17 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
Wildflower
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
7.4
Wildflower
Most frequent director
Osgood Perkins
2 films together
Longest collaboration
2×
With Osgood Perkins
Most common genre
Comedy
7 titles
Average runtime
1h 39m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
5.9 average MV
The 2020s are where the work and the material meet. Idiots, Stone Cold Fox, Red One — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
5.9
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
5.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Land of the Lost.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | — | 5.92 films | 6.92 films |
| Action | 5.51 film | 5.21 film | 6.73 films |
| Thriller | — | 6.01 film | 6.52 films |
| Comedy | 5.51 film | 5.21 film | 5.45 films |
| Crime | — | — | 4.23 films |
| Horror | — | 6.02 films | 6.72 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2009Land of the Lost
Where our catalogue meets this career, as Tar Pits Kid.
Highest rated performance · Career peak
2023Wildflower
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Idiots
The current state of the argument, as Irina.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Bea Johnson
Directed by Unknown
as Jamie Hughes
Directed by Nahnatchka Khan
as Gryla
Directed by Jake Kasdan
as Fox
Directed by Unknown
as Addy
Directed by Lee Isaac Chung
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Bea Johnson
Wildflower (2023)
Performance score8.0
The performance the rest of the career is read through. Bea Johnson gives Kiernan Shipka a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Jamie Hughes
Totally Killer (2023)
Performance score7.4
Totally Killer asks for something the previous films did not, and gets it. Jamie Hughes is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Gryla
Red One (2024)
Performance score7.0
Red One asks for something the previous films did not, and gets it. Gryla is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Fox
Stone Cold Fox (2025)
Performance score6.9
Stone Cold Fox asks for something the previous films did not, and gets it. Fox is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Bea Johnson
Start here. Wildflower is the clearest statement of what Kiernan Shipka does — accessible, 105 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kiernan at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Totally Killer (2023)
Keeps the comedy register of Wildflower but asks for a colder reading of it.
Red One (2024)
Keeps the comedy register of Totally Killer but asks for a colder reading of it.
Twisters (2024)
Keeps the action register of Red One but asks for a colder reading of it.
Stone Cold Fox (2025)
Keeps the action register of Twisters but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Osgood Perkins
Director
2 films together
Notably Longlegs
Brad Silberling
Director
1 film together
Notably Land of the Lost
Brad Peyton
Director
1 film together
Notably Cats & Dogs: The Revenge of Kitty Galore
John R. Leonetti
Director
1 film together
Notably The Silence
Nahnatchka Khan
Director
1 film together
Notably Totally Killer
Jordan Weiss
Director
1 film together
Notably Sweethearts
Lee Isaac Chung
Director
1 film together
Notably Twisters
Jake Kasdan
Director
1 film together
Notably Red One
Macon Blair
Director
1 film together
Notably Idiots
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Osgood Perkins
Director
2 films together · 6.2 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
LonglegsJake Kasdan
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Red OneLee Isaac Chung
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
TwistersNahnatchka Khan
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Totally KillerJohn R. Leonetti
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The SilenceJordan Weiss
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SweetheartsBrad Silberling
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Land of the LostBrad Peyton
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cats & Dogs: The Revenge of Kitty GaloreMacon Blair
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
IdiotsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Wildflower
as Bea Johnson
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Last Showgirl
as Jodie
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Wildflower
as Bea Johnson
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Land of the Lost
as Tar Pits Kid
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Wildflower
as Bea Johnson
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kiernan Shipka has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
7 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Wildflower
as Bea Johnson
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Twisters
as Addy
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Last Showgirl
as Jodie
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Longlegs
as Carrie Anne Camera
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Red One
as Gryla
Images that would survive with the sound switched off.
Best action sequence
Red One
as Gryla
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Cats & Dogs: The Revenge of Kitty Galore
as Little Girl
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Red One
as Gryla
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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