Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#9795
of 909177 performers
Top 5%
Kimmy Robertson represents the rare performer whose career became more ambitious with every decade — 37 years in, and Kimmy is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Kimmy Robertson appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Kimmy. Beauty and the Beast is the clearest case: a film rated 7.8 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for documentary, comedy, fantasy. It is a style built on what is withheld as much as what is played.
Working with Richard Green, Bridey Elliott, Rob Minkoff and others, Kimmy Robertson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Beauty and the Beast (1991) as Featherduster (voice) · Honey, I Shrunk the Kids (1989) as Gloria Forrester · Stuart Little (1999) as Race Spectator
Career snapshot
Ranked #9795 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
1989–2026
Career length
37 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.8
Beauty and the Beast
Average Nutevio score
3.5
Across catalogue work
Highest IMDb rating
7.7
Beauty and the Beast
Most frequent director
Richard Green
1 film together
Longest collaboration
1×
With Richard Green
Most common genre
Comedy
5 titles
Average runtime
1h 14m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1980s
6.4 average MV
The 1980s are where the work and the material meet. Honey, I Shrunk the Kids — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1980s
6.4
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1980s
6.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Honey, I Shrunk the Kids.
Most productive era
1990s
3 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2010s | 2020s |
|---|---|---|---|---|
| Action | — | 4.61 film | — | — |
| Thriller | — | 4.61 film | — | — |
| Comedy | 6.41 film | 6.31 film | 0.01 film | 1.62 films |
| Romance | — | 7.81 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
Where our catalogue meets this career, as Gloria Forrester.
Highest rated performance · Career peak
7.8 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026I Know Catherine, the Log Lady
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Featherduster (voice)
Directed by Kirk Wise
as Boogie's Mom
Directed by Unknown
as Shanrah
Directed by Bridey Elliott
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Featherduster (voice)
Beauty and the Beast (1991)
Performance score7.6
The performance the rest of the career is read through. Featherduster (voice) gives Kimmy Robertson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Self
I Know Catherine, the Log Lady (2026)
Performance score6.5
I Know Catherine, the Log Lady asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Boogie's Mom
The 420 Movie (2020)
Performance score6.5
The 420 Movie asks for something the previous films did not, and gets it. Boogie's Mom is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Shanrah
The Feeling (2020)
Performance score6.5
The Feeling asks for something the previous films did not, and gets it. Shanrah is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Featherduster (voice)
Start here. Beauty and the Beast is the clearest statement of what Kimmy Robertson does — accessible, 84 minutes, and rated 7.8 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Kimmy at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Phoebe (2019)
A deliberate change of key after Beauty and the Beast — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The 420 Movie (2020)
Same director as Phoebe, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Feeling (2020)
Keeps the comedy register of The 420 Movie but asks for a colder reading of it.
I Know Catherine, the Log Lady (2026)
A deliberate change of key after The Feeling — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Joe Johnston
Director
1 film together
Notably Honey, I Shrunk the Kids
Kirk Wise
Director
1 film together
Notably Beauty and the Beast
Jan de Bont
Director
1 film together
Notably Speed 2: Cruise Control
Rob Minkoff
Director
1 film together
Notably Stuart Little
Bridey Elliott
Director
1 film together
Notably The Feeling
Richard Green
Director
1 film together
Notably I Know Catherine, the Log Lady
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Kirk Wise
Director
1 film together · 7.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beauty and the BeastJoe Johnston
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Honey, I Shrunk the KidsRob Minkoff
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Stuart LittleJan de Bont
Director
1 film together · 4.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Speed 2: Cruise ControlRichard Green
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I Know Catherine, the Log LadyBridey Elliott
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The FeelingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Beauty and the Beast
as Featherduster (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Beauty and the Beast
as Featherduster (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Beauty and the Beast
as Featherduster (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The 420 Movie
as Boogie's Mom
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Beauty and the Beast
as Featherduster (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Kimmy Robertson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
37 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Beauty and the Beast
as Featherduster (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Beauty and the Beast
as Featherduster (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Beauty and the Beast
as Featherduster (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Beauty and the Beast
as Featherduster (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Beauty and the Beast
as Featherduster (voice)
Images that would survive with the sound switched off.
Best action sequence
Speed 2: Cruise Control
as Liza (Cruise Director)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Beauty and the Beast
as Featherduster (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Stuart Little
as Race Spectator
The public vote sits below ours on this one, and the direction is the reason for the gap.
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