Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6902
of 909177 performers
Top 1%
Laia Costa works on quiet performance rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Laia Costa appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Laia. Lee Cronin's The Mummy is the clearest case: a film rated 7.9 by our editors, where the performance carries weight the script only implies.
The recognisable elements are quiet performance, versatility, emotional range. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, horror, drama. It is a style built on what is withheld as much as what is played.
Working with Lee Cronin, Elena Trapé, Harry Wootliff and others, Laia Costa helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Lee Cronin's The Mummy (2026) as Larissa Cannon · The Teacher Who Promised the Sea (2023) as Ariadna · Life Itself (2018) as Isabel Díaz
Career snapshot
Ranked #6902 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2017–2026
Career length
9 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.9
Lee Cronin's The Mummy
Average Nutevio score
5.8
Across catalogue work
Highest IMDb rating
8.0
Lee Cronin's The Mummy
Most frequent director
Lee Cronin
1 film together
Longest collaboration
1×
With Lee Cronin
Most common genre
Drama
5 titles
Average runtime
1h 38m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.4 average MV
The 2010s are where the work and the material meet. Piercing, Only You, Life Itself — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.4
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Piercing, Only You, Life Itself.
Most productive era
2010s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.63 films | 6.62 films |
| Thriller | 5.71 film | — |
| Romance | 6.63 films | — |
| Horror | 5.71 film | 7.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2017Newness
Where our catalogue meets this career, as Gabi Silva.
Highest rated performance · Career peak
7.9 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Elena Aldana
Directed by Harry Wootliff
as Isabel Díaz
Directed by Dan Fogelman
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Larissa Cannon
Lee Cronin's The Mummy (2026)
Performance score8.2
The performance the rest of the career is read through. Larissa Cannon gives Laia Costa a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Ariadna
The Teacher Who Promised the Sea (2023)
Performance score8.1
The Teacher Who Promised the Sea asks for something the previous films did not, and gets it. Ariadna is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Elena Aldana
Only You (2019)
Performance score7.3
Only You asks for something the previous films did not, and gets it. Elena Aldana is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Isabel Díaz
Life Itself (2018)
Performance score7.1
Life Itself asks for something the previous films did not, and gets it. Isabel Díaz is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Larissa Cannon
Start here. Lee Cronin's The Mummy is the clearest statement of what Laia Costa does — accessible, 133 minutes, and rated 7.9 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Laia at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Newness (2017)
A deliberate change of key after Lee Cronin's The Mummy — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Life Itself (2018)
Keeps the romance register of Newness but asks for a colder reading of it.
Only You (2019)
Keeps the romance register of Life Itself but asks for a colder reading of it.
The Teacher Who Promised the Sea (2023)
Keeps the drama register of Only You but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Lee Cronin
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Lee Cronin's The MummyDan Fogelman
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Life ItselfHarry Wootliff
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Only YouElena Trapé
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The EnchantedSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Lee Cronin's The Mummy
as Larissa Cannon
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Teacher Who Promised the Sea
as Ariadna
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Lee Cronin's The Mummy
as Larissa Cannon
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Life Itself
as Isabel Díaz
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Lee Cronin's The Mummy
as Larissa Cannon
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Laia Costa has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
5 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Lee Cronin's The Mummy
as Larissa Cannon
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Lee Cronin's The Mummy
as Larissa Cannon
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Teacher Who Promised the Sea
as Ariadna
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Lee Cronin's The Mummy
as Larissa Cannon
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Lee Cronin's The Mummy
as Larissa Cannon
Images that would survive with the sound switched off.
Best action sequence
Life Itself
as Isabel Díaz
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Life Itself
as Isabel Díaz
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Newness
as Gabi Silva
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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