Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6421
of 909177 performers
Top 1%
Lorraine Ashbourne works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Lorraine Ashbourne appears in 10 films in the Nutevio catalogue, and none of them would work the same way without Lorraine. A Street Cat Named Bob is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, fantasy, adventure. It is a style built on what is withheld as much as what is played.
Working with Kenji Kamiyama, David Feiss, Dawn Shadforth and others, Lorraine Ashbourne helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
A Street Cat Named Bob (2016) as Local Housing Officer · Breathe (2017) as First Woman · I Used to Be Famous (2022) as Cheryl
Career snapshot
Ranked #6421 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
10
2005–2024
Career length
19 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
A Street Cat Named Bob
Average Nutevio score
5.5
Across catalogue work
Highest IMDb rating
7.9
A Street Cat Named Bob
Most frequent director
Kenji Kamiyama
1 film together
Longest collaboration
1×
With Kenji Kamiyama
Most common genre
Drama
7 titles
Average runtime
1h 59m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. Blinded by the Light, Breathe, A Street Cat Named Bob — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. King Kong.
Most productive era
2020s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 7.01 film | 7.33 films | 2.33 films |
| Action | 7.01 film | — | 6.61 film |
| Thriller | — | 6.31 film | — |
| Comedy | — | 6.91 film | 4.53 films |
| Crime | — | 6.31 film | — |
| Romance | — | 7.41 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005King Kong
Where our catalogue meets this career, as Theatre Actor.
Highest rated performance · Career peak
7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Hitpig!
The current state of the argument, as Big Bertha (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
10 of 10 films
as Local Housing Officer
Directed by Roger Spottiswoode
as First Woman
Directed by Andy Serkis
as Theatre Actor
Directed by Peter Jackson
as Olwyn (voice)
Directed by Kenji Kamiyama
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Local Housing Officer
A Street Cat Named Bob (2016)
Performance score7.4
The performance the rest of the career is read through. Local Housing Officer gives Lorraine Ashbourne a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
First Woman
Breathe (2017)
Performance score7.2
Breathe asks for something the previous films did not, and gets it. First Woman is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Cheryl
I Used to Be Famous (2022)
Performance score6.9
I Used to Be Famous asks for something the previous films did not, and gets it. Cheryl is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Theatre Actor
King Kong (2005)
Performance score6.9
King Kong asks for something the previous films did not, and gets it. Theatre Actor is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Local Housing Officer
Start here. A Street Cat Named Bob is the clearest statement of what Lorraine Ashbourne does — accessible, 103 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Lorraine at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
King Kong (2005)
Keeps the drama register of A Street Cat Named Bob but asks for a colder reading of it.
Breathe (2017)
Keeps the drama register of King Kong but asks for a colder reading of it.
I Used to Be Famous (2022)
Keeps the drama register of Breathe but asks for a colder reading of it.
The Lord of the Rings: The War of the Rohirrim (2024)
A deliberate change of key after I Used to Be Famous — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Peter Jackson
Director
1 film together
Notably King Kong
Daniel Espinosa
Director
1 film together
Notably Child 44
Roger Spottiswoode
Director
1 film together
Notably A Street Cat Named Bob
Andy Serkis
Director
1 film together
Notably Breathe
Dawn Shadforth
Director
1 film together
Notably I Hate Suzie Too
David Feiss
Director
1 film together
Notably Hitpig!
Kenji Kamiyama
Director
1 film together
Notably The Lord of the Rings: The War of the Rohirrim
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Roger Spottiswoode
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Street Cat Named BobAndy Serkis
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BreathePeter Jackson
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
King KongKenji Kamiyama
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Lord of the Rings: The War of the RohirrimDavid Feiss
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hitpig!Daniel Espinosa
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Child 44Dawn Shadforth
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I Hate Suzie TooSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Breathe
as First Woman
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Breathe
as First Woman
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
A Street Cat Named Bob
as Local Housing Officer
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
King Kong
as Theatre Actor
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
A Street Cat Named Bob
as Local Housing Officer
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Lorraine Ashbourne has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
A Street Cat Named Bob
as Local Housing Officer
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Child 44
as Anna
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Breathe
as First Woman
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Child 44
as Anna
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
King Kong
as Theatre Actor
Images that would survive with the sound switched off.
Best action sequence
King Kong
as Theatre Actor
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
I Used to Be Famous
as Cheryl
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
King Kong
as Theatre Actor
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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