Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#17846
of 909177 performers
Top 5%
Madeline Kahn represents the rare performer whose career became more ambitious with every decade — 26 years in, and Madeline is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Madeline Kahn appears in 11 films in the Nutevio catalogue, and none of them would work the same way without Madeline. Young Frankenstein is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, adventure, family. It is a style built on what is withheld as much as what is played.
Working with John Lasseter, Oliver Stone, Nora Ephron and others, Madeline Kahn helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Young Frankenstein (1974) as Elizabeth · Paper Moon (1973) as Trixie Delight · Blazing Saddles (1974) as Lili Von Shtupp
Career snapshot
Ranked #17846 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
11
1972–1998
Career length
26 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Young Frankenstein
Average Nutevio score
6.9
Across catalogue work
Highest IMDb rating
7.9
Paper Moon
Most frequent director
Mel Brooks
3 films together
Longest collaboration
3×
With Mel Brooks
Most common genre
Comedy
10 titles
Average runtime
1h 44m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
7.1 average MV
The 1970s are where the work and the material meet. The Muppet Movie, High Anxiety, Blazing Saddles — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
7.1
Across 6 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
7.3
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Muppet Movie, High Anxiety, Blazing Saddles.
Most productive era
1970s
6 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1980s | 1990s |
|---|---|---|---|
| Drama | 7.51 film | 6.71 film | 6.32 films |
| Thriller | 6.41 film | 7.11 film | — |
| Comedy | 7.16 films | 6.92 films | 6.52 films |
| Crime | 7.32 films | 7.11 film | — |
| Romance | 7.01 film | — | 5.91 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1972What's Up, Doc?
Where our catalogue meets this career, as Eunice Burns.
Career peak
1973Paper Moon
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Highest rated performance
7.7 on the Nutevio scale, the top of the catalogue for this performer.
Most recent film
1998A Bug's Life
The current state of the argument, as Gypsy Moth (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
11 of 11 films
as Trixie Delight
Directed by Peter Bogdanovich
as Mrs. White
Directed by Jonathan Lynn
as Eunice Burns
Directed by Peter Bogdanovich
as Lili Von Shtupp
Directed by Mel Brooks
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Trixie Delight
Paper Moon (1973)
Performance score7.8
The performance the rest of the career is read through. Trixie Delight gives Madeline Kahn a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Elizabeth
Young Frankenstein (1974)
Performance score7.7
Young Frankenstein asks for something the previous films did not, and gets it. Elizabeth is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mrs. White
Clue (1985)
Performance score7.5
Clue asks for something the previous films did not, and gets it. Mrs. White is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Eunice Burns
What's Up, Doc? (1972)
Performance score7.4
What's Up, Doc? asks for something the previous films did not, and gets it. Eunice Burns is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Trixie Delight
Start here. Paper Moon is the clearest statement of what Madeline Kahn does — accessible, 102 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Madeline at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
What's Up, Doc? (1972)
Same director as Paper Moon, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Young Frankenstein (1974)
Keeps the comedy register of What's Up, Doc? but asks for a colder reading of it.
Blazing Saddles (1974)
Same director as Young Frankenstein, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Clue (1985)
Keeps the comedy register of Blazing Saddles but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Mel Brooks
Director
3 films together
Notably Young Frankenstein
Peter Bogdanovich
Director
2 films together
Notably Paper Moon
James Frawley
Director
1 film together
Notably The Muppet Movie
Jonathan Lynn
Director
1 film together
Notably Clue
Don Bluth
Director
1 film together
Notably An American Tail
Nora Ephron
Director
1 film together
Notably Mixed Nuts
Oliver Stone
Director
1 film together
Notably Nixon
John Lasseter
Director
1 film together
Notably A Bug's Life
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Mel Brooks
Director
3 films together · 7.1 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
Young FrankensteinPeter Bogdanovich
Director
2 films together · 7.3 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Paper MoonJohn Lasseter
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Bug's LifeJonathan Lynn
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ClueJames Frawley
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Muppet MovieOliver Stone
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
NixonDon Bluth
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
An American TailNora Ephron
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Mixed NutsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Young Frankenstein
as Elizabeth
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Nixon
as Martha Mitchell
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Young Frankenstein
as Elizabeth
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Nixon
as Martha Mitchell
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Paper Moon
as Trixie Delight
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Madeline Kahn has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
26 years of relevant work — not merely a long career, but a long career of choices.
Comedy Legend
Awarded
10 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Clue
as Mrs. White
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Clue
as Mrs. White
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Nixon
as Martha Mitchell
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
High Anxiety
as Victoria Brisbane
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Blazing Saddles
as Lili Von Shtupp
Images that would survive with the sound switched off.
Best action sequence
Blazing Saddles
as Lili Von Shtupp
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
An American Tail
as Gussie Mausheimer (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Mixed Nuts
as Blanche Munchnik
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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