Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#4045
of 909177 performers
Top 1%
Mark Cuban works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Mark Cuban appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Mark. Rodman: For Better or Worse is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, drama, action. It is a style built on what is withheld as much as what is played.
Working with Shane Black, Calmatic, Phil Traill and others, Mark Cuban helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Rodman: For Better or Worse (2019) as Self - Owner, Dallas Mavericks · Hustle (2022) as Mark Cuban · Royal Runaways (2025) as King Philippe
Career snapshot
Ranked #4045 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2015–2025
Career length
10 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
Rodman: For Better or Worse
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
8.0
Rodman: For Better or Worse
Most frequent director
Shane Black
1 film together
Longest collaboration
1×
With Shane Black
Most common genre
Comedy
8 titles
Average runtime
1h 29m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.2 average MV
The 2010s are where the work and the material meet. What Men Want, Rodman: For Better or Worse, Game Over, Man! — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.2
Across 5 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. What Men Want, Rodman: For Better or Worse, Game Over, Man!.
Most productive era
2020s
10 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 6.21 film | 7.32 films |
| Action | 5.51 film | 6.61 film |
| Thriller | — | 6.61 film |
| Comedy | 5.74 films | 5.74 films |
| Crime | — | 6.61 film |
| Romance | 6.21 film | 7.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2015Entourage
Where our catalogue meets this career, as Mark Cuban.
Highest rated performance · Career peak
2019Rodman: For Better or Worse
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Play Dirty
The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Self - Owner, Dallas Mavericks
Directed by Todd Kapostasy
as Mark Cuban
Directed by Jeremiah Zagar
as King Philippe
Directed by Unknown
as Self
Directed by Shane Black
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self - Owner, Dallas Mavericks
Rodman: For Better or Worse (2019)
Performance score7.8
The performance the rest of the career is read through. Self - Owner, Dallas Mavericks gives Mark Cuban a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mark Cuban
Hustle (2022)
Performance score7.5
Hustle asks for something the previous films did not, and gets it. Mark Cuban is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
GameStopped (2021)
Performance score7.0
GameStopped asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
King Philippe
Royal Runaways (2025)
Performance score6.9
Royal Runaways asks for something the previous films did not, and gets it. King Philippe is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self - Owner, Dallas Mavericks
Start here. Rodman: For Better or Worse is the clearest statement of what Mark Cuban does — accessible, 106 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Mark at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
GameStopped (2021)
Keeps the documentary register of Rodman: For Better or Worse but asks for a colder reading of it.
Hustle (2022)
A deliberate change of key after GameStopped — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Royal Runaways (2025)
Keeps the drama register of Hustle but asks for a colder reading of it.
Play Dirty (2025)
A deliberate change of key after Royal Runaways — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Doug Ellin
Director
1 film together
Notably Entourage
Kyle Newacheck
Director
1 film together
Notably Game Over, Man!
Todd Kapostasy
Director
1 film together
Notably Rodman: For Better or Worse
Adam Shankman
Director
1 film together
Notably What Men Want
Jim Cramer
Director
1 film together
Notably GameStopped
Antoine Fuqua
Director
1 film together
Notably The Day Sports Stood Still
Jeremiah Zagar
Director
1 film together
Notably Hustle
Frank Marshall
Director
1 film together
Notably Rather
Phil Traill
Director
1 film together
Notably Good Burger 2
Calmatic
Director
1 film together
Notably House Party
Shane Black
Director
1 film together
Notably Play Dirty
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Todd Kapostasy
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Rodman: For Better or WorseJeremiah Zagar
Director
1 film together · 7.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HustleShane Black
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Play DirtyPhil Traill
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Good Burger 2Jim Cramer
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GameStoppedAdam Shankman
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
What Men WantDoug Ellin
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
EntourageAntoine Fuqua
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Day Sports Stood StillCalmatic
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
House PartyKyle Newacheck
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Game Over, Man!Frank Marshall
Director
1 film together · 3.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
RatherSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Rodman: For Better or Worse
as Self - Owner, Dallas Mavericks
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Royal Runaways
as King Philippe
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Rodman: For Better or Worse
as Self - Owner, Dallas Mavericks
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Play Dirty
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Rodman: For Better or Worse
as Self - Owner, Dallas Mavericks
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Mark Cuban has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
8 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Rodman: For Better or Worse
as Self - Owner, Dallas Mavericks
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Play Dirty
as Self
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Royal Runaways
as King Philippe
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Play Dirty
as Self
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Rodman: For Better or Worse
as Self - Owner, Dallas Mavericks
Images that would survive with the sound switched off.
Best action sequence
Play Dirty
as Self
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hustle
as Mark Cuban
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Game Over, Man!
as Self
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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