Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#107898
of 909177 performers
Top 25%
Masao Kusakari works on rewatchability rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Masao Kusakari appears in 2 films in the Nutevio catalogue, and none of them would work the same way without Masao. Hit Me Anyone One More Time is the clearest case: a film rated 7.1 by our editors, where the performance carries weight the script only implies.
The recognisable elements are rewatchability, screen presence, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, adventure, comedy. It is a style built on what is withheld as much as what is played.
Working with Shinsuke Sato, Masao Kusakari helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Hit Me Anyone One More Time (2019) as Daigo Tsurumaru · Kingdom: Return of the Great General (2024) as Zhao
Career snapshot
Ranked #107898 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
2
2019–2024
Career length
5 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.1
Hit Me Anyone One More Time
Average Nutevio score
6.9
Across catalogue work
Highest IMDb rating
7.1
Hit Me Anyone One More Time
Most frequent director
Shinsuke Sato
1 film together
Longest collaboration
1×
With Shinsuke Sato
Most common genre
Action
1 title
Average runtime
2h 17m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.4
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.1 average MV
The 2010s are where the work and the material meet. Hit Me Anyone One More Time — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.1
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Hit Me Anyone One More Time.
Most productive era
2010s
1 film
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.11 film | — |
| Action | — | 6.81 film |
| Comedy | 7.11 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
2019Hit Me Anyone One More Time
Where our catalogue meets this career, as Daigo Tsurumaru. 7.1 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2024Kingdom: Return of the Great General
The current state of the argument, as Zhao.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
2 of 2 films
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Daigo Tsurumaru
Hit Me Anyone One More Time (2019)
Performance score7.2
The performance the rest of the career is read through. Daigo Tsurumaru gives Masao Kusakari a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Zhao
Kingdom: Return of the Great General (2024)
Performance score6.7
Kingdom: Return of the Great General asks for something the previous films did not, and gets it. Zhao is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Daigo Tsurumaru
Start here. Hit Me Anyone One More Time is the clearest statement of what Masao Kusakari does — accessible, 127 minutes, and rated 7.1 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Masao at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Kingdom: Return of the Great General (2024)
A deliberate change of key after Hit Me Anyone One More Time — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Shinsuke Sato
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Kingdom: Return of the Great GeneralSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Hit Me Anyone One More Time
as Daigo Tsurumaru
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Hit Me Anyone One More Time
as Daigo Tsurumaru
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Hit Me Anyone One More Time
as Daigo Tsurumaru
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Kingdom: Return of the Great General
as Zhao
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Hit Me Anyone One More Time
as Daigo Tsurumaru
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Masao Kusakari has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Hit Me Anyone One More Time
as Daigo Tsurumaru
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Kingdom: Return of the Great General
as Zhao
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Hit Me Anyone One More Time
as Daigo Tsurumaru
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Kingdom: Return of the Great General
as Zhao
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Kingdom: Return of the Great General
as Zhao
Images that would survive with the sound switched off.
Best action sequence
Kingdom: Return of the Great General
as Zhao
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Hit Me Anyone One More Time
as Daigo Tsurumaru
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Kingdom: Return of the Great General
as Zhao
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Reference
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