Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#2806
of 909177 performers
Top 1%
Mason Gooding works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Mason Gooding appears in 16 films in the Nutevio catalogue, and none of them would work the same way without Mason. Fall is the clearest case: a film rated 7.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for thriller, mystery, horror. It is a style built on what is withheld as much as what is played.
Working with Kevin Williamson, Tim Story, Gregg Araki and others, Mason Gooding helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Fall (2022) as Dan Connor · Booksmart (2019) as Nick · 72 HOURS (2026) as Mason
Career snapshot
Ranked #2806 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
16
2019–2026
Career length
7 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.2
Fall
Average Nutevio score
6.3
Across catalogue work
Highest IMDb rating
7.2
Fall
Most frequent director
Matt Bettinelli-Olpin
2 films together
Longest collaboration
2×
With Matt Bettinelli-Olpin
Most common genre
Comedy
10 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.0 average MV
The 2010s are where the work and the material meet. Booksmart — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.0
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Booksmart.
Most productive era
2020s
15 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 6.42 films |
| Action | — | 6.32 films |
| Thriller | — | 6.65 films |
| Comedy | 7.01 film | 6.19 films |
| Crime | — | 6.83 films |
| Romance | — | 6.43 films |
| Horror | — | 6.35 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2019Booksmart
Where our catalogue meets this career, as Nick.
Highest rated performance · Career peak
2022Fall
7.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026I Want Your Sex
The current state of the argument, as Zap.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
16 of 16 films
as Chad Meeks-Martin
Directed by Matt Bettinelli-Olpin
as Chad Meeks-Martin
Directed by Matt Bettinelli-Olpin
as Abbott
Directed by Unknown
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Dan Connor
Fall (2022)
Performance score7.6
The performance the rest of the career is read through. Dan Connor gives Mason Gooding a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mason
72 HOURS (2026)
Performance score7.3
72 HOURS asks for something the previous films did not, and gets it. Mason is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Chad Meeks-Martin
Scream VI (2023)
Performance score7.1
Scream VI asks for something the previous films did not, and gets it. Chad Meeks-Martin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Chad Meeks-Martin
Scream (2022)
Performance score7.1
Scream asks for something the previous films did not, and gets it. Chad Meeks-Martin is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Dan Connor
Start here. Fall is the clearest statement of what Mason Gooding does — accessible, 107 minutes, and rated 7.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Mason at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Scream (2022)
A deliberate change of key after Fall — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Scream VI (2023)
Same director as Scream, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Under Fire (2025)
Keeps the thriller register of Scream VI but asks for a colder reading of it.
72 HOURS (2026)
Keeps the comedy register of Under Fire but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Matt Bettinelli-Olpin
Director
2 films together
Notably Scream VI
Olivia Wilde
Director
1 film together
Notably Booksmart
Scott Mann
Director
1 film together
Notably Fall
Patrick Lussier
Director
1 film together
Notably Aftermath
Kyle Mooney
Director
1 film together
Notably Y2K
Josh Ruben
Director
1 film together
Notably Heart Eyes
Gregg Araki
Director
1 film together
Notably I Want Your Sex
Tim Story
Director
1 film together
Notably 72 HOURS
Kevin Williamson
Director
1 film together
Notably Scream 7
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Matt Bettinelli-Olpin
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Scream VIScott Mann
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
FallOlivia Wilde
Director
1 film together · 7.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
BooksmartTim Story
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
72 HOURSKevin Williamson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Scream 7Josh Ruben
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Heart EyesPatrick Lussier
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AftermathGregg Araki
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I Want Your SexKyle Mooney
Director
1 film together · 5.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Y2KSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Fall
as Dan Connor
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
I Want You Back
as Paul
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Fall
as Dan Connor
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Booksmart
as Nick
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Fall
as Dan Connor
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Mason Gooding has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
10 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Scream
as Chad Meeks-Martin
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Scream VI
as Chad Meeks-Martin
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
I Want You Back
as Paul
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Scream 7
as Chad Meeks-Martin
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Under Fire
as Abbott
Images that would survive with the sound switched off.
Best action sequence
Under Fire
as Abbott
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Pools
as Reed
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Scream 7
as Chad Meeks-Martin
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Zach Grenier
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Richmond Arquette
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Have your say
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Reference
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