Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#15757
of 909177 performers
Top 5%
Matthew Beard works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Matthew Beard appears in 8 films in the Nutevio catalogue, and none of them would work the same way without Matthew. The Imitation Game is the clearest case: a film rated 8.2 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for drama, history, music. It is a style built on what is withheld as much as what is played.
Working with Mona Fastvold, David Kerr, Morten Tyldum and others, Matthew Beard helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Imitation Game (2014) as Peter Hilton · One Day (2011) as Murray Cope · An Education (2009) as Graham
Career snapshot
Ranked #15757 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
8
2009–2026
Career length
17 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.2
The Imitation Game
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
8.0
The Imitation Game
Most frequent director
Lone Scherfig
3 films together
Longest collaboration
3×
With Lone Scherfig
Most common genre
Drama
6 titles
Average runtime
1h 48m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2000s
6.9 average MV
The 2000s are where the work and the material meet. An Education — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2000s
6.9
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2000s
6.9
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. An Education.
Most productive era
2010s
5 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.91 film | 7.23 films | 3.22 films |
| Action | — | 6.31 film | — |
| Thriller | — | 7.22 films | — |
| Comedy | — | 6.31 film | — |
| Romance | 6.91 film | 7.41 film | — |
| Horror | — | 6.21 film | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2009An Education
Where our catalogue meets this career, as Graham.
Highest rated performance · Career peak
8.2 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Elsinore
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
8 of 8 films
as Peter Hilton
Directed by Morten Tyldum
as Murray Cope
Directed by Lone Scherfig
as Graham
Directed by Lone Scherfig
as James Whittaker
Directed by Mona Fastvold
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Peter Hilton
The Imitation Game (2014)
Performance score8.2
The performance the rest of the career is read through. Peter Hilton gives Matthew Beard a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Murray Cope
One Day (2011)
Performance score7.2
One Day asks for something the previous films did not, and gets it. Murray Cope is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Graham
An Education (2009)
Performance score6.8
An Education asks for something the previous films did not, and gets it. Graham is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
James Whittaker
The Testament of Ann Lee (2025)
Performance score6.6
The Testament of Ann Lee asks for something the previous films did not, and gets it. James Whittaker is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Peter Hilton
Start here. The Imitation Game is the clearest statement of what Matthew Beard does — accessible, 113 minutes, and rated 8.2 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Matthew at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
An Education (2009)
Keeps the drama register of The Imitation Game but asks for a colder reading of it.
One Day (2011)
Same director as An Education, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
The Testament of Ann Lee (2025)
Keeps the drama register of One Day but asks for a colder reading of it.
Elsinore (2026)
Keeps the drama register of The Testament of Ann Lee but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Lone Scherfig
Director
3 films together
Notably One Day
Morten Tyldum
Director
1 film together
Notably The Imitation Game
David Kerr
Director
1 film together
Notably Johnny English Strikes Again
Mona Fastvold
Director
1 film together
Notably The Testament of Ann Lee
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Lone Scherfig
Director
3 films together · 6.7 avg MV
A working relationship rather than a booking — 3 films, and the register shifts each time.
Best film together
One DayMorten Tyldum
Director
1 film together · 8.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Imitation GameMona Fastvold
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Testament of Ann LeeDavid Kerr
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Johnny English Strikes AgainSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Imitation Game
as Peter Hilton
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
One Day
as Murray Cope
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Imitation Game
as Peter Hilton
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Johnny English Strikes Again
as P
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Imitation Game
as Peter Hilton
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Matthew Beard has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
6 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Imitation Game
as Peter Hilton
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Imitation Game
as Peter Hilton
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Testament of Ann Lee
as James Whittaker
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Elizabeth Harvest
as Oliver
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Imitation Game
as Peter Hilton
Images that would survive with the sound switched off.
Best action sequence
Johnny English Strikes Again
as P
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Imitation Game
as Peter Hilton
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Imitation Game
as Peter Hilton
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Matt Damon
Built a career in the same territory: adventure and drama
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and drama
Edward Norton
Built a career in the same territory: comedy and adventure
Have your say
Community
Which Matthew Beard performance holds up best?
Our readers argue about this one. Make your case, or read the ranked debate already in progress.
Join the conversation
Reference
Continue exploring
Trending performers
Directors they work with
Collections to read next
