Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1263
of 909177 performers
Top 1%
Maya Hawke works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Maya Hawke appears in 15 films in the Nutevio catalogue, and none of them would work the same way without Maya. Inside Out 2 is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for romance, science fiction, comedy. It is a style built on what is withheld as much as what is played.
Working with Will Gluck, Francis Lawrence, Wes Anderson and others, Maya Hawke helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Inside Out 2 (2024) as Anxiety (voice) · Once Upon a Time... in Hollywood (2019) as 'Flowerchild' · One Last Adventure: The Making of Stranger Things 5 (2026) as Self - Robin Buckley
Career snapshot
Ranked #1263 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
15
2019–2027
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Inside Out 2
Average Nutevio score
5.7
Across catalogue work
Highest IMDb rating
7.5
Inside Out 2
Most frequent director
Will Gluck
1 film together
Longest collaboration
1×
With Will Gluck
Most common genre
Comedy
8 titles
Average runtime
1h 31m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.1
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
7.6 average MV
The 2010s are where the work and the material meet. Once Upon a Time... in Hollywood — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
7.6
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
7.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Once Upon a Time... in Hollywood.
Most productive era
2020s
14 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.61 film | 6.27 films |
| Action | — | 0.01 film |
| Thriller | 7.61 film | 6.41 film |
| Comedy | 7.61 film | 5.77 films |
| Crime | — | 5.82 films |
| Romance | — | 4.94 films |
| Horror | — | 6.71 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2019Once Upon a Time... in Hollywood
Where our catalogue meets this career, as 'Flowerchild'. 7.6 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
2024Inside Out 2
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2027Wishful Thinking
The current state of the argument, as Julia.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
15 of 15 films
as Anxiety (voice)
Directed by Unknown
as Malika
Directed by Will Gluck
as 'Flowerchild'
Directed by Quentin Tarantino
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Anxiety (voice)
Inside Out 2 (2024)
Performance score7.9
The performance the rest of the career is read through. Anxiety (voice) gives Maya Hawke a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Malika
One Night Only (2026)
Performance score7.5
One Night Only asks for something the previous films did not, and gets it. Malika is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
'Flowerchild'
Once Upon a Time... in Hollywood (2019)
Performance score7.4
Once Upon a Time... in Hollywood asks for something the previous films did not, and gets it. 'Flowerchild' is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Self - Robin Buckley
One Last Adventure: The Making of Stranger Things 5 (2026)
Performance score7.2
One Last Adventure: The Making of Stranger Things 5 asks for something the previous films did not, and gets it. Self - Robin Buckley is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Anxiety (voice)
Start here. Inside Out 2 is the clearest statement of what Maya Hawke does — accessible, 97 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Maya at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Once Upon a Time... in Hollywood (2019)
Keeps the comedy register of Inside Out 2 but asks for a colder reading of it.
The Non-Actor (2025)
Keeps the drama register of Once Upon a Time... in Hollywood but asks for a colder reading of it.
One Night Only (2026)
A deliberate change of key after The Non-Actor — same instrument, unfamiliar tuning, and the reason range gets mentioned.
One Last Adventure: The Making of Stranger Things 5 (2026)
A deliberate change of key after One Night Only — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Quentin Tarantino
Director
1 film together
Notably Once Upon a Time... in Hollywood
Leigh Janiak
Director
1 film together
Notably Fear Street: 1994
Jennifer Kaytin Robinson
Director
1 film together
Notably Do Revenge
Nicol Paone
Director
1 film together
Notably The Kill Room
Bradley Cooper
Director
1 film together
Notably Maestro
Wes Anderson
Director
1 film together
Notably Asteroid City
Francis Lawrence
Director
1 film together
Notably The Hunger Games: Sunrise on the Reaping
Will Gluck
Director
1 film together
Notably One Night Only
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Quentin Tarantino
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Once Upon a Time... in HollywoodWill Gluck
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
One Night OnlyLeigh Janiak
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fear Street: 1994Wes Anderson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Asteroid CityJennifer Kaytin Robinson
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Do RevengeBradley Cooper
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MaestroNicol Paone
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Kill RoomFrancis Lawrence
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hunger Games: Sunrise on the ReapingSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
One Last Adventure: The Making of Stranger Things 5
as Self - Robin Buckley
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Maestro
as Jamie Bernstein
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Once Upon a Time... in Hollywood
as 'Flowerchild'
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
One Last Adventure: The Making of Stranger Things 5
as Self - Robin Buckley
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Inside Out 2
as Anxiety (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Maya Hawke has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
8 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Inside Out 2
as Anxiety (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Fear Street: 1994
as Heather
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Maestro
as Jamie Bernstein
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Fear Street: 1994
as Heather
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Inside Out 2
as Anxiety (voice)
Images that would survive with the sound switched off.
Best action sequence
The Hunger Games: Sunrise on the Reaping
as Wiress
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Maestro
as Jamie Bernstein
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Once Upon a Time... in Hollywood
as 'Flowerchild'
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Works with the same directors — shared collaborators
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Works with the same directors — shared collaborators
Léa Seydoux
Works with the same directors — shared collaborators
Tom Hanks
Built a career in the same territory: animation and family
Have your say
Community
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Reference
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