Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#8255
of 909177 performers
Top 1%
Meadow Williams represents the rare performer whose career became more ambitious with every decade — 34 years in, and Meadow is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Meadow Williams appears in 20 films in the Nutevio catalogue, and none of them would work the same way without Meadow. Apollo 13 is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for action, crime, thriller. It is a style built on what is withheld as much as what is played.
Working with Brad Anderson, Mario Van Peebles, Joe Carnahan and others, Meadow Williams helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Apollo 13 (1995) as Kim · The Mask (1994) as Pebbles · Boss Level (2021) as Pam
Career snapshot
Ranked #8255 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
20
1991–2025
Career length
34 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
Apollo 13
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
7.5
Apollo 13
Most frequent director
Brad Anderson
1 film together
Longest collaboration
1×
With Brad Anderson
Most common genre
Action
13 titles
Average runtime
1h 47m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
6.7 average MV
The 1990s are where the work and the material meet. Apollo 13, The Mask, Beverly Hills Cop III — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
6.7
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Apollo 13, The Mask, Beverly Hills Cop III.
Most productive era
2020s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.82 films | — | 6.13 films |
| Action | 6.12 films | 5.73 films | 6.28 films |
| Thriller | 6.21 film | 5.84 films | 6.17 films |
| Comedy | 6.62 films | — | 5.41 film |
| Crime | 6.43 films | 5.73 films | 6.33 films |
| Romance | 7.21 film | — | — |
| Horror | — | 6.01 film | 5.73 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1991Out for Justice
Where our catalogue meets this career, as Hooker.
Highest rated performance · Career peak
1995Apollo 13
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2025Worldbreaker
The current state of the argument, as Female Guard 1.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
20 of 20 films
as Holly
Directed by Unknown
as Pebbles
Directed by Chuck Russell
as Pam
Directed by Joe Carnahan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Kim
Apollo 13 (1995)
Performance score7.3
The performance the rest of the career is read through. Kim gives Meadow Williams a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Holly
Den of Thieves (2018)
Performance score7.1
Den of Thieves asks for something the previous films did not, and gets it. Holly is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Pebbles
The Mask (1994)
Performance score7.1
The Mask asks for something the previous films did not, and gets it. Pebbles is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Holly
Den of Thieves 2: Pantera (2025)
Performance score6.8
Den of Thieves 2: Pantera asks for something the previous films did not, and gets it. Holly is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Kim
Start here. Apollo 13 is the clearest statement of what Meadow Williams does — accessible, 140 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Meadow at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Mask (1994)
A deliberate change of key after Apollo 13 — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Den of Thieves (2018)
Keeps the crime register of The Mask but asks for a colder reading of it.
Boss Level (2021)
Keeps the action register of Den of Thieves but asks for a colder reading of it.
Den of Thieves 2: Pantera (2025)
Keeps the action register of Boss Level but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
John Flynn
Director
1 film together
Notably Out for Justice
John Landis
Director
1 film together
Notably Beverly Hills Cop III
Chuck Russell
Director
1 film together
Notably The Mask
Ron Howard
Director
1 film together
Notably Apollo 13
John McNaughton
Director
1 film together
Notably The Harvest
Joe Carnahan
Director
1 film together
Notably Boss Level
Mario Van Peebles
Director
1 film together
Notably Outlaw Posse
Brad Anderson
Director
1 film together
Notably Worldbreaker
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ron Howard
Director
1 film together · 7.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Apollo 13Chuck Russell
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The MaskJoe Carnahan
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Boss LevelJohn Flynn
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Out for JusticeBrad Anderson
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
WorldbreakerJohn McNaughton
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The HarvestJohn Landis
Director
1 film together · 5.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Beverly Hills Cop IIIMario Van Peebles
Director
1 film together · 4.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Outlaw PosseSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Apollo 13
as Kim
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Apollo 13
as Kim
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Apollo 13
as Kim
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Apollo 13
as Kim
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Apollo 13
as Kim
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Meadow Williams has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
34 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Action Legend
Awarded
13 catalogue titles in action, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Apollo 13
as Kim
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Den of Thieves
as Holly
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Apollo 13
as Kim
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Harvest
as Sandra
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Rust
as Ellsworth Madam
Images that would survive with the sound switched off.
Best action sequence
Outlaw Posse
as Aphrodite
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Mask
as Pebbles
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Mask
as Pebbles
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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