Best ending
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
Images that would survive with the sound switched off.
Best action sequence
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
(Shakespeares) Sommernachtstraum
as NIKLAS ZETTEL (PYRAMUS)
The public vote sits below ours on this one, and the direction is the reason for the gap.