Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3510
of 909177 performers
Top 1%
Oliver Cooper works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Oliver Cooper appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Oliver. Take Me to Tarzana is the clearest case: a film rated 7.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for science fiction, horror, thriller. It is a style built on what is withheld as much as what is played.
Working with Kate Dolan, Jason Reitman, Matt Shapira and others, Oliver Cooper helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Take Me to Tarzana (2021) as Charles · Ghostbusters: Afterlife (2021) as Elton (uncredited) · The Ultimate Playlist of Noise (2021) as Dennis
Career snapshot
Ranked #3510 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2013–2026
Career length
13 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.7
Take Me to Tarzana
Average Nutevio score
6.0
Across catalogue work
Highest IMDb rating
7.7
Take Me to Tarzana
Most frequent director
Jason Reitman
2 films together
Longest collaboration
2×
With Jason Reitman
Most common genre
Comedy
6 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
6.1 average MV
The 2020s are where the work and the material meet. Soulm8te, Clawfoot, Ghostbusters: Afterlife — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
6.1
Across 9 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
6.1
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Front Runner, Office Christmas Party, Burying the Ex.
Most productive era
2020s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 5.82 films | 6.04 films |
| Action | — | 5.92 films |
| Thriller | 5.61 film | 5.83 films |
| Comedy | 5.83 films | 6.63 films |
| Crime | 5.61 film | 5.62 films |
| Horror | 5.61 film | 6.32 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2013Runner Runner
Where our catalogue meets this career, as Andrew Cronin.
Highest rated performance · Career peak
7.7 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Soulm8te
The current state of the argument, as Ultima Robotix Technician.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Elton (uncredited)
Directed by Jason Reitman
as Jacob
Directed by Unknown
as Ultima Robotix Technician
Directed by Kate Dolan
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Charles
Take Me to Tarzana (2021)
Performance score7.5
The performance the rest of the career is read through. Charles gives Oliver Cooper a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Elton (uncredited)
Ghostbusters: Afterlife (2021)
Performance score7.2
Ghostbusters: Afterlife asks for something the previous films did not, and gets it. Elton (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Dennis
The Ultimate Playlist of Noise (2021)
Performance score7.1
The Ultimate Playlist of Noise asks for something the previous films did not, and gets it. Dennis is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Jacob
Desert Quarantine (2020)
Performance score6.8
Desert Quarantine asks for something the previous films did not, and gets it. Jacob is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Charles
Start here. Take Me to Tarzana is the clearest statement of what Oliver Cooper does — accessible, 106 minutes, and rated 7.7 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Oliver at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Desert Quarantine (2020)
Same director as Take Me to Tarzana, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Ghostbusters: Afterlife (2021)
A deliberate change of key after Desert Quarantine — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Ultimate Playlist of Noise (2021)
A deliberate change of key after Ghostbusters: Afterlife — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Soulm8te (2026)
A deliberate change of key after The Ultimate Playlist of Noise — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Jason Reitman
Director
2 films together
Notably Ghostbusters: Afterlife
Todd Phillips
Director
1 film together
Notably The Hangover Part III
Joe Dante
Director
1 film together
Notably Burying the Ex
Josh Gordon
Director
1 film together
Notably Office Christmas Party
Seth Savoy
Director
1 film together
Notably Echo Boomers
Matt Shapira
Director
1 film together
Notably The Swing of Things
Kate Dolan
Director
1 film together
Notably Soulm8te
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Jason Reitman
Director
2 films together · 6.6 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Ghostbusters: AfterlifeKate Dolan
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Soulm8teTodd Phillips
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hangover Part IIISeth Savoy
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Echo BoomersJosh Gordon
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Office Christmas PartyJoe Dante
Director
1 film together · 5.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Burying the ExMatt Shapira
Director
1 film together · 4.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Swing of ThingsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Take Me to Tarzana
as Charles
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
The Ultimate Playlist of Noise
as Dennis
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Take Me to Tarzana
as Charles
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Ghostbusters: Afterlife
as Elton (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Take Me to Tarzana
as Charles
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Oliver Cooper has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
6 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Take Me to Tarzana
as Charles
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Soulm8te
as Ultima Robotix Technician
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
The Ultimate Playlist of Noise
as Dennis
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Cleaner
as Busboy
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Take Me to Tarzana
as Charles
Images that would survive with the sound switched off.
Best action sequence
Desert Quarantine
as Jacob
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Ultimate Playlist of Noise
as Dennis
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Swing of Things
as Ira
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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