Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#37981
of 909177 performers
Top 5%
Patrick Tam Yiu-Man works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Patrick Tam Yiu-Man appears in 13 films in the Nutevio catalogue, and none of them would work the same way without Patrick. We're Nothing at All is the clearest case: a film rated 7.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for crime, drama, comedy. It is a style built on what is withheld as much as what is played.
Working with Raymond Wong Pak-Ming, Andrew Fung Chih-Chiang, Yuen Woo-ping and others, Patrick Tam Yiu-Man helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
We're Nothing at All (2026) as Lung · Raging Fire (2021) as Beau · The Fatal Raid (2019) as Tam Ka Ming
Career snapshot
Ranked #37981 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
13
2005–2026
Career length
21 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.5
We're Nothing at All
Average Nutevio score
5.7
Across catalogue work
Highest IMDb rating
7.5
We're Nothing at All
Most frequent director
Raymond Wong Pak-Ming
1 film together
Longest collaboration
1×
With Raymond Wong Pak-Ming
Most common genre
Crime
8 titles
Average runtime
1h 51m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. The Fatal Raid, A Witness Out of the Blue, P Storm — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 4 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2000s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Myth.
Most productive era
2020s
8 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2000s | 2010s | 2020s |
|---|---|---|---|
| Drama | 6.41 film | 6.72 films | 4.45 films |
| Action | 6.41 film | 6.63 films | 6.02 films |
| Thriller | — | 6.61 film | 5.93 films |
| Comedy | 6.41 film | 6.81 film | 4.82 films |
| Crime | — | 6.53 films | 5.05 films |
| Romance | — | — | 6.31 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2005The Myth
Where our catalogue meets this career, as General Xu Gui.
Highest rated performance · Career peak
7.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
13 of 13 films
as Tam Ka Ming
Directed by Unknown
as Beau
Directed by Unknown
as Bull Yiu
Directed by Andrew Fung Chih-Chiang
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Lung
We're Nothing at All (2026)
Performance score8.1
The performance the rest of the career is read through. Lung gives Patrick Tam Yiu-Man a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Tam Ka Ming
The Fatal Raid (2019)
Performance score7.4
The Fatal Raid asks for something the previous films did not, and gets it. Tam Ka Ming is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mutant
Mutant (2024)
Performance score7.0
Mutant asks for something the previous films did not, and gets it. The role is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Beau
Raging Fire (2021)
Performance score7.0
Raging Fire asks for something the previous films did not, and gets it. Beau is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Lung
Start here. We're Nothing at All is the clearest statement of what Patrick Tam Yiu-Man does — accessible, 128 minutes, and rated 7.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Patrick at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Fatal Raid (2019)
Same director as We're Nothing at All, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
A Witness Out of the Blue (2019)
A deliberate change of key after The Fatal Raid — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Raging Fire (2021)
Keeps the mystery register of A Witness Out of the Blue but asks for a colder reading of it.
Mutant (2024)
Same director as Raging Fire, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Company kept
The directors and performers this career keeps returning to.
Stanley Tong Gwai-Lai
Director
1 film together
Notably The Myth
Yuen Woo-ping
Director
1 film together
Notably Master Z: Ip Man Legacy
Andrew Fung Chih-Chiang
Director
1 film together
Notably A Witness Out of the Blue
Raymond Wong Pak-Ming
Director
1 film together
Notably All's Well, End's Well 2020
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Andrew Fung Chih-Chiang
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
A Witness Out of the BlueYuen Woo-ping
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Master Z: Ip Man LegacyStanley Tong Gwai-Lai
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The MythRaymond Wong Pak-Ming
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
All's Well, End's Well 2020Six degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
We're Nothing at All
as Lung
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Mutant
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
We're Nothing at All
as Lung
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Raging Fire
as Beau
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
We're Nothing at All
as Lung
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Patrick Tam Yiu-Man has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
21 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Crime Legend
Awarded
8 catalogue titles in crime, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
We're Nothing at All
as Lung
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Raging Fire
as Beau
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Mutant
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
A Witness Out of the Blue
as Bull Yiu
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Raging Fire
as Beau
Images that would survive with the sound switched off.
Best action sequence
Raging Fire
as Beau
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
The Myth
as General Xu Gui
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Raging Fire
as Beau
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Bonnie Hunt
Built a career in the same territory: family and comedy
Morgan Freeman
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Jamie Harris
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Have your say
Community
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Reference
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