Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7420
of 909177 performers
Top 1%
Post Malone works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Post Malone appears in 14 films in the Nutevio catalogue, and none of them would work the same way without Post. Spider-Man: Into the Spider-Verse is the clearest case: a film rated 8.7 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for family, animation, comedy. It is a style built on what is withheld as much as what is played.
Working with Scott Preston, Kyle Newacheck, Beth McCarthy-Miller and others, Post Malone helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Spider-Man: Into the Spider-Verse (2018) as Brooklyn Bystander (voice) · Everybody’s Everything (2019) as Self · Post Malone: Runaway (2022) as Self
Career snapshot
Ranked #7420 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
14
2018–2026
Career length
8 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.7
Spider-Man: Into the Spider-Verse
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
8.5
Everybody’s Everything
Most frequent director
Scott Preston
1 film together
Longest collaboration
1×
With Scott Preston
Most common genre
Comedy
5 titles
Average runtime
1h 42m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
8.6 average MV
The 2010s are where the work and the material meet. Everybody’s Everything, Spider-Man: Into the Spider-Verse — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
8.6
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
8.4
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Everybody’s Everything, Spider-Man: Into the Spider-Verse.
Most productive era
2020s
12 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | — | 6.63 films |
| Action | 8.71 film | 6.93 films |
| Thriller | — | 7.03 films |
| Comedy | — | 6.65 films |
| Crime | — | 7.61 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance
2018Spider-Man: Into the Spider-Verse
Where our catalogue meets this career, as Brooklyn Bystander (voice). 8.7 on the Nutevio scale, the top of the catalogue for this performer.
Career peak
Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
14 of 14 films
as Brooklyn Bystander (voice)
Directed by Peter Ramsey
as Robber #6
Directed by Guy Ritchie
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
Post Malone: Runaway (2022)
Performance score8.5
The performance the rest of the career is read through. Self gives Post Malone a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Brooklyn Bystander (voice)
Spider-Man: Into the Spider-Verse (2018)
Performance score8.4
Spider-Man: Into the Spider-Verse asks for something the previous films did not, and gets it. Brooklyn Bystander (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Self
Everybody’s Everything (2019)
Performance score8.2
Everybody’s Everything asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Robber #6
Wrath of Man (2021)
Performance score7.4
Wrath of Man asks for something the previous films did not, and gets it. Robber #6 is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. Post Malone: Runaway is the clearest statement of what Post Malone does — accessible, 65 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Post at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Spider-Man: Into the Spider-Verse (2018)
A deliberate change of key after Post Malone: Runaway — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Everybody’s Everything (2019)
A deliberate change of key after Spider-Man: Into the Spider-Verse — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Nine Lives of Ozzy Osbourne (2020)
Same director as Everybody’s Everything, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Wrath of Man (2021)
A deliberate change of key after The Nine Lives of Ozzy Osbourne — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Peter Ramsey
Director
1 film together
Notably Spider-Man: Into the Spider-Verse
Peter Berg
Director
1 film together
Notably Spenser Confidential
Guy Ritchie
Director
1 film together
Notably Wrath of Man
Jeff Rowe
Director
1 film together
Notably Teenage Mutant Ninja Turtles: Mutant Mayhem
Dave Meyers
Director
1 film together
Notably This Is Me…Now
Doug Liman
Director
1 film together
Notably Road House
Bobby Farrelly
Director
1 film together
Notably Dear Santa
Beth McCarthy-Miller
Director
1 film together
Notably SNL50: The Homecoming Concert
Kyle Newacheck
Director
1 film together
Notably Happy Gilmore 2
Scott Preston
Director
1 film together
Notably Storm on Sesame Street
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Peter Ramsey
Director
1 film together · 8.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spider-Man: Into the Spider-VerseGuy Ritchie
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Wrath of ManJeff Rowe
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Teenage Mutant Ninja Turtles: Mutant MayhemDoug Liman
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Road HouseKyle Newacheck
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Happy Gilmore 2Peter Berg
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Spenser ConfidentialBeth McCarthy-Miller
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
SNL50: The Homecoming ConcertBobby Farrelly
Director
1 film together · 6.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dear SantaDave Meyers
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
This Is Me…NowScott Preston
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Storm on Sesame StreetSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
This Is Me…Now
as Leo
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
SNL50: The Homecoming Concert
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Post Malone: Runaway
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Post Malone has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Comedy Legend
Awarded
5 catalogue titles in comedy, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
This Is Me…Now
as Leo
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Wrath of Man
as Robber #6
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
Images that would survive with the sound switched off.
Best action sequence
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Wrath of Man
as Robber #6
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Spider-Man: Into the Spider-Verse
as Brooklyn Bystander (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
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Elliot Page
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David Krumholtz
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Have your say
Community
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Reference
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