Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#1998
of 909177 performers
Top 1%
Richard Gere represents the rare performer whose career became more ambitious with every decade — 48 years in, and Richard is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Richard Gere appears in 31 films in the Nutevio catalogue, and none of them would work the same way without Richard. The Happy Days of Garry Marshall is the clearest case: a film rated 8.0 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, quiet performance, transformation. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for comedy, documentary, drama. It is a style built on what is withheld as much as what is played.
Working with Berta García-Lacht, Paul Schrader, Michael Jacobs and others, Richard Gere helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Happy Days of Garry Marshall (2020) as Self · Hachi: A Dog's Tale (2009) as Parker Wilson · Primal Fear (1996) as Martin Vail
Career snapshot
Ranked #1998 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
31
1978–2026
Career length
48 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.0
The Happy Days of Garry Marshall
Average Nutevio score
6.1
Across catalogue work
Highest IMDb rating
8.0
Hachi: A Dog's Tale
Most frequent director
Paul Schrader
2 films together
Longest collaboration
2×
With Paul Schrader
Most common genre
Drama
25 titles
Average runtime
1h 49m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.0
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.7
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1970s
7.2 average MV
The 1970s are where the work and the material meet. Days of Heaven — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1970s
7.2
Across 1 catalogue film in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1970s
7.5
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Days of Heaven.
Most productive era
2000s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|---|
| Drama | 7.21 film | 6.63 films | 6.24 films | 6.49 films | 6.05 films | 5.63 films |
| Action | — | — | 6.41 film | — | — | — |
| Thriller | — | — | 6.63 films | 6.71 film | 5.92 films | — |
| Comedy | — | — | 7.61 film | 6.13 films | 5.53 films | 3.73 films |
| Crime | — | 6.42 films | 6.83 films | 7.11 film | 6.31 film | — |
| Romance | 7.21 film | 6.91 film | 6.23 films | 6.15 films | — | 5.51 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1978Days of Heaven
Where our catalogue meets this career, as Bill.
Highest rated performance · Career peak
8.0 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026La vida és Verdi
The current state of the argument.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
31 of 31 films
as Parker Wilson
Directed by Lasse Hallström
as Martin Vail
Directed by Gregory Hoblit
as Edward Lewis
Directed by Garry Marshall
as Bill
Directed by Terrence Malick
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Parker Wilson
Hachi: A Dog's Tale (2009)
Performance score8.5
The performance the rest of the career is read through. Parker Wilson gives Richard Gere a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Martin Vail
Primal Fear (1996)
Performance score8.1
Primal Fear asks for something the previous films did not, and gets it. Martin Vail is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Edward Lewis
Pretty Woman (1990)
Performance score8.1
Pretty Woman asks for something the previous films did not, and gets it. Edward Lewis is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Self
The Happy Days of Garry Marshall (2020)
Performance score7.8
The Happy Days of Garry Marshall asks for something the previous films did not, and gets it. Self is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Parker Wilson
Start here. Hachi: A Dog's Tale is the clearest statement of what Richard Gere does — accessible, 93 minutes, and rated 8.0 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Richard at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Days of Heaven (1978)
Keeps the drama register of Hachi: A Dog's Tale but asks for a colder reading of it.
Pretty Woman (1990)
Keeps the romance register of Days of Heaven but asks for a colder reading of it.
Primal Fear (1996)
A deliberate change of key after Pretty Woman — same instrument, unfamiliar tuning, and the reason range gets mentioned.
The Happy Days of Garry Marshall (2020)
A deliberate change of key after Primal Fear — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Paul Schrader
Director
2 films together
Notably American Gigolo
Terrence Malick
Director
1 film together
Notably Days of Heaven
Taylor Hackford
Director
1 film together
Notably An Officer and a Gentleman
Francis Ford Coppola
Director
1 film together
Notably The Cotton Club
Mike Figgis
Director
1 film together
Notably Internal Affairs
Garry Marshall
Director
1 film together
Notably Pretty Woman
Phil Joanou
Director
1 film together
Notably Final Analysis
Mark Rydell
Director
1 film together
Notably Intersection
Gregory Hoblit
Director
1 film together
Notably Primal Fear
Michael Caton-Jones
Director
1 film together
Notably The Jackal
Robert Altman
Director
1 film together
Notably Dr. T & the Women
Joan Chen
Director
1 film together
Notably Autumn in New York
Adrian Lyne
Director
1 film together
Notably Unfaithful
Rob Marshall
Director
1 film together
Notably Chicago
Todd Haynes
Director
1 film together
Notably I'm Not There
Mira Nair
Director
1 film together
Notably Amelia
Lasse Hallström
Director
1 film together
Notably Hachi: A Dog's Tale
Antoine Fuqua
Director
1 film together
Notably Brooklyn's Finest
Brett Ratner
Director
1 film together
Notably Movie 43
Andrew Renzi
Director
1 film together
Notably The Benefactor
John Madden
Director
1 film together
Notably The Second Best Exotic Marigold Hotel
Joseph Cedar
Director
1 film together
Notably Norman: The Moderate Rise and Tragic Fall of a New York Fixer
Jon Avnet
Director
1 film together
Notably Three Christs
Michael Jacobs
Director
1 film together
Notably Maybe I Do
Berta García-Lacht
Director
1 film together
Notably La vida és Verdi
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Paul Schrader
Director
2 films together · 6.0 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
American GigoloLasse Hallström
Director
1 film together · 8.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Hachi: A Dog's TaleGregory Hoblit
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Primal FearGarry Marshall
Director
1 film together · 7.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Pretty WomanTerrence Malick
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Days of HeavenRob Marshall
Director
1 film together · 7.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
ChicagoTaylor Hackford
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
An Officer and a GentlemanJon Avnet
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Three ChristsAdrian Lyne
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UnfaithfulTodd Haynes
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
I'm Not ThereFrancis Ford Coppola
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Cotton ClubJohn Madden
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Second Best Exotic Marigold HotelMichael Caton-Jones
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The JackalMike Figgis
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Internal AffairsAntoine Fuqua
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Brooklyn's FinestJoan Chen
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Autumn in New YorkPhil Joanou
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Final AnalysisMira Nair
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
AmeliaMichael Jacobs
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Maybe I DoJoseph Cedar
Director
1 film together · 5.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Norman: The Moderate Rise and Tragic Fall of a New York FixerMark Rydell
Director
1 film together · 5.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
IntersectionAndrew Renzi
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The BenefactorRobert Altman
Director
1 film together · 4.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Dr. T & the WomenBrett Ratner
Director
1 film together · 4.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Movie 43Berta García-Lacht
Director
1 film together · 0.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
La vida és VerdiSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Primal Fear
as Martin Vail
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Hachi: A Dog's Tale
as Parker Wilson
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Hachi: A Dog's Tale
as Parker Wilson
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
The Happy Days of Garry Marshall
as Self
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Hachi: A Dog's Tale
as Parker Wilson
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Richard Gere has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
48 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
25 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Hachi: A Dog's Tale
as Parker Wilson
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Primal Fear
as Martin Vail
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Hachi: A Dog's Tale
as Parker Wilson
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
American Gigolo
as Julian Kaye
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Happy Days of Garry Marshall
as Self
Images that would survive with the sound switched off.
Best action sequence
The Jackal
as Declan Mulqueen
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Chicago
as Billy Flynn
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Pretty Woman
as Edward Lewis
The public vote sits below ours on this one, and the direction is the reason for the gap.
If you like this performer
Michael Caine
Built a career in the same territory: adventure and drama
Al Pacino
Works with the same directors — shared collaborators
Matt Damon
Built a career in the same territory: adventure and drama
David Krumholtz
Built a career in the same territory: action and adventure
Cillian Murphy
Built a career in the same territory: drama and history
Morgan Freeman
Built a career in the same territory: action and crime
Have your say
Community
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Reference
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