Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#36206
of 909177 performers
Top 5%
Richard Jordan works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Richard Jordan appears in 7 films in the Nutevio catalogue, and none of them would work the same way without Richard. The Hunt for Red October is the clearest case: a film rated 7.4 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for war, drama, history. It is a style built on what is withheld as much as what is played.
Working with Ronald F. Maxwell, John McTiernan, David Lynch and others, Richard Jordan helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Hunt for Red October (1990) as Dr. Jeffrey Pelt, National Security Advisor · Gettysburg (1993) as Brig. Gen. Lewis A. Armistead · Klute (1971) as Man Kissing Bree in Night Club (uncredited)
Career snapshot
Ranked #36206 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
7
1971–1993
Career length
22 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.4
The Hunt for Red October
Average Nutevio score
6.7
Across catalogue work
Highest IMDb rating
7.4
The Hunt for Red October
Most frequent director
Ronald F. Maxwell
1 film together
Longest collaboration
1×
With Ronald F. Maxwell
Most common genre
Drama
3 titles
Average runtime
2h 18m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.9
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.1 average MV
The 1990s are where the work and the material meet. Gettysburg, The Hunt for Red October — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.1
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.2
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1970s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Logan's Run, Rooster Cogburn, Chato's Land.
Most productive era
1970s
4 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1970s | 1980s | 1990s |
|---|---|---|---|
| Drama | 6.62 films | — | 6.81 film |
| Action | 6.61 film | 6.41 film | 7.41 film |
| Thriller | 6.81 film | — | 7.41 film |
| Crime | 6.81 film | — | — |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1971Klute
Where our catalogue meets this career, as Man Kissing Bree in Night Club (uncredited).
Highest rated performance · Career peak
7.4 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
1993Gettysburg
The current state of the argument, as Brig. Gen. Lewis A. Armistead.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
7 of 7 films
as Dr. Jeffrey Pelt, National Security Advisor
Directed by John McTiernan
as Francis
Directed by Michael Anderson
as Brig. Gen. Lewis A. Armistead
Directed by Ronald F. Maxwell
as Man Kissing Bree in Night Club (uncredited)
Directed by Alan J. Pakula
as Hawk
Directed by Stuart Millar
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Dr. Jeffrey Pelt, National Security Advisor
The Hunt for Red October (1990)
Performance score7.2
The performance the rest of the career is read through. Dr. Jeffrey Pelt, National Security Advisor gives Richard Jordan a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Francis
Logan's Run (1976)
Performance score7.0
Logan's Run asks for something the previous films did not, and gets it. Francis is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Brig. Gen. Lewis A. Armistead
Gettysburg (1993)
Performance score6.7
Gettysburg asks for something the previous films did not, and gets it. Brig. Gen. Lewis A. Armistead is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Man Kissing Bree in Night Club (uncredited)
Klute (1971)
Performance score6.7
Klute asks for something the previous films did not, and gets it. Man Kissing Bree in Night Club (uncredited) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Dr. Jeffrey Pelt, National Security Advisor
Start here. The Hunt for Red October is the clearest statement of what Richard Jordan does — accessible, 135 minutes, and rated 7.4 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Richard at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Klute (1971)
Keeps the thriller register of The Hunt for Red October but asks for a colder reading of it.
Rooster Cogburn (1975)
Keeps the drama register of Klute but asks for a colder reading of it.
Logan's Run (1976)
A deliberate change of key after Rooster Cogburn — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Gettysburg (1993)
A deliberate change of key after Logan's Run — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Alan J. Pakula
Director
1 film together
Notably Klute
Michael Winner
Director
1 film together
Notably Chato's Land
Stuart Millar
Director
1 film together
Notably Rooster Cogburn
Michael Anderson
Director
1 film together
Notably Logan's Run
David Lynch
Director
1 film together
Notably Dune
John McTiernan
Director
1 film together
Notably The Hunt for Red October
Ronald F. Maxwell
Director
1 film together
Notably Gettysburg
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John McTiernan
Director
1 film together · 7.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Hunt for Red OctoberRonald F. Maxwell
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
GettysburgAlan J. Pakula
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KluteMichael Anderson
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Logan's RunDavid Lynch
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
DuneStuart Millar
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Rooster CogburnMichael Winner
Director
1 film together · 6.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Chato's LandSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Hunt for Red October
as Dr. Jeffrey Pelt, National Security Advisor
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Gettysburg
as Brig. Gen. Lewis A. Armistead
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Hunt for Red October
as Dr. Jeffrey Pelt, National Security Advisor
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Klute
as Man Kissing Bree in Night Club (uncredited)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Hunt for Red October
as Dr. Jeffrey Pelt, National Security Advisor
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Richard Jordan has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
22 years of relevant work — not merely a long career, but a long career of choices.
Drama Legend
Awarded
3 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Hunt for Red October
as Dr. Jeffrey Pelt, National Security Advisor
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Hunt for Red October
as Dr. Jeffrey Pelt, National Security Advisor
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Gettysburg
as Brig. Gen. Lewis A. Armistead
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Klute
as Man Kissing Bree in Night Club (uncredited)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Hunt for Red October
as Dr. Jeffrey Pelt, National Security Advisor
Images that would survive with the sound switched off.
Best action sequence
Dune
as Duncan Idaho
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Gettysburg
as Brig. Gen. Lewis A. Armistead
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Dune
as Duncan Idaho
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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