Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#6536
of 909177 performers
Top 1%
Richard Masur represents the rare performer whose career became more ambitious with every decade — 46 years in, and Richard is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Richard Masur appears in 18 films in the Nutevio catalogue, and none of them would work the same way without Richard. The Thing Expanded is the clearest case: a film rated 8.5 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for documentary, horror, comedy. It is a style built on what is withheld as much as what is played.
Working with Ian Nathan, Ron Shelton, Félix Alcalá and others, Richard Masur helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
The Thing Expanded (2026) as Self · The Thing (1982) as Clark · Bound by Honor (1993) as Prison Librarian
Career snapshot
Ranked #6536 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
18
1980–2026
Career length
46 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
8.5
The Thing Expanded
Average Nutevio score
6.6
Across catalogue work
Highest IMDb rating
8.5
The Thing Expanded
Most frequent director
Ian Nathan
1 film together
Longest collaboration
1×
With Ian Nathan
Most common genre
Drama
11 titles
Average runtime
2h 9m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
7.2
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
7.0
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2020s
8.0 average MV
The 2020s are where the work and the material meet. The Thing Expanded, Pennywise: The Story of ‘It’ — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2020s
8.0
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2020s
8.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1980s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Heartburn, Risky Business, Under Fire.
Most productive era
1990s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1980s | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|---|
| Drama | 6.54 films | 6.75 films | 6.21 film | 6.01 film | — |
| Action | — | 5.81 film | — | — | — |
| Thriller | — | 6.82 films | — | — | — |
| Comedy | 6.32 films | 6.16 films | 6.21 film | 6.01 film | — |
| Crime | — | 7.91 film | — | — | — |
| Romance | 6.32 films | 5.81 film | — | — | — |
| Horror | 8.21 film | — | — | — | 7.41 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
1980Heaven's Gate
Where our catalogue meets this career, as Cully.
Highest rated performance · Career peak · Most recent film
8.5 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once. The current state of the argument, as Self.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
18 of 18 films
as Clark
Directed by John Carpenter
as Prison Librarian
Directed by Taylor Hackford
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
Loading credits…
The defining work
#1
Self
The Thing Expanded (2026)
Performance score8.4
The performance the rest of the career is read through. Self gives Richard Masur a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Clark
The Thing (1982)
Performance score7.9
The Thing asks for something the previous films did not, and gets it. Clark is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Prison Librarian
Bound by Honor (1993)
Performance score7.7
Bound by Honor asks for something the previous films did not, and gets it. Prison Librarian is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Phil Sultenfuss
My Girl (1991)
Performance score7.5
My Girl asks for something the previous films did not, and gets it. Phil Sultenfuss is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Self
Start here. The Thing Expanded is the clearest statement of what Richard Masur does — accessible, 312 minutes, and rated 8.5 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Richard at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Thing (1982)
A deliberate change of key after The Thing Expanded — same instrument, unfamiliar tuning, and the reason range gets mentioned.
My Girl (1991)
A deliberate change of key after The Thing — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Bound by Honor (1993)
Keeps the drama register of My Girl but asks for a colder reading of it.
Pennywise: The Story of ‘It’ (2021)
A deliberate change of key after Bound by Honor — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Company kept
The directors and performers this career keeps returning to.
Michael Cimino
Director
1 film together
Notably Heaven's Gate
John Carpenter
Director
1 film together
Notably The Thing
Roger Spottiswoode
Director
1 film together
Notably Under Fire
Paul Brickman
Director
1 film together
Notably Risky Business
Mike Nichols
Director
1 film together
Notably Heartburn
Les Mayfield
Director
1 film together
Notably Encino Man
Mel Gibson
Director
1 film together
Notably The Man Without a Face
Taylor Hackford
Director
1 film together
Notably Bound by Honor
Harold Ramis
Director
1 film together
Notably Multiplicity
Félix Alcalá
Director
1 film together
Notably Fire Down Below
Ron Shelton
Director
1 film together
Notably Play It to the Bone
Ian Nathan
Director
1 film together
Notably The Thing Expanded
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Ian Nathan
Director
1 film together · 8.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Thing ExpandedJohn Carpenter
Director
1 film together · 8.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The ThingTaylor Hackford
Director
1 film together · 7.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Bound by HonorRoger Spottiswoode
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Under FireMichael Cimino
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Heaven's GateMel Gibson
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Man Without a FacePaul Brickman
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Risky BusinessMike Nichols
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
HeartburnFélix Alcalá
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Fire Down BelowHarold Ramis
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
MultiplicityLes Mayfield
Director
1 film together · 5.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Encino ManRon Shelton
Director
1 film together · 5.4 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Play It to the BoneSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
The Thing
as Clark
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Heartburn
as Arthur
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
The Thing
as Clark
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Bound by Honor
as Prison Librarian
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
The Thing Expanded
as Self
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Richard Masur has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
46 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
11 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
The Thing
as Clark
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
The Thing
as Clark
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Heartburn
as Arthur
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
The Thing
as Clark
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Thing Expanded
as Self
Images that would survive with the sound switched off.
Best action sequence
Fire Down Below
as Phil Pratt
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Heartburn
as Arthur
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
The Thing
as Clark
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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