Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#3285
of 909177 performers
Top 1%
Roger L. Jackson represents the rare performer whose career became more ambitious with every decade — 30 years in, and Roger is still choosing the harder script.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Roger L. Jackson appears in 17 films in the Nutevio catalogue, and none of them would work the same way without Roger. Scream is the clearest case: a film rated 7.6 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for mystery, horror, crime. It is a style built on what is withheld as much as what is played.
Working with Kevin Williamson, Matt Bettinelli-Olpin, Anthony Silverston and others, Roger L. Jackson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Scream (1996) as Phone Voice (voice) · Scream VI (2023) as 'The Voice' (voice) · The Powerpuff Girls Movie (2002) as Mojo Jojo (voice)
Career snapshot
Ranked #3285 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
17
1996–2026
Career length
30 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.6
Scream
Average Nutevio score
6.4
Across catalogue work
Highest IMDb rating
7.4
Scream
Most frequent director
Wes Craven
4 films together
Longest collaboration
4×
With Wes Craven
Most common genre
Horror
8 titles
Average runtime
1h 33m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.5
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
1990s
7.2 average MV
The 1990s are where the work and the material meet. Scream 2, Scream — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
1990s
7.2
Across 2 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
1990s
7.0
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
1990s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. Scream 2, Scream.
Most productive era
2000s
9 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 1990s | 2000s | 2010s | 2020s |
|---|---|---|---|---|
| Drama | — | 6.71 film | — | — |
| Action | — | 6.55 films | 5.21 film | — |
| Thriller | — | 6.42 films | — | 6.91 film |
| Comedy | — | 5.82 films | 5.21 film | — |
| Crime | 7.61 film | 6.71 film | — | 6.72 films |
| Horror | 7.22 films | 6.12 films | 6.51 film | 6.73 films |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio · Highest rated performance · Career peak
1996Scream
Where our catalogue meets this career, as Phone Voice (voice). 7.6 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Scream 7
The current state of the argument, as 'The Voice' (voice).
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
17 of 17 films
as Phone Voice (voice)
Directed by Wes Craven
as 'The Voice' (voice)
Directed by Matt Bettinelli-Olpin
as Mojo Jojo (voice)
Directed by Craig McCracken
as 'The Voice' (voice)
Directed by Kevin Williamson
as 'The Voice' (voice)
Directed by Matt Bettinelli-Olpin
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Phone Voice (voice)
Scream (1996)
Performance score7.4
The performance the rest of the career is read through. Phone Voice (voice) gives Roger L. Jackson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
'The Voice' (voice)
Scream VI (2023)
Performance score7.1
Scream VI asks for something the previous films did not, and gets it. 'The Voice' (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Mojo Jojo (voice)
The Powerpuff Girls Movie (2002)
Performance score7.0
The Powerpuff Girls Movie asks for something the previous films did not, and gets it. Mojo Jojo (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
'The Voice' (voice)
Scream 7 (2026)
Performance score6.7
Scream 7 asks for something the previous films did not, and gets it. 'The Voice' (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Phone Voice (voice)
Start here. Scream is the clearest statement of what Roger L. Jackson does — accessible, 112 minutes, and rated 7.6 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Roger at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
The Powerpuff Girls Movie (2002)
A deliberate change of key after Scream — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Scream (2022)
A deliberate change of key after The Powerpuff Girls Movie — same instrument, unfamiliar tuning, and the reason range gets mentioned.
Scream VI (2023)
Same director as Scream, different problem to solve. Watching them in order shows how much of the effect was the collaboration.
Scream 7 (2026)
Keeps the horror register of Scream VI but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Wes Craven
Director
4 films together
Notably Scream
Matt Bettinelli-Olpin
Director
2 films together
Notably Scream VI
Gary Goldman
Director
1 film together
Notably Titan A.E.
Frank Oz
Director
1 film together
Notably The Score
Craig McCracken
Director
1 film together
Notably The Powerpuff Girls Movie
Jeff McGrath
Director
1 film together
Notably The Wild Thornberrys Movie
Will Finn
Director
1 film together
Notably Home on the Range
Peter Chung
Director
1 film together
Notably The Chronicles of Riddick: Dark Fury
Brad Peyton
Director
1 film together
Notably Cats & Dogs: The Revenge of Kitty Galore
Anthony Silverston
Director
1 film together
Notably Khumba
Kevin Williamson
Director
1 film together
Notably Scream 7
Behind the camera
Who casts this performer, how often, and what the pairing produces.
Wes Craven
Director
4 films together · 6.7 avg MV
A working relationship rather than a booking — 4 films, and the register shifts each time.
Best film together
ScreamMatt Bettinelli-Olpin
Director
2 films together · 6.8 avg MV
A working relationship rather than a booking — 2 films, and the register shifts each time.
Best film together
Scream VICraig McCracken
Director
1 film together · 6.8 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Powerpuff Girls MovieFrank Oz
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The ScoreGary Goldman
Director
1 film together · 6.6 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Titan A.E.Kevin Williamson
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Scream 7Jeff McGrath
Director
1 film together · 6.5 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Wild Thornberrys MoviePeter Chung
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Chronicles of Riddick: Dark FuryWill Finn
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Home on the RangeAnthony Silverston
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
KhumbaBrad Peyton
Director
1 film together · 5.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Cats & Dogs: The Revenge of Kitty GaloreSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Scream
as Phone Voice (voice)
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Khumba
as Walkie Talkie / Black Eagle (voice)
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Scream
as Phone Voice (voice)
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Home on the Range
as Additional Voices (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Scream
as Phone Voice (voice)
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Roger L. Jackson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Career Achievement
Awarded
30 years of relevant work — not merely a long career, but a long career of choices.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Horror Legend
Awarded
8 catalogue titles in horror, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Scream
as Phone Voice (voice)
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
Scream
as Phone Voice (voice)
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Khumba
as Walkie Talkie / Black Eagle (voice)
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
Scream
as Phone Voice (voice)
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
Titan A.E.
as First Alien (voice)
Images that would survive with the sound switched off.
Best action sequence
Titan A.E.
as First Alien (voice)
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Happily N'Ever After
as Additional Voices (voice)
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
Scream 7
as 'The Voice' (voice)
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Morgan Freeman
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Jamie Harris
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Have your say
Community
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Reference
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