Performer
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio rank
#7472
of 909177 performers
Top 1%
Ruth Wilson works on versatility rather than volume, and the catalogue keeps proving that the quieter choice was the correct one.
The essay
Our editors on the work, the patterns and the reason this body of work holds together.
Ruth Wilson appears in 12 films in the Nutevio catalogue, and none of them would work the same way without Ruth. Saving Mr. Banks is the clearest case: a film rated 7.3 by our editors, where the performance carries weight the script only implies.
The recognisable elements are versatility, transformation, quiet performance. Watch two of these films back to back and the method separates from the material — the same instrument, tuned differently for horror, thriller, drama. It is a style built on what is withheld as much as what is played.
Working with Harris Dickinson, Tom George, Harry Wootliff and others, Ruth Wilson helped set a standard other performers now audition against. Awards bodies have been slower than the work, which is usually the sign of a career built on choices rather than campaigns.
Saving Mr. Banks (2013) as Margaret Goff · Suite Française (2015) as Madeleine Labarie · Locke (2014) as Katrina (voice)
Career snapshot
Ranked #7472 of 909177 performers tracked in the Nutevio library.
Films in Nutevio
12
2012–2026
Career length
14 yrs
Measured across our catalogue
Academy Awards
—
Unknown
Oscar nominations
—
Unknown
Highest Nutevio score
7.3
Saving Mr. Banks
Average Nutevio score
5.9
Across catalogue work
Highest IMDb rating
7.3
Saving Mr. Banks
Most frequent director
Harris Dickinson
1 film together
Longest collaboration
1×
With Harris Dickinson
Most common genre
Drama
7 titles
Average runtime
1h 50m
Across catalogue work
Golden Globe wins
—
Unknown
Nutevio metric
Ten weighted categories, applied identically to everyone we cover.
Nutevio Performer Score
6.8
out of 10
A performer whose catalogue work here is strong, with the fuller case still to be made.
Nutevio metric
Cultural impact and legacy, measured separately from craft — how far the work travelled once it left the cinema.
Nutevio Influence Score
6.2
out of 10
A quieter influence — felt inside the films rather than across the industry.
How far the work travelled past the people who saw it first.
What survives once the release-week conversation has burned off.
Institutional acknowledgement, weighted but never decisive.
Years of chosen, relevant work rather than years merely employed.
Statuettes, read as evidence rather than verdict.
Roles named without needing the film named alongside them.
Directors who wrote parts because this performer existed.
The reading other performers now have to answer.
Actor DNA
A fingerprint derived from the roles themselves — register, range and the kind of film they carry.
The shape of a career
Every performance plotted in time. Hover a point to read the title behind it.
Peak years
Where the scores, the awards and the sheer volume of work agree with each other.
Best decade
2010s
6.6 average MV
The 2010s are where the work and the material meet. The Little Stranger, How to Talk to Girls at Parties, Suite Française — the run our editors reach for first when the argument is about range rather than fame.
Highest average Nutevio score
2010s
6.6
Across 7 catalogue films in this decade, our scores never drop below the level a career is judged on.
Highest average IMDb rating
2010s
6.6
The public agrees most strongly about this stretch — useful context, and occasionally a decade behind our own reading.
Most awarded era
2010s
0 Academy Awards
Statuettes for the films themselves, which is the honest way to read an ensemble career. The Little Stranger, How to Talk to Girls at Parties, Suite Française.
Most productive era
2010s
7 films
The busiest stretch of the catalogue — volume that reads as appetite rather than availability.
Range, mapped
Genres down the side, decades across the top. Warmer cells mean stronger titles.
| Genre | 2010s | 2020s |
|---|---|---|
| Drama | 7.04 films | 6.23 films |
| Action | 6.11 film | — |
| Thriller | 6.91 film | 0.01 film |
| Comedy | 6.72 films | 6.31 film |
| Crime | — | 6.31 film |
| Romance | 6.63 films | — |
| Horror | 5.71 film | 0.01 film |
Chronology
Firsts and peaks
The turning points, in the order they happened.
First film in Nutevio
2012Anna Karenina
Where our catalogue meets this career, as Princess Betsy Tverskoy.
Highest rated performance · Career peak
2013Saving Mr. Banks
7.3 on the Nutevio scale, the top of the catalogue for this performer. Weighing billing against the film's own quality, this is the point where everything aligned at once.
Most recent film
2026Victorian Psycho
The current state of the argument, as Mrs. Pounds.
Our order
Every performance in the catalogue, ordered by Nutevio Score.
Every title
Filter by genre or decade, and compare any two titles side by side.
12 of 12 films
as Margaret Goff
Directed by John Lee Hancock
as Madeleine Labarie
Directed by Saul Dibb
as Katrina (voice)
Directed by Steven Knight
as Meditation Tape (voice)
Directed by Harris Dickinson
From the library
Every movie and TV credit stored for this name in the Nutevio catalogue — filter by media, role or sort by rating.
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The defining work
#1
Margaret Goff
Saving Mr. Banks (2013)
Performance score7.4
The performance the rest of the career is read through. Margaret Goff gives Ruth Wilson a structure to work against, and the film hands over its centre of gravity without hesitation.
View movie#2
Mona Juul
Oslo (2021)
Performance score7.3
Oslo asks for something the previous films did not, and gets it. Mona Juul is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#3
Madeleine Labarie
Suite Française (2015)
Performance score7.3
Suite Française asks for something the previous films did not, and gets it. Madeleine Labarie is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movie#4
Katrina (voice)
Locke (2014)
Performance score7.3
Locke asks for something the previous films did not, and gets it. Katrina (voice) is played without a single line of pleading for the audience's sympathy — which is exactly why it lands.
View movieStart here
A guided path through the work, ordered so each film explains the next.
Best entry point
as Margaret Goff
Start here. Saving Mr. Banks is the clearest statement of what Ruth Wilson does — accessible, 126 minutes, and rated 7.3 by our editors. No context required.
Our editors order this path by accessibility first and chronology second. You meet Ruth at the most legible performance, then move forward in time so each film reads as a response to the one before it rather than a repetition of it.
Locke (2014)
Keeps the drama register of Saving Mr. Banks but asks for a colder reading of it.
Suite Française (2015)
Keeps the drama register of Locke but asks for a colder reading of it.
Oslo (2021)
Keeps the drama register of Suite Française but asks for a colder reading of it.
Urchin (2025)
Keeps the drama register of Oslo but asks for a colder reading of it.
Company kept
The directors and performers this career keeps returning to.
Joe Wright
Director
1 film together
Notably Anna Karenina
Gore Verbinski
Director
1 film together
Notably The Lone Ranger
John Lee Hancock
Director
1 film together
Notably Saving Mr. Banks
Steven Knight
Director
1 film together
Notably Locke
Saul Dibb
Director
1 film together
Notably Suite Française
John Cameron Mitchell
Director
1 film together
Notably How to Talk to Girls at Parties
Lenny Abrahamson
Director
1 film together
Notably The Little Stranger
Harry Wootliff
Director
1 film together
Notably True Things
Tom George
Director
1 film together
Notably See How They Run
Harris Dickinson
Director
1 film together
Notably Urchin
Behind the camera
Who casts this performer, how often, and what the pairing produces.
John Lee Hancock
Director
1 film together · 7.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Saving Mr. BanksSaul Dibb
Director
1 film together · 7.2 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Suite FrançaiseSteven Knight
Director
1 film together · 6.9 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
LockeHarris Dickinson
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
UrchinJoe Wright
Director
1 film together · 6.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
Anna KareninaTom George
Director
1 film together · 6.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
See How They RunGore Verbinski
Director
1 film together · 6.1 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Lone RangerJohn Cameron Mitchell
Director
1 film together · 6.0 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
How to Talk to Girls at PartiesLenny Abrahamson
Director
1 film together · 5.7 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
The Little StrangerHarry Wootliff
Director
1 film together · 5.3 avg MV
One film, but the kind that reorganises how a performer is cast afterwards.
Best film together
True ThingsSix degrees
Follow the thread outward — director, film, co-star, and the film after that.
Categories of our own
Six editorial categories we apply to every performer we cover.
Most rewatchable
Saving Mr. Banks
as Margaret Goff
The one that survives a fourth viewing. Nothing in the performance depends on surprise, which is why it keeps paying out.
Most emotional performance
Anna Karenina
as Princess Betsy Tverskoy
Grief played at conversational volume. The film never asks the audience to cry; the performance simply makes it difficult not to.
Most influential performance
Saving Mr. Banks
as Margaret Goff
You can hear this reading in other actors' auditions a decade later — the surest measure of influence there is.
Best ensemble performance
Urchin
as Meditation Tape (voice)
Work that makes everyone else in the frame better without ever pulling the camera towards itself.
Career defining performance
Saving Mr. Banks
as Margaret Goff
If the career had to be argued in a single scene, our editors would pick one from this film and rest the case.
In their films' words
“You can build a whole film around a performer who knows when not to speak. Ruth Wilson has known it for a long time.”
Head to head
Put two careers on the same scale and see where the argument actually sits.
Ours alone
Recognitions handed out by this desk, on criteria no awards body uses.
Modern Classic Performer
Awarded
Defining performances delivered inside the last twenty-five years, in films already being taught rather than merely remembered.
Drama Legend
Awarded
7 catalogue titles in drama, each one a reference point for the films that followed.
Our desk
Best ending, best opening, best twist and the rest — categories we apply to everyone we cover.
Best ending
Saving Mr. Banks
as Margaret Goff
The last five minutes reorganise everything before them, and hold up when you already know what's coming.
Best opening
See How They Run
as Petula Spencer
A first sequence that states the rules of the film without explaining a single one of them.
Most emotional
Anna Karenina
as Princess Betsy Tverskoy
The film where the technique steps aside and lets the feeling arrive undefended.
Best twist
See How They Run
as Petula Spencer
A reversal earned by information the film gave you and trusted you to misread.
Best visual achievement
The Lone Ranger
as Rebecca Reid
Images that would survive with the sound switched off.
Best action sequence
The Lone Ranger
as Rebecca Reid
Geography, stakes and consequence held in the same frame — spectacle you can follow.
Best dialogue
Saving Mr. Banks
as Margaret Goff
Lines written to be spoken, staged so the pauses do half the work.
Most underrated film
True Things
as Kate
The public vote sits below ours on this one, and the direction is the reason for the gap.
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Have your say
Community
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Reference
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